Songs like 戦士 [M-8] by Kohei Tanaka
Based on a tempo of (+/- 10%) and a similar genre
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Hiroaki Tsutsumi
Be The Adam and Eve Of This Stone World
120 bpm • G Maj • 02:28 • -11.07db
28% Popularity • 61% Danceability • 72% Energy • 20% Liveness
32% Instrumentalness • 24% Positiveness
28% Popularity • 61% Danceability • 72% Energy • 20% Liveness
32% Instrumentalness • 24% Positiveness
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Masaru Yokoyama
Mobile Suit Gundam: Iron-Blooded Orphans
120 bpm • E min • 02:40 • -6.79db
43% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
43% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
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加藤達也
Senku and Ryusui - 加藤達也
120 bpm • C# min • 03:09 • -8.94db
19% Popularity • 57% Danceability • 93% Energy • 20% Liveness
68% Instrumentalness • 54% Positiveness
19% Popularity • 57% Danceability • 93% Energy • 20% Liveness
68% Instrumentalness • 54% Positiveness
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Frying-Pan
Windy Zone - Theme of Furuya -
120 bpm • A min • 02:01 • -9db
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Akira Senju
Crisis in the North
120 bpm • D Maj • 01:35 • -11db
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
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壌 晴彦
SUGER LIFE
120 bpm • F Maj • 02:29 • -8.39db
9% Popularity • 52% Danceability • 57% Energy • 34% Liveness
92% Instrumentalness • 36% Positiveness
9% Popularity • 52% Danceability • 57% Energy • 34% Liveness
92% Instrumentalness • 36% Positiveness
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Hiroaki Tsutsumi
From Zero
120 bpm • G Maj • 02:38 • -14.5db
25% Popularity • 61% Danceability • 56% Energy • 35% Liveness
88% Instrumentalness • 25% Positiveness
25% Popularity • 61% Danceability • 56% Energy • 35% Liveness
88% Instrumentalness • 25% Positiveness
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梶浦 由記
Point Zero
120 bpm • A min • 03:46 • -11db
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
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Kenichiro Suehiro
THEME OF CID KAGENOU
120 bpm • F Maj • 03:53 • -7.14db
41% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
41% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
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Masaru Yokoyama
Sandy Desert
119 bpm • E min • 01:47 • -10.61db
28% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
28% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
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山下康介
物語の結末は、俺が決める!
119 bpm • D min • 01:39 • -6.34db
14% Popularity • 24% Danceability • 63% Energy • 13% Liveness
14% Instrumentalness • 54% Positiveness
14% Popularity • 24% Danceability • 63% Energy • 13% Liveness
14% Instrumentalness • 54% Positiveness
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Jett Black
Death From Above (Bahamut Boss Theme Ima...
119 bpm • F# min • 02:35 • -14.62db
35% Popularity • 32% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
35% Popularity • 32% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
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Hiroaki Tsutsumi
Get Exited!!
120 bpm • A min • 02:12 • -10db
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
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梶浦 由記
this day, and never again
120 bpm • D min • 03:32 • -12db
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
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Kohei Tanaka
解放の戦士
119 bpm • G min • 00:53 • -5.44db
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
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Shigeaki Saegusa
MAIN TITLE
122 bpm • C Maj • 04:45 • -10db
33% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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村山☆潤
Spatial Awareness
118 bpm • D Maj • 01:42 • -6.73db
35% Popularity • 10% Danceability • 83% Energy • 34% Liveness
93% Instrumentalness • 9% Positiveness
35% Popularity • 10% Danceability • 83% Energy • 34% Liveness
93% Instrumentalness • 9% Positiveness
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Kotaro Nakagawa
Le Repos Du Guerrier
122 bpm • D Maj • 02:04 • -12.02db
19% Popularity • 53% Danceability • 44% Energy • 17% Liveness
4% Instrumentalness • 25% Positiveness
19% Popularity • 53% Danceability • 44% Energy • 17% Liveness
4% Instrumentalness • 25% Positiveness
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Hiroaki Tsutsumi
NEW WORLD MAP - 堤博明
120 bpm • G min • 01:32 • -7.64db
13% Popularity • 61% Danceability • 57% Energy • 36% Liveness
2% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 57% Energy • 36% Liveness
2% Instrumentalness • 22% Positiveness
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Aztech from Hybrid Thoughts
I'm A Human
120 bpm • A min • 04:18 • -12.23db
33% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
33% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Kohei Tanaka
ワノ国将軍 光月モモの助
118 bpm • A min • 01:57 • -6.82db
22% Popularity • 24% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 25% Positiveness
22% Popularity • 24% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 25% Positiveness
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桶狭間ありさ
Grudge fight
118 bpm • G# Maj • 01:59 • -8.05db
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Marika Suzuki
Monster Hunter Stories
123 bpm • D# Maj • 03:22 • -9.52db
15% Popularity • 30% Danceability • 49% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
15% Popularity • 30% Danceability • 49% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
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Hiroyuki Sawano
Full-Frontal
117 bpm • A# min • 03:09 • -14db
28% Popularity • 64% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
28% Popularity • 64% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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A V I A N D
解放のドラム・Drums of Liberation
117 bpm • A# min • 01:47 • -11.24db
27% Popularity • 68% Danceability • 86% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
27% Popularity • 68% Danceability • 86% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Takashi Ohmama
The Witch From Mercury
117 bpm • F min • 04:59 • -8.29db
39% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
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Kohei Tanaka
光月おでんの思い ワノ国開国...
