Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
137 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
B min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-5.17db
Time signature(?)
How many beats there are per measure/bar.
4/4

Track your metrics in real-time

View historical popularity scores, streams counts, track your audience on YouTube Music, TikTok and more on Musicstax Metrics

View Metrics

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 31% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
80%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
66%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
66%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
9%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
10%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%



Discover songs similar to My Man Called Me


Release and Be Free cover art
Kelley Hunt - Release and Be Free
27% popularity • 137 bpm • D# Maj • 04:24 • 3/4
My Man Called Me cover art
Heather Crosse - My Man Called Me
24% popularity • 137 bpm • B min • 03:34 • 4/4
She May Have You, but I Got Yo Heart cover art
Eliana Cargnelutti - She May Have You, but I Got Yo Heart
2% popularity • 137 bpm • D min • 04:49 • 3/4
Try Me cover art
Gina Sicilia - Try Me
22% popularity • 138 bpm • B min • 03:14 • 3/4
Two Parts Sugar, One Part Lime - Blues Caravan 2017 cover art
Vanessa Collier - Two Parts Sugar, One Part Lime - Blues C...
8% popularity • 136 bpm • B min • 03:46 • 4/4
So Long (for Jay P.) cover art
Rick Estrin & The Nightcats - So Long (for Jay P.)
24% popularity • 136 bpm • F Maj • 03:23 • 3/4
The Scene Of The Crime cover art
Marcia Ball - The Scene Of The Crime
18% popularity • 136 bpm • C min • 03:12 • 4/4
421 South Main cover art
King Solomon Hicks - 421 South Main
28% popularity • 136 bpm • A Maj • 02:44 • 4/4
Tush cover art
Eliana Cargnelutti - Tush
13% popularity • 136 bpm • A# Maj • 02:43 • 4/4
Too Little, Too Late cover art
Karen Lovely - Too Little, Too Late
18% popularity • 138 bpm • A Maj • 04:19 • 3/4
Good Morning Judge cover art
Carl Verheyen - Good Morning Judge
27% popularity • 135 bpm • A# Maj • 03:22 • 3/4
The Blues Ain't Going Nowhere cover art
Rick Estrin & The Nightcats - The Blues Ain't Going Nowhere
14% popularity • 135 bpm • G Maj • 05:08 • 4/4
Hold You Tight cover art
Hughes Taylor - Hold You Tight
11% popularity • 135 bpm • F min • 06:37 • 3/4
Masters of War cover art
Dani Wilde - Masters of War
23% popularity • 139 bpm • G# min • 04:56 • 3/4
My Man Called Me is a song by Heather Crosse, released on 2015-09-04. It is track number 1 in the album Groovin' at the Crosse Roads. My Man Called Me has a BPM/tempo of 137 beats per minute, is in the key of B min and has a duration of 3 minutes, 34 seconds.

My Man Called Me is very popular on Spotify, being rated between 30 and 90% popularity on Spotify right now. It is likely that this track is being shared by many people across the world, played on the radio and on a number of Spotify playlists receiving thousands of streams, is extremely energetic and most likely the sort of song you would hear in a club and is very easy to dance to.

My Man Called Me info

Name
My Man Called Me
Release Date
4th September 2015
ISRC
DEFR11500117
Key
B min
Tempo
137
Loudness (db)
-5.17db
Time signature
4/4
Length
03:34
Song Number
1 of 11
Explicit
No