🔥Growing Artists | Pitch your song |
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga cover art

George Frideric Handel, Simone Kermes

Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
128 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-27.47db
Time signature(?)
How many beats there are per measure/bar.
5/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 26% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
3%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
22%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
7%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
12%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
2%




Discover songs similar to Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga


Maddalena ai piedi di Cristo: No. 47 Aria Maddalena,
Antonio Caldara - Maddalena ai piedi di Cristo: No. 47 Ari...
17% popularity • 128 bpm • B min • 04:31 • 3/4
Semiramide riconosciuta, Act III, Scene 4: In braccio a mille furie cover art
Leonardo Vinci - Semiramide riconosciuta, Act III, Scene ...
4% popularity • 128 bpm • D Maj • 04:57 • 4/4
Serse, HWV 40, Act I, Scene 1: Ombra mai fu cover art
George Frideric Handel - Serse, HWV 40, Act I, Scene 1: Ombra mai...
9% popularity • 128 bpm • F# Maj • 03:14 • 1/4
Laudate pueri in G Major, RV 601
Antonio Vivaldi - Laudate pueri in G Major, RV 601 "Salmo ...
25% popularity • 128 bpm • G# Maj • 03:30 • 4/4
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture cover art
Jean-Baptiste Lully - Phaeton, Prologue - Le retour de l'Âge ...
25% popularity • 128 bpm • A# Maj • 03:22 • 4/4
Polifemo: Nell' attendere mio bene (Ed. Sanderson) cover art
Nicola Porpora - Polifemo: Nell' attendere mio bene (Ed. ...
11% popularity • 128 bpm • A Maj • 05:11 • 4/4
Le nozze di Figaro, K. 492: Atto Quarto: Contessa perdono (Il Conte, La Contessa, Susanna, Barbarina, Cherubino, Marcellina, Basilio, Antonio, Figaro) cover art
Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto Quarto:...
19% popularity • 128 bpm • G Maj • 02:48 • 4/4
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) cover art
Claudio Monteverdi - Madrigali amorosi: No. 9, Canzonetta by ...
33% popularity • 129 bpm • A min • 02:43 • 3/4
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga cover art
George Frideric Handel - Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
26% popularity • 128 bpm • E Maj • 05:48 • 5/4
Sartorio: L'Orfeo: Sinfonia cover art
Antonio Sartorio - Sartorio: L'Orfeo: Sinfonia
17% popularity • 127 bpm • F# Maj • 01:31 • 4/4
Concerto grosso in G Minor, Op. 6 No. 8,
Arcangelo Corelli - Concerto grosso in G Minor, Op. 6 No. 8,...
46% popularity • 129 bpm • D# Maj • 01:55 • 4/4
Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio cover art
Johann Adolf Hasse - Cajo Fabricio, Act II, Scene 11: Se tu n...
2% popularity • 127 bpm • D Maj • 07:11 • 4/4
Stabat Mater: I. Stabat Mater dolorosa cover art
Antonio Caldara - Stabat Mater: I. Stabat Mater dolorosa
38% popularity • 126 bpm • C# Maj • 01:38 • 4/4
Concerto in C Minor: I. Introduzione - Larghetto cover art
Domenico Cimarosa - Concerto in C Minor: I. Introduzione - L...
19% popularity • 126 bpm • C min • 03:10 • 4/4
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga is a song by George Frideric Handel, released on 2019-02-08. It is track number 15 in the album Mio caro Händel. Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga has a BPM/tempo of 128 beats per minute, is in the key of E Maj and has a duration of 5 minutes, 48 seconds.

Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga info

Name
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga
Release Date
8th February 2019
ISRC
USSM11806643
Key
E Maj
Tempo
128
Loudness (db)
-27.47db
Time signature
5/4
Length
05:48
Song Number
15 of 15
Explicit
No