🔥Growing Artists | Pitch your song |
Introductory Remarks / We Got Annie (Bonus Track) cover art

Charles Strouse, MARTIN CHARNIN

Introductory Remarks / We Got Annie (Bonus Track)

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
148 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-24.44db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 14% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
9%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
55%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
75%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
8%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
19%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
15%




Discover songs similar to Introductory Remarks / We Got Annie (Bonus Track)


Ruffhousin' Mit Shuffhausen cover art
Dirty Rotten Scoundrels Original Broadway Cast - Ruffhousin' Mit Shuffhausen
14% popularity • 148 bpm • A# Maj • 04:48 • 3/4
Perspective cover art
Michael McGrath - Perspective
23% popularity • 148 bpm • D Maj • 02:44 • 4/4
Introductory Remarks / We Got Annie (Bonus Track) cover art
Charles Strouse - Introductory Remarks / We Got Annie (Bon...
15% popularity • 148 bpm • A# Maj • 02:14 • 4/4
How Long Must This Go On? cover art
Terrence Mann - How Long Must This Go On?
34% popularity • 147 bpm • F min • 00:56 • 5/4
She Thinks I'm Old cover art
Paul Alexander Nolan - She Thinks I'm Old
20% popularity • 149 bpm • F min • 02:25 • 1/4
Our Finest Dreams cover art
Mindi Dickstein - Our Finest Dreams
28% popularity • 149 bpm • C# Maj • 03:38 • 4/4
Me and My Baby cover art
Gwen Verdon - Me and My Baby
16% popularity • 147 bpm • F min • 01:26 • 4/4
The Girl with the Glass cover art
Original Cast of Amélie - The Girl with the Glass
20% popularity • 147 bpm • E Maj • 04:14 • 3/4
You're Never Fully Dressed Without A Smile (Radio Version) (Bert Healy, The Boylan Sisters) - Voice cover art
Charles Strouse - You're Never Fully Dressed Without A Smi...
24% popularity • 149 bpm • G# Maj • 01:24 • 4/4
It’s A Scandal! It’s A Outrage! cover art
Will Brill - It’s A Scandal! It’s A Outrage!
21% popularity • 150 bpm • D Maj • 02:51 • 4/4
Run and Tell That! cover art
Corey Reynolds - Run and Tell That!
29% popularity • 150 bpm • A Maj • 03:49 • 4/4
Tomorrow cover art
MARTIN CHARNIN - Tomorrow
6% popularity • 150 bpm • C# Maj • 02:29 • 4/4
You're a Funny Girl / Beekman Call cover art
Ramin Karimloo - You're a Funny Girl / Beekman Call
19% popularity • 150 bpm • D# Maj • 02:02 • 4/4
World's Best Dad cover art
Original Cast of Amélie - World's Best Dad
20% popularity • 150 bpm • D Maj • 02:19 • 4/4
Introductory Remarks / We Got Annie (Bonus Track) is a song by Charles Strouse, released on 1972. It is track number 19 in the album Annie (Original Broadway Cast Recording). Introductory Remarks / We Got Annie (Bonus Track) has a BPM/tempo of 148 beats per minute, is in the key of A# Maj and has a duration of 2 minutes, 14 seconds.

Introductory Remarks / We Got Annie (Bonus Track) is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is not very energetic, being quite a low energy/chill track and is pretty easy to dance to.


Introductory Remarks / We Got Annie (Bonus Track) info

Name
Introductory Remarks / We Got Annie (Bonus Track)
Release Date
29th March 1972
ISRC
USSM17200355
Key
A# Maj
Tempo
148
Loudness (db)
-24.44db
Time signature
4/4
Length
02:14
Song Number
19 of 27
Explicit
No