118 bpm • C Maj • 01:50 • -8.68db
17% Popularity • 46% Danceability • 76% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 76% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Kenichiro Suehiro
GET STARTED
117 bpm • A min • 02:48 • -5.7db
24% Popularity • 23% Danceability • 90% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
24% Popularity • 23% Danceability • 90% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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東家一太郎
ワノ国・終幕
124 bpm • G# Maj • 07:16 • -13.13db
20% Popularity • 64% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 64% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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(K)NoW_NAME
Faithful Dog
124 bpm • A# Maj • 02:41 • -7.27db
9% Popularity • 44% Danceability • 51% Energy • 33% Liveness
81% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 51% Energy • 33% Liveness
81% Instrumentalness • 15% Positiveness
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A V I A N D
SPECIALZ・呪術廻戦
117 bpm • F# min • 01:35 • -12.83db
23% Popularity • 54% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
23% Popularity • 54% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
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Audio Highs
この目蓋の奥に
124 bpm • A min • 02:10 • -24.33db
29% Popularity • 71% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 71% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 38% Positiveness
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Kohei Tanaka
ワノ国で宴!(祭り囃子)
124 bpm • G min • 02:05 • -6.31db
22% Popularity • 64% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 64% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
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MAYUKO
魔物襲撃
116 bpm • F Maj • 01:37 • -7.54db
8% Popularity • 57% Danceability • 64% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
8% Popularity • 57% Danceability • 64% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Masaru Yokoyama
Protein Party
124 bpm • G Maj • 01:11 • -9.64db
37% Popularity • 49% Danceability • 88% Energy • 20% Liveness
74% Instrumentalness • 14% Positiveness
37% Popularity • 49% Danceability • 88% Energy • 20% Liveness
74% Instrumentalness • 14% Positiveness
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Kenichiro Suehiro
魔女の呼び声
116 bpm • G# Maj • 02:46 • -9.93db
23% Popularity • 40% Danceability • 50% Energy • 26% Liveness
88% Instrumentalness • 15% Positiveness
23% Popularity • 40% Danceability • 50% Energy • 26% Liveness
88% Instrumentalness • 15% Positiveness
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Akira Senju
To Be King
116 bpm • C min • 02:02 • -10.2db
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
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Audio Highs
在りし日
124 bpm • C Maj • 01:45 • -22.6db
33% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
33% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
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Kohei Tanaka
全員集合、いざ鬼ヶ島へ
124 bpm • D Maj • 02:03 • -12.95db
14% Popularity • 53% Danceability • 81% Energy • 32% Liveness
82% Instrumentalness • 39% Positiveness
14% Popularity • 53% Danceability • 81% Energy • 32% Liveness
82% Instrumentalness • 39% Positiveness
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Carameii
Drums Of Liberation Theme - Epic Version
116 bpm • A# min • 01:44 • -8.08db
54% Popularity • 62% Danceability • 96% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
54% Popularity • 62% Danceability • 96% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
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Shiro SAGISU
What Can You See In Their Eyes
116 bpm • F min • 02:51 • -7.65db
41% Popularity • 53% Danceability • 70% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
41% Popularity • 53% Danceability • 70% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
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松尾早人
Kessen Kasanariau Unmei
124 bpm • G Maj • 03:04 • -8.05db
34% Popularity • 44% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
34% Popularity • 44% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Toshio Masuda
カカシのテーマ
124 bpm • C Maj • 01:30 • -11.19db
34% Popularity • 50% Danceability • 71% Energy • 6% Liveness
58% Instrumentalness • 20% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 6% Liveness
58% Instrumentalness • 20% Positiveness
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Kensei Music
Hell's Paradise Soundtrack: Main Theme -...
