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Album

Secular Songs & Dances from the Middle Ages

By Anonymous

28th March 2024


#
Title
Tempo
Key
Length
1
Ich was ein chint so wolgetan, CB 185
Anonymous, Modo Antiquo, Bettina Hoffmann
128 bpm
G Maj
04:03
2
Axe Phebus aureo, CB 71
Anonymous, Modo Antiquo, Bettina Hoffmann
135 bpm
E min
02:34
3
Bache bene venies, CB 200
Anonymous, Modo Antiquo, Bettina Hoffmann
125 bpm
C Maj
04:28
4
Dulce solum, CB 119
Anonymous, Modo Antiquo, Bettina Hoffmann
172 bpm
F Maj
09:48
5
In taberna quando sumus, CB 196
Anonymous, Modo Antiquo, Bettina Hoffmann
100 bpm
A min
03:14
6
Veris dulcis in tempore, CB 85 e 159
Anonymous, Modo Antiquo, Bettina Hoffmann
66 bpm
E min
03:09
7
Alte clamat Epicurus, CB 211 e 211°
Anonymous, Modo Antiquo, Bettina Hoffmann
114 bpm
A min
05:07
8
Exiit dilucolo rustica puella, CB 90
Anonymous, Modo Antiquo, Bettina Hoffmann
109 bpm
C Maj
03:23
9
Olim sudor Herculis, CB 63
Anonymous, Modo Antiquo, Bettina Hoffmann
77 bpm
F Maj
09:44
10
Virent prata hiemata, CB 151
Anonymous, Modo Antiquo, Bettina Hoffmann
175 bpm
G min
03:44
11
Sic mea fata, CB 116
Anonymous, Modo Antiquo, Bettina Hoffmann
75 bpm
F Maj
06:26
12
Walthers ton (da CB 211)
Anonymous, Modo Antiquo, Bettina Hoffmann
123 bpm
A# Maj
01:18
13
Tempus transit gelidum, CB 153
Anonymous, Modo Antiquo, Bettina Hoffmann
106 bpm
D min
03:12
14
Bonus est confidere, CB 27
Anonymous, Modo Antiquo, Bettina Hoffmann
180 bpm
F Maj
02:38
15
nomen a sollempnibus, CB 52
Anonymous, Modo Antiquo, Bettina Hoffmann
75 bpm
D# Maj
03:53
16
Dic Christi veritas , Bulla fulminante, CB 131, 131
Anonymous, Modo Antiquo, Bettina Hoffmann
93 bpm
G min
06:02
17
O varium fortune lubricum, CB 14
Anonymous, Modo Antiquo, Bettina Hoffmann
91 bpm
C Maj
05:01
18
Fas et nefas, CB 19
Anonymous, Modo Antiquo, Bettina Hoffmann
132 bpm
C Maj
03:08
19
Veritas veritatum, CB 21
Anonymous, Modo Antiquo, Bettina Hoffmann
74 bpm
A# Maj
02:12
20
Currit ad vocem, CB 47a
Anonymous, Modo Antiquo, Bettina Hoffmann
123 bpm
C Maj
01:47
21
Crucifigat omnes, CB 47
Anonymous, Modo Antiquo, Bettina Hoffmann
141 bpm
A# Maj
03:38
22
Procurans odium, CB 12
Anonymous, Modo Antiquo, Bettina Hoffmann
137 bpm
D min
01:51
23
Ave nobilis, CB 11
Anonymous, Modo Antiquo, Bettina Hoffmann
84 bpm
F Maj
07:06
24
Ecce torpet probitas, CB 3
Anonymous, Modo Antiquo, Bettina Hoffmann
102 bpm
B Maj
04:35
25
Planctus ante nescia, CB 14
Anonymous, Modo Antiquo, Bettina Hoffmann
136 bpm
C Maj
07:03
26
Licet ager cum egrotis, CB 8
Anonymous, Modo Antiquo, Bettina Hoffmann
80 bpm
C Maj
07:07
27
Celum Non animum, CB 15
Anonymous, Modo Antiquo, Bettina Hoffmann
67 bpm
A min
04:14
28
I. Appellatio: Crucifigat omnes (Carmina Burana 47)
Anonymous, Modo Antiquo, Bettina Hoffmann
133 bpm
D# Maj
02:38
29
I. Appellatio: Seignor, sachiez qui or ne s'en ira (Thibaut de Champagne)
