🔥Growing Artists | Pitch your song |
Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus) cover art

Various artists

Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus...

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
95 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-18.55db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 2% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
10%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
23%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
43%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
24%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
94%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
76%




Discover songs similar to Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus)


Concerto Armonico I: I. Grave cover art
Unico Wilhelm van Wassenaer - Concerto Armonico I: I. Grave
13% popularity • 95 bpm • C# Maj • 01:45 • 4/4
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat cover art
Giovanni Battista Pergolesi - Stabat Mater in F Minor, P. 77: IV. Quae...
11% popularity • 95 bpm • D Maj • 02:15 • 4/4
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie cover art
Wolfgang Amadeus Mozart - Ascanio in Alba, K. 111: Act I Scene 1: ...
10% popularity • 95 bpm • F# Maj • 01:24 • 3/4
Der Tod Jesu, Pt. 1: Recitative: Gethsemane! Gethsemane! (Soprano) cover art
Carl Heinrich Graun - Der Tod Jesu, Pt. 1: Recitative: Gethsem...
4% popularity • 95 bpm • G Maj • 02:30 • 4/4
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux cover art
Jean-Philippe Rameau - Les fêtes d'Hébé, RCT 41, Act I Scene...
17% popularity • 96 bpm • F# min • 01:39 • 3/4
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus cover art
Johann Kuhnau - Laudate pueri Dominum: No. 4, Excelsus s...
13% popularity • 96 bpm • A Maj • 00:57 • 4/4
Missa Sancti Pauli: No. 18, Crucifixus cover art
Francesco Bartolomeo Conti - Missa Sancti Pauli: No. 18, Crucifixus
21% popularity • 94 bpm • D Maj • 01:29 • 4/4
Dich rühmen die Welten, TWV 1:329: No. 3, O wie sich Dunkelheiten cover art
Georg Philipp Telemann - Dich rühmen die Welten, TWV 1:329: No. ...
7% popularity • 96 bpm • C# min • 04:24 • 4/4
Céphale et Procris, Prologue: Ouverture cover art
Élisabeth Jacquet de La Guerre - Céphale et Procris, Prologue: Ouverture
9% popularity • 96 bpm • A# min • 03:44 • 4/4
Stabat Mater, P. 77: II. Cuius animam gementem cover art
Giovanni Battista Pergolesi - Stabat Mater, P. 77: II. Cuius animam ge...
13% popularity • 96 bpm • G Maj • 02:11 • 4/4
Osteroratorium (Easter Oratorio): Part II: O seliger Wandel, wo Jesus mitwandelt (Soprano) cover art
Carl Heinrich Graun - Osteroratorium (Easter Oratorio): Part I...
1% popularity • 96 bpm • F# Maj • 04:51 • 4/4
Sonata in C Minor, Jung III.2.B: I. Largo cover art
Johann Georg Pisendel - Sonata in C Minor, Jung III.2.B: I. Larg...
21% popularity • 96 bpm • B min • 02:41 • 4/4
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu cover art
Johann Sebastian Bach - Bach, JS: Mass in B Minor, BWV 232: Cum ...
3% popularity • 94 bpm • C# Maj • 04:17 • 4/4
Ich fahre auf zu meinem Vater, TWV 1:825: III. Aria
Georg Philipp Telemann - Ich fahre auf zu meinem Vater, TWV 1:825...
11% popularity • 94 bpm • F# Maj • 02:37 • 4/4
Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus) is a song by Carl Heinrich Graun, released on 2013-04-30. It is track number 15 in the album Graun, C.H.: Easter Oratorio. Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus) has a BPM/tempo of 95 beats per minute, is in the key of F# Maj and has a duration of 44 seconds, 813 milliseconds.

Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus) info

Name
Osteroratorium (Easter Oratorio): Part II: Jesus ist erstanden (Chorus)
Release Date
30th April 2013
ISRC
DEB201279415
Key
F# Maj
Tempo
95
Loudness (db)
-18.55db
Time signature
4/4
Length
00:44
Song Number
15 of 26
Explicit
No