125 bpm • D min • 04:06 • -8db
28% Popularity • 28% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 32% Positiveness
28% Popularity • 28% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 32% Positiveness
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石丸博也
おでんのお座敷節 - instrumental
124 bpm • C# Maj • 01:42 • -8.81db
20% Popularity • 86% Danceability • 83% Energy • 20% Liveness
93% Instrumentalness • 28% Positiveness
20% Popularity • 86% Danceability • 83% Energy • 20% Liveness
93% Instrumentalness • 28% Positiveness
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Kohei Tanaka
ルフィ復活
116 bpm • C# Maj • 01:56 • -9.39db
44% Popularity • 64% Danceability • 84% Energy • 8% Liveness
87% Instrumentalness • 25% Positiveness
44% Popularity • 64% Danceability • 84% Energy • 8% Liveness
87% Instrumentalness • 25% Positiveness
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Hiroaki Tsutsumi
With Our Own Hands - 堤博明
125 bpm • G Maj • 02:47 • -7.23db
15% Popularity • 39% Danceability • 84% Energy • 11% Liveness
69% Instrumentalness • 37% Positiveness
15% Popularity • 39% Danceability • 84% Energy • 11% Liveness
69% Instrumentalness • 37% Positiveness
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藤間 仁
優勢
115 bpm • C min • 02:02 • -6.84db
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
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Carameii
Overtaken - Drums of Liberation Version
115 bpm • B min • 03:51 • -7.85db
52% Popularity • 62% Danceability • 88% Energy • 12% Liveness
44% Instrumentalness • 31% Positiveness
52% Popularity • 62% Danceability • 88% Energy • 12% Liveness
44% Instrumentalness • 31% Positiveness
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Sonya Belousova
We Are!
125 bpm • F Maj • 01:58 • -11.04db
41% Popularity • 40% Danceability • 57% Energy • 19% Liveness
96% Instrumentalness • 26% Positiveness
41% Popularity • 40% Danceability • 57% Energy • 19% Liveness
96% Instrumentalness • 26% Positiveness
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Akira Senju
The Intrepid
115 bpm • F Maj • 02:18 • -12.31db
39% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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(K)NoW_NAME
STRIX
125 bpm • B min • 02:24 • -5.71db
33% Popularity • 41% Danceability • 78% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
33% Popularity • 41% Danceability • 78% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
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Kenichiro Suehiro
UNSURPASSABLE MAGIC
126 bpm • D min • 02:34 • -7.6db
35% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
35% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
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堀諭史
The Allmother - Japanese
126 bpm • G Maj • 04:33 • -12db
20% Popularity • 43% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 43% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury II (CALI...
126 bpm • E min • 02:32 • -7.04db
26% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
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Fate/Grand Order
絶対魔獣戦線
126 bpm • F# Maj • 02:39 • -6.87db
31% Popularity • 41% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
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Keiji Inai
Bunny Envy
126 bpm • E min • 02:00 • -12.35db
36% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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Audio Highs
闇夜の虫は光に集う
126 bpm • A Maj • 01:56 • -8.95db
25% Popularity • 55% Danceability • 71% Energy • 5% Liveness
17% Instrumentalness • 10% Positiveness
25% Popularity • 55% Danceability • 71% Energy • 5% Liveness
17% Instrumentalness • 10% Positiveness
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Kenichiro Suehiro
THE GREAT THEME OF CID KAGENOU
126 bpm • A min • 03:30 • -4.55db
35% Popularity • 26% Danceability • 80% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
35% Popularity • 26% Danceability • 80% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
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Kohei Tanaka
火事場の底力
114 bpm • C min • 01:35 • -6.68db
24% Popularity • 52% Danceability • 55% Energy • 18% Liveness
91% Instrumentalness • 58% Positiveness
24% Popularity • 52% Danceability • 55% Energy • 18% Liveness
91% Instrumentalness • 58% Positiveness
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KOHTA YAMAMOTO
at'aek till we are Ashes
114 bpm • F min • 06:54 • -9.88db
44% Popularity • 33% Danceability • 74% Energy • 24% Liveness
86% Instrumentalness • 14% Positiveness
44% Popularity • 33% Danceability • 74% Energy • 24% Liveness
86% Instrumentalness • 14% Positiveness
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帆足圭吾
Honmei
114 bpm • B min • 02:34 • -7.93db
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
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Keiji Inai
Now, on to Battle!
