🔥Growing Artists | Pitch your song |
Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150) cover art

Anonymous, Anonymous 4

Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Comp...

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
80 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-26.69db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 9% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
4%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
18%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
5%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
13%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
99%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150)


O Crux ave, spes unica cover art
Giaches de Wert - O Crux ave, spes unica
14% popularity • 80 bpm • C min • 03:40 • 4/4
Tallis: O Lord, Give Thy Holy Spirit cover art
The Tallis Scholars - Tallis: O Lord, Give Thy Holy Spirit
31% popularity • 80 bpm • A# min • 02:17 • 4/4
Instrumental Interlude, My soul is longing for Your Peace cover art
Lucien Deiss, CSSp - Instrumental Interlude, My soul is longi...
21% popularity • 80 bpm • F Maj • 02:44 • 4/4
Gregorian Chant for the Dead: In paradisum - Chorus angelorum (Antiphonae) cover art
Anonymous - Gregorian Chant for the Dead: In paradis...
19% popularity • 80 bpm • F# Maj • 01:35 • 4/4
Cantigas De Santa Maria - Santa Maria, Strela Do Dia, CSM 100 cover art
Jordi Savall - Cantigas De Santa Maria - Santa Maria, S...
13% popularity • 80 bpm • E Maj • 03:00 • 4/4
Antiphon: Salve Regina cover art
Cantarte Regensburg - Antiphon: Salve Regina
38% popularity • 80 bpm • E min • 01:59 • 3/4
The Noble Joseph cover art
Men's Chamber Choir of Sofia - The Noble Joseph
22% popularity • 80 bpm • C Maj • 02:38 • 4/4
Introitus cover art
Chants From the Holyland- Graz Gregorian Chants School of Austri - Introitus
29% popularity • 80 bpm • A Maj • 01:42 • 5/4
Alleluya cover art
Antoine Busnois - Alleluya
35% popularity • 80 bpm • D# Maj • 01:25 • 3/4
Gloria XV (Modo IV) cover art
Anonymous - Gloria XV (Modo IV)
34% popularity • 79 bpm • E Maj • 02:16 • 3/4
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) cover art
Philippe de Vitry - Colla iugo subdere - Bona condit cetera ...
22% popularity • 79 bpm • A min • 01:40 • 4/4
Во Царрствии Твоем cover art
St. Peter St. Paul Cathedral Choir of Minsk - Во Царрствии Твоем
22% popularity • 81 bpm • E min • 06:16 • 3/4
Viderunt omnes No. 1: Notum fecit... (2-part organum) cover art
Léonin - Viderunt omnes No. 1: Notum fecit... (2-...
27% popularity • 79 bpm • C# Maj • 00:44 • 1/4
Angelica biltà cover art
Francesco Landini - Angelica biltà
13% popularity • 81 bpm • A Maj • 02:11 • 5/4
Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150) is a song by Anonymous, released on 1995. It is track number 14 in the album Miracles of Sant'iago - Medieval Chant & Polyphony for St. James from the Codex Calixtinus. Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150) has a BPM/tempo of 80 beats per minute, is in the key of C min and has a duration of 3 minutes, 46 seconds.

Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150) info

Name
Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150)
Release Date
28th March 1995
ISRC
USHM19515614
Key
C min
Tempo
80
Loudness (db)
-26.69db
Time signature
3/4
Length
03:46
Song Number
14 of 21
Explicit
No