Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Beat Me Daddy, Eight to the Bar - Remastered cover art

Glenn Miller, Technical Sgt. Ray McKinley

Beat Me Daddy, Eight to the Bar - Remastered

The Lost Recordings
Preview
Home >> Glenn Miller >> Beat Me Daddy, Eight to the Bar - Remastered

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
169 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
B min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-14.81db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 2% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
2%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
32%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
52%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
68%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
14%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
14%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
92%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
23%




Discover songs similar to Beat Me Daddy, Eight to the Bar - Remastered


I'm Tickled Pink cover art
Jack Shaindlin - I'm Tickled Pink
50% popularity • 169 bpm • F min • 01:53 • 4/4
Don't Be That Way cover art
Jimmy Dorsey & His Orchestra - Don't Be That Way
24% popularity • 170 bpm • C min • 03:00 • 4/4
Kansas City Shuffle (Alternate Take) cover art
Bennie Moten - Kansas City Shuffle (Alternate Take)
21% popularity • 169 bpm • D# Maj • 02:53 • 4/4
On A Slow Boat To China cover art
Harry Babbitt - On A Slow Boat To China
28% popularity • 168 bpm • G Maj • 03:17 • 4/4
Here's Love In Your Eyes cover art
Lee Wiley - Here's Love In Your Eyes
44% popularity • 167 bpm • A min • 01:41 • 4/4
Paper Doll cover art
The Mills Brothers - Paper Doll
46% popularity • 168 bpm • C# Maj • 02:31 • 4/4
Boogie Woogie Bugle Boy cover art
The Andrews Sisters - Boogie Woogie Bugle Boy
52% popularity • 167 bpm • G Maj • 02:41 • 4/4
The Ritz Roll and Rock cover art
Fred Astaire (performer), The MGM Studio Chorus - The Ritz Roll and Rock
23% popularity • 171 bpm • F Maj • 03:35 • 4/4
Tea for Two cover art
Art Tatum - Tea for Two
50% popularity • 167 bpm • C# Maj • 03:13 • 4/4
Sweet Sue - Just You cover art
Benny Goodman Quartet - Sweet Sue - Just You
25% popularity • 167 bpm • G Maj • 03:18 • 4/4
Down Argentina Way - Remastered cover art
Bob Crosby & The Bob Cats - Down Argentina Way - Remastered
25% popularity • 166 bpm • G Maj • 02:35 • 4/4
Amapola cover art
Jimmy Dorsey - Amapola
21% popularity • 166 bpm • G min • 03:26 • 4/4
Sweet Madness cover art
Bunny Berigan - Sweet Madness
19% popularity • 172 bpm • F min • 02:54 • 4/4
Drum Boogie cover art
Gene Krupa - Drum Boogie
21% popularity • 172 bpm • D# Maj • 03:09 • 4/4
Click to view more similar songs to Beat Me Daddy, Eight to the Bar - Remastered
Discover more songs by Glenn Miller
Beat Me Daddy, Eight to the Bar - Remastered is a song by Glenn Miller, released on 1996-08-01. It is track number 22 in the album The Lost Recordings. Beat Me Daddy, Eight to the Bar - Remastered has a BPM/tempo of 169 beats per minute, is in the key of B min and has a duration of 3 minutes, 7 seconds.

Beat Me Daddy, Eight to the Bar - Remastered is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is pretty easy to dance to.


Beat Me Daddy, Eight to the Bar - Remastered info

Name
Beat Me Daddy, Eight to the Bar - Remastered
Artist(s)
Glenn Miller, Technical Sgt. Ray McKinley
Album
The Lost Recordings
Release Date
1st August 1996
ISRC
USBC19605483
Key
B min
Tempo
169
Loudness (db)
-14.81db
Time signature
4/4
Length
03:07
Song Number
22 of 45
Explicit
No