114 bpm • G Maj • 01:54 • -11.58db
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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羽岡 佳
カオス理論
114 bpm • E min • 01:14 • -9.55db
11% Popularity • 62% Danceability • 51% Energy • 7% Liveness
65% Instrumentalness • 34% Positiveness
11% Popularity • 62% Danceability • 51% Energy • 7% Liveness
65% Instrumentalness • 34% Positiveness
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Kotaro Nakagawa
Prepared to Be Shot
127 bpm • F min • 02:02 • -16.2db
11% Popularity • 77% Danceability • 23% Energy • 14% Liveness
52% Instrumentalness • 21% Positiveness
11% Popularity • 77% Danceability • 23% Energy • 14% Liveness
52% Instrumentalness • 21% Positiveness
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Kohei Tanaka
キッド&ローVS.ビッグ・マム
114 bpm • C min • 02:06 • -6.65db
25% Popularity • 49% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 34% Positiveness
25% Popularity • 49% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 34% Positiveness
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Shigeaki Saegusa
AURORA
113 bpm • F min • 02:46 • -9db
25% Popularity • 18% Danceability • 41% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 41% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Sonya Belousova
Bink's Brew
113 bpm • D# Maj • 01:04 • -12.34db
38% Popularity • 57% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 81% Positiveness
38% Popularity • 57% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 81% Positiveness
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Hiroaki Tsutsumi
Think
113 bpm • G# Maj • 02:17 • -16db
29% Popularity • 69% Danceability • 38% Energy • 9% Liveness
85% Instrumentalness • 81% Positiveness
29% Popularity • 69% Danceability • 38% Energy • 9% Liveness
85% Instrumentalness • 81% Positiveness
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Takashi Ohmama
Liberation from the Curse
127 bpm • E min • 05:20 • -10.74db
31% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
31% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
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Kotaro Nakagawa
Lelouch of the Resurrection
113 bpm • D min • 02:01 • -7.21db
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Kohei Tanaka
鬼ヶ島のテーマ
128 bpm • B Maj • 02:18 • -11.98db
18% Popularity • 30% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 9% Positiveness
18% Popularity • 30% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 9% Positiveness
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Shigeaki Saegusa
SACRIFICE
113 bpm • A min • 03:06 • -10db
19% Popularity • 31% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alex Dillard
Demon Slaying Corps
128 bpm • C min • 04:06 • -10.59db
34% Popularity • 37% Danceability • 65% Energy • 23% Liveness
34% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 65% Energy • 23% Liveness
34% Instrumentalness • 16% Positiveness
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Masaru Yokoyama
The Knight of Rebelion
128 bpm • G min • 02:31 • -9db
31% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
31% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
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Takashi Ohmama
Twilight AXIS
128 bpm • A# min • 04:34 • -15.33db
15% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
15% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Audio Highs
終われぬ苦しみ
128 bpm • D min • 02:31 • -7db
19% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Kohei Tanaka
ワノ国 幕開け、幕引きのテー...
128 bpm • A min • 03:39 • -5.97db
44% Popularity • 74% Danceability • 94% Energy • 20% Liveness
85% Instrumentalness • 96% Positiveness
44% Popularity • 74% Danceability • 94% Energy • 20% Liveness
85% Instrumentalness • 96% Positiveness
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Dude's Cover
On The Precipice of Defeat (Orchestra Re...
