🔥Growing Artists | Pitch your song |
Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde) cover art

Giovanni Pacini, David Parry, Philharmonia Orchestra

Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi i...

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
114 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-15.05db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
26%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
39%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
30%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
11%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
96%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
28%




Discover songs similar to Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde)


Norma / Act 1 Scene 1: Introduzione -
Vincenzo Bellini - Norma / Act 1 Scene 1: Introduzione - "I...
11% popularity • 114 bpm • B min • 07:59 • 3/4
Gounod: Faust, Act 2: Valse.
Charles Gounod - Gounod: Faust, Act 2: Valse. "Ainsi que ...
14% popularity • 114 bpm • D Maj • 02:58 • 4/4
Les Contes d'Hoffmann / Act 1:
Jacques Offenbach - Les Contes d'Hoffmann / Act 1: "Glou, gl...
28% popularity • 114 bpm • F Maj • 01:19 • 4/4
L'elisir d'amore / Act I:
Gaetano Donizetti - L'elisir d'amore / Act I: "Una parola, A...
26% popularity • 114 bpm • A# Maj • 01:39 • 4/4
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) cover art
Gioachino Rossini - Il Barbiere di Siviglia, Act I, Scene On...
16% popularity • 115 bpm • D Maj • 01:05 • 4/4
Les Pêcheurs de perles, WD 13, Act I: Demeure parmi nous, Nadir! cover art
Georges Bizet - Les Pêcheurs de perles, WD 13, Act I: D...
9% popularity • 115 bpm • G min • 02:08 • 3/4
Te Deum, WAB 45: III. Aeterna fac cover art
Anton Bruckner - Te Deum, WAB 45: III. Aeterna fac
20% popularity • 115 bpm • A# Maj • 01:36 • 5/4
Medea, Act III, Scene 8: Morte all'infame (Coro, Giasone, Medea) cover art
Giovanni Pacini - Medea, Act III, Scene 8: Morte all'infam...
0% popularity • 113 bpm • A# Maj • 01:56 • 3/4
La Sonnambula / Act 1: Viva! Viva Amina! cover art
Vincenzo Bellini - La Sonnambula / Act 1: Viva! Viva Amina!
35% popularity • 116 bpm • F# min • 01:06 • 4/4
Chi sà, chi sà, qual sia, K. 582 cover art
Wolfgang Amadeus Mozart - Chi sà, chi sà, qual sia, K. 582
13% popularity • 113 bpm • C Maj • 03:29 • 4/4
Il barbiere di Siviglia / Act 2: Cessa di più resistere cover art
Gioachino Rossini - Il barbiere di Siviglia / Act 2: Cessa d...
9% popularity • 115 bpm • A# Maj • 07:44 • 4/4
I Puritani cover art
Dame Joan Sutherland - I Puritani
28% popularity • 112 bpm • D Maj • 03:05 • 3/4
Carmen / Act 3: Si tu m'aimes, Carmen... cover art
Georges Bizet - Carmen / Act 3: Si tu m'aimes, Carmen...
9% popularity • 115 bpm • D min • 03:41 • 4/4
Te Deum, WAB 45: III. Aeterna fac cover art
Anton Bruckner - Te Deum, WAB 45: III. Aeterna fac
11% popularity • 116 bpm • A# Maj • 01:45 • 5/4
Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde) is a song by Giovanni Pacini, released on 1998-01-01. It is track number 3 in the album Pacini: Maria, regina d'Inghilterra. Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde) has a BPM/tempo of 114 beats per minute, is in the key of C Maj and has a duration of 3 minutes, 7 seconds.

Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde) is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is somewhat easy to dance to.


Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde) info

Name
Pacini: Maria, regina d'Inghilterra, Act 3: "Ciel che vedi il mio rimorso" (Clotilde)
Release Date
1st January 1998
ISRC
GBQXY0940744
Key
C Maj
Tempo
114
Loudness (db)
-15.05db
Time signature
3/4
Length
03:07
Song Number
3 of 34
Explicit
No