🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
128 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-14.07db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 5% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
24%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
22%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
16%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
9%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
91%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Good King Wencelas


Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit cover art
Pyotr Ilyich Tchaikovsky - Liturgy of St. John Chrysostom, Op. 41: ...
28% popularity • 128 bpm • F# Maj • 01:42 • 4/4
Requiem in D minor, K.626: Agnus Dei cover art
Wolfgang Amadeus Mozart - Requiem in D minor, K.626: Agnus Dei
7% popularity • 128 bpm • F Maj • 02:34 • 3/4
Sophronievskaia Cherubic Hymn, Russian Chant cover art
Cherubika - Sophronievskaia Cherubic Hymn, Russian C...
22% popularity • 128 bpm • D min • 05:22 • 5/4
Alma Redemptoris Mater cover art
Gregorian Chant - Alma Redemptoris Mater
14% popularity • 128 bpm • D Maj • 02:32 • 3/4
Viderunt omnes No. 1: ...Dominus... cover art
Léonin - Viderunt omnes No. 1: ...Dominus...
28% popularity • 128 bpm • C# Maj • 01:34 • 5/4
Maria Mater Gratiae, Op. 47/2 cover art
Gabriel Fauré - Maria Mater Gratiae, Op. 47/2
2% popularity • 128 bpm • D# Maj • 02:37 • 3/4
The Grieving Mother cover art
Choirs Of Annunciation Byzantine Catholic Church - The Grieving Mother
18% popularity • 128 bpm • D# min • 04:15 • 5/4
Jubilate Deo omnis terra, LV 854 cover art
Orlande de Lassus - Jubilate Deo omnis terra, LV 854
9% popularity • 128 bpm • G# Maj • 01:44 • 4/4
Office des laudes : Respons vidi angelum cover art
Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan - Office des laudes : Respons vidi angelum
37% popularity • 128 bpm • F# Maj • 04:13 • 3/4
Sederunt Príncipes cover art
Coro De La Abadía De San Florián Y La Iglesia De Santa Rita - Sederunt Príncipes
23% popularity • 128 bpm • E Maj • 03:04 • 4/4
Antiphons from the Advent Liturgy cover art
Lucien Deiss, CSSp - Antiphons from the Advent Liturgy
23% popularity • 128 bpm • G# Maj • 03:58 • 4/4
In omnem terram (Chant) cover art
Dominican House of Studies - In omnem terram (Chant)
37% popularity • 127 bpm • F# Maj • 01:04 • 4/4
Tantum Ergo, Op. 65/2 cover art
Gabriel Fauré - Tantum Ergo, Op. 65/2
2% popularity • 127 bpm • E Maj • 02:50 • 3/4
Rejoice O Virgin cover art
Choirs Of Annunciation Byzantine Catholic Church - Rejoice O Virgin
26% popularity • 129 bpm • A Maj • 01:10 • 3/4
Good King Wencelas is a song by Westminster Cathedral Choir, released on 1986-01-01. It is track number 12 in the album A Festival Of Carols. Good King Wencelas has a BPM/tempo of 128 beats per minute, is in the key of G# Maj and has a duration of 3 minutes, 11 seconds.

Good King Wencelas is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Good King Wencelas info

Name
Good King Wencelas
Release Date
1st January 1986
ISRC
GBLGL0810715
Key
G# Maj
Tempo
128
Loudness (db)
-14.07db
Time signature
4/4
Length
03:11
Song Number
12 of 17
Explicit
No