Anonymous, Modo Antiquo, Bettina Hoffmann
77 bpm
F Maj
06:56
30
I. Appellatio: La Quinte Estampie Real (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
140 bpm
E min
03:12
31
I. Appellatio: Parti de mal et a bien atourné (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
75 bpm
C Maj
05:14
32
I. Appellatio: Chevalier mult estes guariz (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
123 bpm
A min
06:13
33
I. Appellatio: De transfretantibus (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
80 bpm
A Maj
01:44
34
I. Appellatio: Au tans plain de felonie (Thibaut de Champagne)
Anonymous, Modo Antiquo, Bettina Hoffmann
75 bpm
G Maj
03:43
35
II. Dure Departie: La Seconde Estampie Royal (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
116 bpm
D min
02:00
36
II. Dure Departie: Tr. 9 Ă  7'21
Anonymous, Modo Antiquo, Bettina Hoffmann
134 bpm
C Maj
07:21
37
II. Dure Departie: Dame, ensinc est qu'il m'en covient aler (Thibaut de Champagne)
Anonymous, Modo Antiquo, Bettina Hoffmann
127 bpm
C Maj
05:01
38
II. Dure Departie: A vous, Amors, plus qu'a nule autre gent (Le Chastelain de Couci)
Anonymous, Modo Antiquo, Bettina Hoffmann
89 bpm
G Maj
05:07
39
II. Dure Departie: Li departirs de la douce contree (Chardon de Croisilles de Reims)
Anonymous, Modo Antiquo, Bettina Hoffmann
113 bpm
F Maj
05:53
40
II. Dure Departie: Li nouveax temps et maiz et violete (Le Chastelain de Couci)
Anonymous, Modo Antiquo, Bettina Hoffmann
79 bpm
C Maj
07:44
41
II. Dure Departie: Aler m'estuet la ou je trerai paine (Gilles le Vinier? - le Chastelain d'Arras ?)
Anonymous, Modo Antiquo, Bettina Hoffmann
125 bpm
D min
08:16
42
III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part I.
Anonymous, Modo Antiquo, Bettina Hoffmann
174 bpm
G Maj
08:18
43
III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part II.
Anonymous, Modo Antiquo, Bettina Hoffmann
79 bpm
D Maj
01:16
44
III. Passagium Laboriosum: Desolata mater , Que nutritos , Filios enutrivi (from Roman de Fauvel)
Anonymous, Modo Antiquo, Bettina Hoffmann
66 bpm
F Maj
02:45
45
III. Passagium Laboriosum: Maugré tous sainz et maugré dieu ausi (Huon d'Oisi)
Anonymous, Modo Antiquo, Bettina Hoffmann
127 bpm
C Maj
04:27
46
III. Passagium Laboriosum: Congregati sunt (Gregorian Chant)
Anonymous, Modo Antiquo, Bettina Hoffmann
176 bpm
D Maj
02:44
47
III. Passagium Laboriosum: La Quarte Estampie Royal (Anon.)
Anonymous, Modo Antiquo, Bettina Hoffmann
100 bpm
A min
02:23
48
III. Passagium Laboriosum: In gotes namen fara wir (Lutheran Choral)
Anonymous, Modo Antiquo, Bettina Hoffmann
89 bpm
C Maj
00:58
49
III. Passagium Laboriosum: Chanterai por mon coraige (Guiot de Dijon)
Anonymous, Modo Antiquo, Bettina Hoffmann
81 bpm
F Maj
07:47
50
III. Passagium Laboriosum: Diro satis percussus vulnere (Riccardo di San Germano) - Tristan's Lament [Anon.]
Anonymous, Modo Antiquo, Bettina Hoffmann
76 bpm
D Maj
03:59