Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Finale Act I cover art

Ruthie Henshall, Henry Goodman, Ute Lemper

Finale Act I

Chicago The Musical (New London Cast Recording (1997))
Preview
Home >> Ruthie Henshall >> Finale Act I

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
137 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-14.77db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 10% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
10%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
29%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
61%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
39%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
82%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
56%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
91%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Finale Act I


Finale Act I cover art
Ruthie Henshall - Finale Act I
10% popularity • 137 bpm • E Maj • 00:40 • 4/4
The Seven Deadly Virtues cover art
Taylor Trensch - The Seven Deadly Virtues
17% popularity • 137 bpm • C# Maj • 01:39 • 4/4
L'Orgie Parisienne (Rimbaud): 1. Allez! on préviendra les reflux d'incendie cover art
Michael Nyman - L'Orgie Parisienne (Rimbaud): 1. Allez! ...
2% popularity • 137 bpm • C# min • 03:24 • 4/4
When I'm Gone cover art
Michael X. Martin - When I'm Gone
15% popularity • 138 bpm • A Maj • 03:49 • 3/4
Room 317 cover art
Joanna Ampil - Room 317
12% popularity • 136 bpm • D Maj • 02:52 • 4/4
Success cover art
Peter Friedman - Success
20% popularity • 136 bpm • A# Maj • 05:25 • 4/4
Roxie - Part II cover art
Ruthie Henshall - Roxie - Part II
13% popularity • 137 bpm • C# Maj • 05:06 • 4/4
Introductory Remarks (Bonus Track) cover art
Charles Strouse - Introductory Remarks (Bonus Track)
13% popularity • 136 bpm • G# Maj • 01:01 • 4/4
Only In The Movies cover art
Brent Carver - Only In The Movies
9% popularity • 136 bpm • C min • 06:23 • 4/4
Building the Barricade / On My Own - Live cover art
The "Les Misérables" 10th Anniversary Orchestra - Building the Barricade / On My Own - Liv...
37% popularity • 136 bpm • D min • 04:38 • 4/4
Tomorrow's Mother's Day - Bonus Track cover art
Baby June Baby Louise - Tomorrow's Mother's Day - Bonus Track
10% popularity • 135 bpm • G Maj • 01:17 • 4/4
Gliding cover art
Peter Friedman - Gliding
19% popularity • 136 bpm • F# Maj • 03:51 • 3/4
All That Jazz cover art
Ute Lemper - All That Jazz
31% popularity • 138 bpm • E Maj • 04:53 • 4/4
Where or When cover art
Ruthie Henshall - Where or When
3% popularity • 135 bpm • D# Maj • 02:07 • 4/4
Click to view more similar songs to Finale Act I
Discover more songs by Ruthie Henshall
Finale Act I is a song by Ruthie Henshall, released on 1995-12-31. It is track number 13 in the album Chicago The Musical (New London Cast Recording (1997)). Finale Act I has a BPM/tempo of 137 beats per minute, is in the key of E Maj and has a duration of 40 seconds, 400 milliseconds.

Finale Act I is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is pretty easy to dance to.


Finale Act I info

Name
Finale Act I
Artist(s)
Ruthie Henshall, Henry Goodman, Ute Lemper
Album
Chicago The Musical (New London Cast Recording (1997))
Release Date
31st December 1995
ISRC
USBC19801274
Key
E Maj
Tempo
137
Loudness (db)
-14.77db
Time signature
4/4
Length
00:40
Song Number
13 of 23
Explicit
No