Songs like Lucky I'm in Love with My Best Friend - Acoustic by Athon Mckenzie
Based on a tempo of (+/- 10%) and a similar genre
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Athon Mckenzie
Lucky I'm in Love with My Best Friend - ...
130 bpm • A min • 03:08 • -8.45db
30% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Michelle Hope
The First Time I Loved Forever
130 bpm • F Maj • 03:26 • -21.5db
28% Popularity • 44% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 44% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Khalil Ramos
I Don't Wan't Miss a Thing
130 bpm • D Maj • 04:30 • -6.17db
13% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Clementine Duo
A Thousand Years
130 bpm • A# Maj • 04:42 • -14db
38% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Kyle Echarri
Fall For Me
130 bpm • A Maj • 04:40 • -7.3db
21% Popularity • 58% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 58% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Yap
I Think I'm in Love Again
130 bpm • A# Maj • 04:00 • -8.74db
23% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Athon Mckenzie
This Is the Part When I Break Free - Aco...
130 bpm • D# Maj • 03:36 • -8.31db
0% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Mraz
Lucky
130 bpm • C Maj • 03:09 • -8.7db
72% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Kaye Malana-Cantong
Is It Okay If I Call You Mine
130 bpm • F Maj • 03:04 • -14.41db
10% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Anja Aguilar
To Reach You
130 bpm • G# Maj • 03:43 • -9.44db
16% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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David Pomeranz
Until I Fall in Love Again
130 bpm • G Maj • 04:11 • -10db
43% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Kenny Rogers
Through The Years
131 bpm • G Maj • 04:22 • -13.37db
46% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bailey Rushlow
How Do I Live - Acoustic
129 bpm • B Maj • 02:44 • -10.65db
27% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Six Part Invention
Falling in Love - Piano Version
129 bpm • C# Maj • 04:12 • -6.43db
18% Popularity • 38% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 38% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tiffany Alvord
Still Into You - acoustic
129 bpm • C Maj • 03:34 • -5.31db
23% Popularity • 87% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 87% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Simpson
Be My Wife
129 bpm • A# Maj • 03:19 • -13db
35% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Krissy
We Can't Be
129 bpm • E Maj • 03:59 • -12.11db
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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David Pomeranz
On This Day
128 bpm • C Maj • 04:14 • -7db
61% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lea Salonga
Two Words
129 bpm • E Maj • 03:52 • -11.23db
34% Popularity • 34% Danceability • 26% Energy • 16% Liveness
2% Instrumentalness • 40% Positiveness
34% Popularity • 34% Danceability • 26% Energy • 16% Liveness
2% Instrumentalness • 40% Positiveness
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Cover Queens
How Do I Live Without You
128 bpm • D Maj • 04:24 • -8db
40% Popularity • 63% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 63% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Gavin Mikhail
How Long Will I Love You
128 bpm • D# Maj • 03:04 • -9.67db
32% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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James Reid
Till I Met You
132 bpm • G# Maj • 03:19 • -8.32db
35% Popularity • 55% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 55% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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EastSide Band
Love Me for What I Am
132 bpm • A Maj • 03:52 • -13.24db
38% Popularity • 46% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 46% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Rebecca Holden
Dreams Come True
132 bpm • C Maj • 03:33 • -4db
29% Popularity • 43% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 43% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Angela Maria
I Finally Found Someone
132 bpm • F Maj • 04:10 • -9.46db
21% Popularity • 52% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 52% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Mazzder
Love Me Like You Do - Remix
128 bpm • G# Maj • 03:01 • -3.52db
5% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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MyLove
Swear It Again
132 bpm • A Maj • 04:01 • -4.71db
28% Popularity • 51% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 51% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Nelson Del Castillo
You're My Best Friend
128 bpm • C# Maj • 04:09 • -15db
31% Popularity • 57% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 57% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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A1
One Last Song
132 bpm • C Maj • 04:47 • -5.06db
46% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sandhy Sondoro
End of the Rainbow (Russian Release)
128 bpm • G# Maj • 02:55 • -8.58db
24% Popularity • 69% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 69% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Samuel Rodriguez
You Are Still The One
132 bpm • G Maj • 03:23 • -12db
23% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Hugo Schneider
Infinity
132 bpm • C# Maj • 02:59 • -10.51db
22% Popularity • 66% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 66% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Bailey Pelkman
I Just Called To Say I Love You
132 bpm • C Maj • 03:09 • -9.88db
46% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Athon Benet
Blame - Acoustic
128 bpm • C min • 03:27 • -6.88db
1% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Carpio
Through The Years
132 bpm • G Maj • 04:36 • -10.38db
59% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 63% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Mazzder
I Really Like You - Remix
128 bpm • F Maj • 03:23 • -2.8db
1% Popularity • 65% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 65% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Athon Mckenzie
I've Got the Moves Like Jagger - Acousti...
