Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
Requiem, Op. 9 (1961 version): Sanctus cover art

Various artists

Requiem, Op. 9 (1961 version): Sanctus

Durufle: Requiem / 4 Motets / Prelude and Fugue
Preview
Home >> Maurice Duruflé >> Requiem, Op. 9 (1961 version): Sanctus

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
136 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
G min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-21db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 15% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
15%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
14%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
15%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
6%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
8%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
95%




Discover songs similar to Requiem, Op. 9 (1961 version): Sanctus


Requiem, Op. 9 (1961 version): Sanctus cover art
Maurice Duruflé - Requiem, Op. 9 (1961 version): Sanctus
15% popularity • 136 bpm • G min • 03:09 • 4/4
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto cover art
Gustav Holst - St. Paul's Suite, Op. 29 No. 2, H 118: 3...
31% popularity • 136 bpm • E min • 04:10 • 4/4
Souvenir de Florence, Op. 70 cover art
Pyotr Ilyich Tchaikovsky - Souvenir de Florence, Op. 70
20% popularity • 136 bpm • D min • 06:53 • 4/4
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship cover art
Nikolai Rimsky-Korsakov - Shéhérazade, Op. 35: I. The Sea and Si...
35% popularity • 136 bpm • E Maj • 09:55 • 3/4
Vespers, Op. 37: V.
Sergei Rachmaninoff - Vespers, Op. 37: V. "Nyne otpushchayeshi...
34% popularity • 135 bpm • F# Maj • 03:43 • 3/4
Banalites, FP 107: Chanson d'Orkenise cover art
Francis Poulenc - Banalites, FP 107: Chanson d'Orkenise
0% popularity • 135 bpm • F min • 01:29 • 3/4
Serenade For Strings, Op.11 cover art
Dag Wirén - Serenade For Strings, Op.11
23% popularity • 135 bpm • G Maj • 04:41 • 4/4
Requiem No. 1 in C Minor: Dies irae cover art
Luigi Cherubini - Requiem No. 1 in C Minor: Dies irae
19% popularity • 137 bpm • F min • 10:25 • 4/4
Christus factus est, WAB 11 cover art
Anton Bruckner - Christus factus est, WAB 11
22% popularity • 135 bpm • D min • 05:03 • 4/4
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) cover art
Maurice Duruflé - Requiem, Op. 9: III. Domine Jesu Christe...
20% popularity • 137 bpm • D Maj • 07:58 • 4/4
Vespergesang, Op. 121 cover art
Felix Mendelssohn - Vespergesang, Op. 121
0% popularity • 137 bpm • A min • 10:57 • 4/4
Ave Maria (Introït) cover art
Gioachino Rossini - Ave Maria (Introït)
1% popularity • 137 bpm • F Maj • 02:30 • 4/4
Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant) cover art
Antonín Dvořák - Symphony No. 6 in D Major, Op. 60, B. 11...
36% popularity • 137 bpm • D Maj • 07:41 • 4/4
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman cover art
Gustav Holst - Japanese Suite, Op. 33: I. Prelude: Song...
46% popularity • 134 bpm • A# Maj • 02:30 • 3/4
Click to view more similar songs to Requiem, Op. 9 (1961 version): Sanctus
Discover more songs by Maurice Duruflé
Requiem, Op. 9 (1961 version): Sanctus is a song by Maurice Duruflé, released on 1995-06-08. It is track number 4 in the album Durufle: Requiem / 4 Motets / Prelude and Fugue. Requiem, Op. 9 (1961 version): Sanctus has a BPM/tempo of 136 beats per minute, is in the key of G min and has a duration of 3 minutes, 9 seconds.

Requiem, Op. 9 (1961 version): Sanctus is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Requiem, Op. 9 (1961 version): Sanctus info

Name
Requiem, Op. 9 (1961 version): Sanctus
Artist(s)
Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal
Album
Durufle: Requiem / 4 Motets / Prelude and Fugue
Release Date
8th June 1995
ISRC
HKI199243004
Key
G min
Tempo
136
Loudness (db)
-21db
Time signature
4/4
Length
03:09
Song Number
4 of 17
Explicit
No