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Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich) cover art

Darius Milhaud, Mstislav Rostropovich, Alexander Dedyukhin

Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich)

Short Pieces & Transcriptions (The Russian Years)
Preview
Home >> Darius Milhaud >> Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca ...

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
100 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
A Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-22.41db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
0%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
14%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
23%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
18%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
12%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
66%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
87%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
77%




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Discover more songs by Darius Milhaud
Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich) is a song by Darius Milhaud, released on 1997. It is track number 5 in the album Short Pieces & Transcriptions (The Russian Years). Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich) has a BPM/tempo of 100 beats per minute, is in the key of A Maj and has a duration of 2 minutes, 34 seconds.

Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich) info

Name
Milhaud: Saudades do Brasil, Op. 67: VIII. Tijuca (Arr. Rostropovich)
Artist(s)
Darius Milhaud, Mstislav Rostropovich, Alexander Dedyukhin
Album
Short Pieces & Transcriptions (The Russian Years)
Release Date
19th April 1997
ISRC
GBPFW1600251
Key
A Maj
Tempo
100
Loudness (db)
-22.41db
Time signature
4/4
Length
02:34
Song Number
5 of 21
Explicit
No