128 bpm • F# min • 03:24 • -6.23db
1% Popularity • 60% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 60% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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A1
Like A Rose (2012 Acoustic version)
128 bpm • A Maj • 04:02 • -11db
34% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 57% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bailey Pelkman
Can't Take My Eyes Off You
132 bpm • D Maj • 03:17 • -10.63db
34% Popularity • 77% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 77% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Maricris Garcia
My Destiny - Theme from My Love from The...
128 bpm • G Maj • 03:53 • -7.13db
28% Popularity • 38% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 38% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Alecza Marie
The Day That We First Met
128 bpm • C# Maj • 03:48 • -8.18db
22% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Maine Mendoza
Lost With You
133 bpm • G# Maj • 03:16 • -10.03db
13% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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APO Hiking Society
Show Me a Smile
133 bpm • D Maj • 03:16 • -17.44db
39% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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TFTI
Weak
127 bpm • E Maj • 05:26 • -9.04db
38% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Paolo Santos
Moonlight over Paris
127 bpm • B Maj • 05:03 • -7.79db
35% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Nonoy Penna
That's Why
133 bpm • G Maj • 04:25 • -9.52db
28% Popularity • 37% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 37% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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John Adams
I Will Always Love You - Acoustic
127 bpm • A Maj • 02:59 • -13.01db
42% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Liza Soberano
With You in My Life
134 bpm • D# Maj • 03:40 • -7db
39% Popularity • 67% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 67% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Sheryn Regis
Follow Your Dream
134 bpm • G Maj • 04:24 • -8.9db
29% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Athon Mckenzie
Because You Know I'm All About That Bass...
134 bpm • A Maj • 03:08 • -6.4db
0% Popularity • 80% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 80% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Heart Evangelista
To Be with You - Slow Version
134 bpm • E Maj • 03:58 • -10.12db
9% Popularity • 56% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Hazel Faith
Total Eclipse of the Heart
134 bpm • A Maj • 04:58 • -7.75db
25% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bailey May
Now We're Together
126 bpm • A Maj • 03:04 • -4.94db
25% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Yasmien Kurdi
In the Name of Love
134 bpm • G Maj • 04:41 • -13db
37% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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David Pomeranz
Until I Fall in Love Again - New Version
126 bpm • G Maj • 04:17 • -9db
45% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Hung Blackhearted
LOVE YOU
126 bpm • D Maj • 04:34 • -10.8db
23% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Carpio
Don't Know What To Do (Don't Know What T...
134 bpm • C# Maj • 02:47 • -9.83db
58% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
58% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Hazel Faith
I Love You, Goodbye
126 bpm • A Maj • 03:33 • -9db
31% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jinky Vidal
Tonight I Give In
134 bpm • F# Maj • 03:47 • -4.37db
52% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Athon Mckenzie
We Could Be Heroes - Acoustic
126 bpm • F Maj • 03:31 • -7.27db
2% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Trevin Hunte
Greatest Love Of All - The Voice Perform...
126 bpm • G Maj • 03:09 • -5db
24% Popularity • 50% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 50% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Six Part Invention
More Than Words Can Say
135 bpm • G Maj • 04:25 • -6.49db
20% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Matteo Guidicelli
Annie's Song - You Fill up My Senses
135 bpm • D Maj • 03:15 • -8.61db
10% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Narmi
Make Me Whirl
125 bpm • A Maj • 04:27 • -15db
18% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tres Hermanas
Baby, I Love Your Way
136 bpm • G# Maj • 04:26 • -8db
45% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Athon Mckenzie
That's What Makes You Beautiful - Acoust...
