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葉問 (Instrumental)
Songs like
葉問 (Instrumental)
by
Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Kenji Kawai
葉問 (Instrumental)
188 bpm • E min • 04:03 • -11.59db
37% Popularity • 12% Danceability • 56% Energy • 18% Liveness
93% Instrumentalness • 14% Positiveness
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Shigeru Umebayashi
Ending: Wu Shu Jing Shen
186 bpm • A# min • 02:23 • -15.73db
22% Popularity • 33% Danceability • 40% Energy • 10% Liveness
69% Instrumentalness • 16% Positiveness
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Hiroyuki Sawano
Xl-Tt
182 bpm • D Maj • 06:37 • -11.07db
49% Popularity • 27% Danceability • 58% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Jo Wandrini
Prodrome
180 bpm • D Maj • 03:33 • -11.96db
16% Popularity • 7% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Chad Cannon
The Legacy of Kazumasa Sakai
181 bpm • C min • 01:30 • -12.87db
25% Popularity • 10% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Gregory Tan
Born to Own
180 bpm • D min • 04:04 • -8.2db
24% Popularity • 17% Danceability • 85% Energy • 7% Liveness
28% Instrumentalness • 12% Positiveness
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Kenji Kawai
葉問3
186 bpm • E min • 04:07 • -15.8db
30% Popularity • 17% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Mikael Sandgren
Red Alert 3 Credits
180 bpm • D Maj • 02:28 • -8.79db
28% Popularity • 48% Danceability • 73% Energy • 11% Liveness
27% Instrumentalness • 25% Positiveness
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Jeff van Dyck
Beautiful Blade
180 bpm • C min • 02:44 • -21.2db
30% Popularity • 24% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Bohemia Interactive
This Is War (Main Theme)
180 bpm • D Maj • 02:42 • -10.55db
35% Popularity • 53% Danceability • 77% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Tyler Bates
Warrior's Truth
180 bpm • D# Maj • 02:31 • -8.68db
36% Popularity • 41% Danceability • 83% Energy • 20% Liveness
74% Instrumentalness • 50% Positiveness
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Shigeru Umebayashi
Tsushima Suite: II. Shurai
179 bpm • C min • 08:54 • -12.64db
34% Popularity • 21% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Kenji Kawai
Maestro
191 bpm • C min • 01:52 • -16.19db
31% Popularity • 20% Danceability • 50% Energy • 9% Liveness
73% Instrumentalness • 28% Positiveness
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Sam Dillard
Where No One Has Gone Before: Star Trek ...
179 bpm • A# Maj • 06:28 • -11db
21% Popularity • 10% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Jeff van Dyck
Battle of Shinobue
180 bpm • C Maj • 03:04 • -8.28db
28% Popularity • 53% Danceability • 75% Energy • 13% Liveness
85% Instrumentalness • 57% Positiveness
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Stephen Barton
Horizon
200 bpm • A# min • 04:14 • -14.67db
29% Popularity • 20% Danceability • 53% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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西田和枝社中
傀儡謡_陽炎は黄泉に待たむと
177 bpm • C# Maj • 09:47 • -12.82db
30% Popularity • 51% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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梁 邦彦
風駿
176 bpm • E min • 02:17 • -10.69db
23% Popularity • 38% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 75% Positiveness
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Roc Chen
New Journey2 - Re-Mix
175 bpm • G# Maj • 02:42 • -12.64db
19% Popularity • 46% Danceability • 35% Energy • 9% Liveness
45% Instrumentalness • 3% Positiveness
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Kenji Kawai
中華會館 (Instrumental)
176 bpm • C Maj • 03:46 • -20.02db
9% Popularity • 21% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Friedrich Habetler
I heard your call for help, Suiryu
174 bpm • B min • 04:44 • -17.92db
33% Popularity • 53% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Edgar Hopp
Phoenix Rising
174 bpm • C Maj • 02:22 • -11db
35% Popularity • 45% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Joachim Rygg
Man at Arms
174 bpm • F min • 02:30 • -10.78db
20% Popularity • 62% Danceability • 77% Energy • 14% Liveness
90% Instrumentalness • 90% Positiveness
