Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Concert, SWV 470: "Christ ist ertanden" cover art

Heinrich Schütz, Akademia, La Fenice, Françoise Lasserre, Jean Tubéry, Caroline Pelon

Concert, SWV 470: "Christ ist ertanden"

Schutz : Les 7 paroles du Christ en croix
Preview
Home >> Heinrich Schütz >> Concert, SWV 470: "Christ ist ertanden"

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
74 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
D min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-19.6db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
0%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
11%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
14%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
14%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
12%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
96%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
90%




Discover songs similar to Concert, SWV 470: "Christ ist ertanden"


Johannes-Passion, SWV 481: VII. Kreuzigung und Tod cover art
Heinrich Schütz - Johannes-Passion, SWV 481: VII. Kreuzigu...
5% popularity • 74 bpm • C# Maj • 08:40 • 5/4
Te deum, LWV 55: VII. Tu ad dexteram Dei sedes cover art
Jean-Baptiste Lully - Te deum, LWV 55: VII. Tu ad dexteram Dei...
17% popularity • 73 bpm • A# Maj • 01:39 • 3/4
Jesu meine Freude, BWV 227: Denn das Gesetz des Geistes cover art
Johann Sebastian Bach - Jesu meine Freude, BWV 227: Denn das Ges...
9% popularity • 75 bpm • D# min • 01:08 • 3/4
Also hat Gott die Welt geliebt cover art
The National Lutheran Choir - Also hat Gott die Welt geliebt
3% popularity • 75 bpm • E min • 02:23 • 3/4
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas cover art
Charles Gounod - Les Sept paroles de Notre Seigneur Jésu...
11% popularity • 75 bpm • F Maj • 01:54 • 3/4
A Winter Carol (SATB) cover art
Grace-Evangeline Mason - A Winter Carol (SATB)
8% popularity • 75 bpm • G# Maj • 02:52 • 4/4
Historia der Auferstehung Jesu Christi, SWV 50: II. Da der Sabbath vergangen war cover art
Heinrich Schütz - Historia der Auferstehung Jesu Christi, ...
6% popularity • 74 bpm • F# Maj • 08:47 • 3/4
Lamentationes Jeremiae Prophetae, Prima die: Lectio prima cover art
Emilio de' Cavalieri - Lamentationes Jeremiae Prophetae, Prima ...
8% popularity • 75 bpm • C# Maj • 06:14 • 1/4
Jesu Meine Freude, BWV 358 cover art
Johann Sebastian Bach - Jesu Meine Freude, BWV 358
12% popularity • 75 bpm • C# min • 01:06 • 3/4
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied cover art
Robert Schumann - Romanzen, Book 2, Op. 91: No. 5. Der Ble...
12% popularity • 75 bpm • G min • 04:12 • 5/4
Missa Sanctae Crucis, MH 56: Agnus Dei cover art
Michael Haydn - Missa Sanctae Crucis, MH 56: Agnus Dei
19% popularity • 75 bpm • G# min • 02:34 • 4/4
Suite from Taffel-Consort: Volta cover art
Thomas Simpson - Suite from Taffel-Consort: Volta
19% popularity • 75 bpm • G# Maj • 01:05 • 4/4
Erbarm dich mein, o Herre Gott, SWV 148 cover art
Heinrich Schütz - Erbarm dich mein, o Herre Gott, SWV 148
15% popularity • 74 bpm • C Maj • 06:32 • 4/4
Prime die Lectio secunda: XIII. Zaïn cover art
Emilio de' Cavalieri - Prime die Lectio secunda: XIII. Zaïn
20% popularity • 73 bpm • F# Maj • 00:55 • 3/4
Click to view more similar songs to Concert, SWV 470: "Christ ist ertanden"
Discover more songs by Heinrich Schütz
Concert, SWV 470: "Christ ist ertanden" is a song by Heinrich Schütz, released on 2010. It is track number 13 in the album Schutz : Les 7 paroles du Christ en croix. Concert, SWV 470: "Christ ist ertanden" has a BPM/tempo of 74 beats per minute, is in the key of D min and has a duration of 5 minutes, 26 seconds.

Concert, SWV 470: "Christ ist ertanden" is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Concert, SWV 470: "Christ ist ertanden" info

Name
Concert, SWV 470: "Christ ist ertanden"
Artist(s)
Heinrich Schütz, Akademia, La Fenice, Françoise Lasserre, Jean Tubéry, Caroline Pelon
Album
Schutz : Les 7 paroles du Christ en croix
Release Date
25th April 2024
ISRC
FRZ170000130
Key
D min
Tempo
74
Loudness (db)
-19.6db
Time signature
4/4
Length
05:26
Song Number
13 of 13
Explicit
No