Songs like 1-2-Esq.-Dto. by Taxi
Based on a tempo of (+/- 10%) and a similar genre
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Taxi
1-2-Esq.-Dto.
148 bpm • F# min • 03:36 • -10.98db
12% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Susana Félix
Mais olhos (que barriga)
148 bpm • C Maj • 03:00 • -11.91db
25% Popularity • 68% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 68% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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António Variações
Estou além
148 bpm • C Maj • 05:04 • -5db
42% Popularity • 58% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 58% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Doce
Ok, Ko
149 bpm • G Maj • 03:10 • -7db
31% Popularity • 70% Danceability • 90% Energy • 23% Liveness
2% Instrumentalness • 94% Positiveness
31% Popularity • 70% Danceability • 90% Energy • 23% Liveness
2% Instrumentalness • 94% Positiveness
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Ena Pá 2000
Alice
147 bpm • A Maj • 02:43 • -14.71db
18% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jáfu'Mega
Nó Cego
149 bpm • B Maj • 03:44 • -12db
30% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Silence 4
Eu Nao Sei Dizer
149 bpm • C Maj • 04:11 • -13db
31% Popularity • 38% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 25% Positiveness
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Mafalda Veiga
Tatuagens
147 bpm • A min • 04:00 • -9.21db
19% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Rádio Macau
O anzol
147 bpm • A Maj • 03:11 • -18db
43% Popularity • 58% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 58% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Doce
Ali-Babá
147 bpm • F# min • 02:48 • -8db
26% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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António Variações
Quando fala um português...
149 bpm • C# Maj • 04:48 • -6db
20% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Lena d’Água
ROBOT
146 bpm • G# Maj • 02:04 • -3.43db
21% Popularity • 55% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
21% Popularity • 55% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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GNR
Quero Que Vá Tudo Pró Inferno
150 bpm • D Maj • 02:40 • -5db
38% Popularity • 54% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 54% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Virgem Suta
Maria Alice
146 bpm • A# Maj • 03:10 • -7.9db
29% Popularity • 74% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 74% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Rua da Saudade
Canção de madrugar
150 bpm • E min • 02:47 • -6db
20% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Taxi
Hipertensão
146 bpm • C min • 04:14 • -11.63db
12% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Entre Aspas
Ele E Ela
150 bpm • F Maj • 02:59 • -5.43db
8% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Rádio Macau
Bom dia Lisboa
146 bpm • G Maj • 04:00 • -7.13db
15% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sitiados
Vida De Marinheiro
145 bpm • A Maj • 03:34 • -7.63db
34% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Filarmonica Gil
Deixa-te ficar em minha casa
145 bpm • E Maj • 03:21 • -11db
27% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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A Fúria Do Açúcar
Eu Gosto É Do Verão
145 bpm • F# Maj • 03:20 • -7.92db
38% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Peste & Sida
Felizes Os Dois
151 bpm • A Maj • 04:02 • -3.01db
13% Popularity • 33% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 33% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Rui Veloso
Rapariguinha do shopping
151 bpm • G Maj • 04:27 • -7db
30% Popularity • 47% Danceability • 65% Energy • 2% Liveness
27% Instrumentalness • 79% Positiveness
30% Popularity • 47% Danceability • 65% Energy • 2% Liveness
27% Instrumentalness • 79% Positiveness
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Doce
Fora Da Lei
151 bpm • A min • 03:00 • -6.07db
12% Popularity • 66% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 66% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Despe E Siga
Bué de Baldas
145 bpm • G min • 03:19 • -9.36db
20% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Trabalhadores Do Comércio
Chamem A Pulíssia
145 bpm • A min • 03:16 • -5.83db
21% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Diabo Na Cruz
Tão Lindo
145 bpm • F min • 02:16 • -8.7db
29% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Lena d’Água
Nuclear não, obrigado
151 bpm • F Maj • 04:01 • -6.43db
7% Popularity • 43% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 43% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Roquivários
Cristina (Beleza é fundamental)