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Neal Acree
Dragons
173 bpm • G min • 07:45 • -16.59db
31% Popularity • 14% Danceability • 39% Energy • 29% Liveness
84% Instrumentalness • 6% Positiveness
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Namco Sounds
The Liberation of Gracemeria
173 bpm • A# min • 07:18 • -14.31db
25% Popularity • 17% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Roc Chen
Space Elevator
172 bpm • D Maj • 02:04 • -10.63db
24% Popularity • 30% Danceability • 64% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
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Mikael Karlsson
Battlefield Theme - Chamber Version
170 bpm • C Maj • 01:21 • -11db
33% Popularity • 55% Danceability • 42% Energy • 15% Liveness
86% Instrumentalness • 70% Positiveness
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NCSOUND
Eternally
171 bpm • G min • 01:57 • -13.15db
15% Popularity • 14% Danceability • 30% Energy • 17% Liveness
56% Instrumentalness • 6% Positiveness
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Brian Tyler
Arabian End Game
170 bpm • D Maj • 02:58 • -8db
34% Popularity • 49% Danceability • 69% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Twelve Titans Music
Monolith
170 bpm • C# Maj • 03:43 • -12.33db
30% Popularity • 29% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Harry Gregson-Williams
Metal Gear Saga
170 bpm • B min • 04:19 • -11.36db
42% Popularity • 21% Danceability • 66% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Johan Skugge
Battlefield 3 Main Theme
170 bpm • G Maj • 01:55 • -12.66db
46% Popularity • 48% Danceability • 75% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Yi Nantiro
A True Master
170 bpm • A min • 02:13 • -13db
23% Popularity • 39% Danceability • 50% Energy • 10% Liveness
58% Instrumentalness • 28% Positiveness
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Mikael Karlsson
Battlefield Theme - Orchestral Version
169 bpm • G min • 01:53 • -11db
31% Popularity • 26% Danceability • 39% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Ian Livingstone
The Lions Den
165 bpm • D min • 04:11 • -12.69db
18% Popularity • 44% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 70% Positiveness
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Paradox Interactive
The Stone Masons
168 bpm • C min • 03:52 • -11db
29% Popularity • 40% Danceability • 44% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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Jeff van Dyck
Taiko Shuffle
165 bpm • C Maj • 03:17 • -14db
29% Popularity • 75% Danceability • 62% Energy • 8% Liveness
94% Instrumentalness • 44% Positiveness
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Kenji Kawai
Trans-Am Raiser
165 bpm • B min • 02:32 • -12.86db
35% Popularity • 64% Danceability • 83% Energy • 23% Liveness
89% Instrumentalness • 61% Positiveness
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Hiromitsu Agatsuma
風林火山 ~月冴ゆ夜~
165 bpm • D min • 03:32 • -6db
40% Popularity • 49% Danceability • 83% Energy • 4% Liveness
82% Instrumentalness • 38% Positiveness
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Edgar Hopp
Expedition 13
162 bpm • A Maj • 02:30 • -10db
20% Popularity • 42% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Nick Glennie-Smith
The Chase
162 bpm • A Maj • 07:35 • -20db
29% Popularity • 21% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Hans Zimmer
160 BPM
160 bpm • A min • 06:41 • -13.21db
43% Popularity • 46% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Machinimasound
Setting Sail
160 bpm • F min • 03:03 • -12.34db
16% Popularity • 30% Danceability • 41% Energy • 12% Liveness
60% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Sacrifice of Tradition
160 bpm • C min • 04:29 • -10.53db
39% Popularity • 14% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Jeff van Dyck
Good Death
160 bpm • G Maj • 02:38 • -7.66db
34% Popularity • 63% Danceability • 89% Energy • 15% Liveness
90% Instrumentalness • 35% Positiveness
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Sh4d0wStrider
DOTA: Dragon's Blood Main Theme
160 bpm • G min • 04:42 • -9.54db
19% Popularity • 41% Danceability • 81% Energy • 62% Liveness
65% Instrumentalness • 30% Positiveness
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葉問 (Instrumental)