125 bpm • E Maj • 03:21 • -6.1db
0% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Lamont
Victims of Love
124 bpm • G Maj • 03:47 • -8db
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ron Irving
Something Only Love Can Do
124 bpm • E min • 04:29 • -12.73db
12% Popularity • 41% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 41% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Eurika
From This Moment - Revival
136 bpm • D# Maj • 03:49 • -6db
49% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kenny Shields
I Don't Wanna Talk About It
136 bpm • A# Maj • 04:29 • -4.9db
32% Popularity • 54% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 54% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Learns To Rock
Nothing to Lose - 2014 Remaster
136 bpm • D# Maj • 04:00 • -8.89db
55% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Athon Mckenzie
Cause You're a Sky Full of Stars - Acous...
125 bpm • D# min • 04:32 • -6.95db
9% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Daryl Ong
It's Not Easy Letting Go
124 bpm • D Maj • 03:44 • -5.08db
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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A1
Heaven By Your Side
136 bpm • A Maj • 04:25 • -9.42db
51% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Stagecrew
Next In Line
124 bpm • D Maj • 04:21 • -10.43db
45% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Glaiza De Castro
Till It's Time
124 bpm • G Maj • 04:04 • -13.27db
28% Popularity • 55% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 55% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Natsumi
That's Why You Go Away
124 bpm • B Maj • 04:10 • -10.21db
41% Popularity • 70% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 70% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Bondoc
Let Me Be The One
124 bpm • A Maj • 05:12 • -8.37db
60% Popularity • 50% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 50% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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James Reid
On the Wings of Love
124 bpm • D# Maj • 04:10 • -11.2db
37% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jolina Magdangal
Maybe It's You
124 bpm • G Maj • 04:01 • -9db
46% Popularity • 48% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sheryn Regis
Where Do Broken Hearts Go
124 bpm • D Maj • 04:07 • -9.94db
43% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Denise Barbacena
Last Thing I'd Do
124 bpm • G Maj • 03:48 • -10db
23% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Daryl Ong
Batang Bata Ka Pa
137 bpm • G Maj • 04:07 • -8.19db
40% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Air Supply
Come What May
137 bpm • D Maj • 04:02 • -12.78db
33% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Martin Nievera
Wildflower
123 bpm • F Maj • 04:34 • -8.63db
32% Popularity • 29% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 29% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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All-4-One
Someone Who Lives in Your Heart
137 bpm • C# Maj • 04:27 • -6db
33% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Paolo Santos
Moonlight Over Paris
123 bpm • A# Maj • 04:11 • -10.75db
50% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Reneé Dominique
The Revenge Song
123 bpm • C# Maj • 03:57 • -7.26db
28% Popularity • 78% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 78% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Athon Mckenzie
I Won't Give up on Us - Acoustic
138 bpm • E Maj • 04:00 • -7db
26% Popularity • 53% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 53% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Daniel Sahuleka
Don't Sleep Away the Night
123 bpm • F# Maj • 04:11 • -10.25db
40% Popularity • 45% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 45% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Six Part Invention
Falling in Love
123 bpm • C# Maj • 04:12 • -5db
52% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Hylom
Let It Be
138 bpm • A# Maj • 04:14 • -9.79db
46% Popularity • 71% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 71% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Learns To Rock
The Ghost of You
138 bpm • G Maj • 04:01 • -6.18db
23% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Donna Cruz
Only Me and You
122 bpm • A min • 05:07 • -17db
47% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Leanne & Naara
Someday
122 bpm • C Maj • 04:19 • -11.16db
47% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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David Choi
The Way You Are
122 bpm • C Maj • 03:43 • -10.89db
31% Popularity • 66% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 66% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Trademark
Only Love
122 bpm • C# min • 04:03 • -6db
52% Popularity • 43% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 43% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Angelina Cruz
One Friend
122 bpm • C# Maj • 03:18 • -9.46db
35% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