112 bpm • A Maj • 01:24 • -10.41db
36% Popularity • 26% Danceability • 62% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 62% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
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MAYUKO
ボッジの朝
112 bpm • F Maj • 01:35 • -13.87db
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
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Masaru Yokoyama
Fate/Apocrypha - Battle
112 bpm • C Maj • 02:27 • -8.08db
28% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
28% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
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Takashi Ohmama
Fix Release
128 bpm • D Maj • 03:51 • -13.56db
27% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
27% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
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Shiro SAGISU
shadow's masquerade
112 bpm • F min • 02:29 • -10.98db
40% Popularity • 36% Danceability • 32% Energy • 32% Liveness
47% Instrumentalness • 21% Positiveness
40% Popularity • 36% Danceability • 32% Energy • 32% Liveness
47% Instrumentalness • 21% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (AERIAL ...
112 bpm • E min • 02:31 • -9.3db
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
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Akira Senju
Clash of the Alchemists
129 bpm • A min • 01:45 • -14db
32% Popularity • 56% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
32% Popularity • 56% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Kotaro Nakagawa
Misconduct
129 bpm • C min • 01:43 • -9db
20% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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Hiroyuki Sawano
car5p3 / PENELOPE
111 bpm • C Maj • 05:18 • -13.12db
28% Popularity • 29% Danceability • 62% Energy • 33% Liveness
72% Instrumentalness • 24% Positiveness
28% Popularity • 29% Danceability • 62% Energy • 33% Liveness
72% Instrumentalness • 24% Positiveness
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藤間 仁
覚悟
111 bpm • G min • 01:58 • -7.46db
29% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
29% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
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梶浦 由記
live through our swordland
130 bpm • C# Maj • 01:53 • -9db
35% Popularity • 36% Danceability • 76% Energy • 32% Liveness
70% Instrumentalness • 31% Positiveness
35% Popularity • 36% Danceability • 76% Energy • 32% Liveness
70% Instrumentalness • 31% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (GUNDAM)
111 bpm • G min • 02:29 • -9.87db
20% Popularity • 23% Danceability • 54% Energy • 17% Liveness
72% Instrumentalness • 19% Positiveness
20% Popularity • 23% Danceability • 54% Energy • 17% Liveness
72% Instrumentalness • 19% Positiveness
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Android Orchestra
The Awakening
130 bpm • G Maj • 02:22 • -10.84db
14% Popularity • 31% Danceability • 60% Energy • 24% Liveness
97% Instrumentalness • 13% Positiveness
14% Popularity • 31% Danceability • 60% Energy • 24% Liveness
97% Instrumentalness • 13% Positiveness
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Kenichiro Suehiro
THE PATH OF AWAKENING
130 bpm • C min • 02:09 • -4.41db
32% Popularity • 54% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
32% Popularity • 54% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Hiroyuki Sawano
XI
111 bpm • A min • 04:18 • -12.44db
35% Popularity • 47% Danceability • 76% Energy • 13% Liveness
68% Instrumentalness • 6% Positiveness
35% Popularity • 47% Danceability • 76% Energy • 13% Liveness
68% Instrumentalness • 6% Positiveness
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Masaru Yokoyama
Brooms and Potions
130 bpm • E min • 01:40 • -13.73db
37% Popularity • 72% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
37% Popularity • 72% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
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Carameii
Luffys Awakened Performance (GEAR 5 THEM...
130 bpm • C# Maj • 02:22 • -6.11db
35% Popularity • 44% Danceability • 82% Energy • 54% Liveness
42% Instrumentalness • 22% Positiveness
35% Popularity • 44% Danceability • 82% Energy • 54% Liveness
42% Instrumentalness • 22% Positiveness
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Rei Kondoh
Jin’s Theme
130 bpm • C# min • 04:48 • -11.29db
22% Popularity • 23% Danceability • 90% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
22% Popularity • 23% Danceability • 90% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
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赤い神Enryu
Classroom of The Elite (Ayanokouji vs Ry...
130 bpm • F min • 04:09 • -9.45db
30% Popularity • 54% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Kenichiro Suehiro
英雄のタクト - 起源 -
130 bpm • F min • 02:53 • -6.99db
24% Popularity • 43% Danceability • 82% Energy • 26% Liveness
90% Instrumentalness • 24% Positiveness
24% Popularity • 43% Danceability • 82% Energy • 26% Liveness
90% Instrumentalness • 24% Positiveness