151 bpm • G min • 04:35 • -5.96db
24% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Mafalda Veiga
Planície
145 bpm • G Maj • 04:17 • -7.03db
24% Popularity • 34% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Taxi
Meu Manequim
152 bpm • F# min • 03:45 • -11.11db
10% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Irmãos Catita
Drogado
152 bpm • D Maj • 03:13 • -6db
22% Popularity • 73% Danceability • 81% Energy • 55% Liveness
7% Instrumentalness • 93% Positiveness
22% Popularity • 73% Danceability • 81% Energy • 55% Liveness
7% Instrumentalness • 93% Positiveness
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Jorge Palma
Encosta-te a mim
144 bpm • G Maj • 04:22 • -7.37db
42% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Susana Félix
Mais olhos (que barriga)
144 bpm • C Maj • 03:12 • -6.42db
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jáfu'Mega
La Dolce Vita
153 bpm • B min • 03:17 • -15db
8% Popularity • 64% Danceability • 58% Energy • 7% Liveness
5% Instrumentalness • 75% Positiveness
8% Popularity • 64% Danceability • 58% Energy • 7% Liveness
5% Instrumentalness • 75% Positiveness
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Mafalda Veiga
Cada lugar teu
144 bpm • C# Maj • 04:17 • -8db
34% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Sitiados
Vida de Marinheiro - 1990
153 bpm • A Maj • 03:48 • -6db
8% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Trabalhadores Do Comércio
Chamem A Polícia
153 bpm • F Maj • 03:24 • -8.8db
22% Popularity • 72% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 72% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Carlos Paião
Marcha do "pião-das-nicas"
143 bpm • D Maj • 03:36 • -4.8db
17% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Cabecas No Ar
Jesus no secundário
143 bpm • B min • 03:04 • -5.3db
13% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jáfu'Mega
La Dolce Vita
153 bpm • C Maj • 03:15 • -10db
19% Popularity • 68% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Rádio Macau
Entre as Memórias e o Sonho
143 bpm • F Maj • 03:42 • -7.44db
15% Popularity • 61% Danceability • 61% Energy • 10% Liveness
6% Instrumentalness • 61% Positiveness
15% Popularity • 61% Danceability • 61% Energy • 10% Liveness
6% Instrumentalness • 61% Positiveness
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Quinta Do Bill
Parar O Tempo
143 bpm • F Maj • 03:31 • -5.72db
15% Popularity • 39% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 39% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Humanos
Na lama
142 bpm • A Maj • 02:47 • -5db
24% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Carlos Paião
Zero a zero
153 bpm • C Maj • 04:32 • -10db
12% Popularity • 75% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 75% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Toranja
Cenário (Janela No Rio)
154 bpm • F Maj • 03:46 • -5db
31% Popularity • 45% Danceability • 81% Energy • 19% Liveness
3% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 81% Energy • 19% Liveness
3% Instrumentalness • 39% Positiveness
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Silence 4
My Friends
142 bpm • A Maj • 03:59 • -7.19db
36% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Rádio Macau
Cidade fantasma
142 bpm • G Maj • 04:12 • -16db
22% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Cabecas No Ar
Hora de acordar
142 bpm • E min • 03:12 • -4.82db
12% Popularity • 68% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Humanos
Maria Albertina - Ao Vivo
154 bpm • B Maj • 04:21 • -6.17db
8% Popularity • 50% Danceability • 99% Energy • 99% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 50% Danceability • 99% Energy • 99% Liveness
0% Instrumentalness • 79% Positiveness
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Ricardo Azevedo
Pequeno T2
142 bpm • E Maj • 02:40 • -4.63db
22% Popularity • 70% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 70% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Quinta Do Bill
Dias De Cumplicidade
142 bpm • C Maj • 03:21 • -11.09db
7% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Toranja
(Sufoco) Dá-me Ar
142 bpm • F# min • 02:39 • -8.72db
30% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sitiados
A Noite
142 bpm • E min • 04:11 • -7.97db
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rui Veloso
Máquina Zero
142 bpm • A Maj • 02:49 • -5.11db
29% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Humanos
Maria Albertina
154 bpm • B Maj • 03:08 • -5db
40% Popularity • 69% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
40% Popularity • 69% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Taxi
Tamborim
141 bpm • A min • 04:22 • -14.54db
3% Popularity • 68% Danceability • 63% Energy • 11% Liveness
19% Instrumentalness • 87% Positiveness
3% Popularity • 68% Danceability • 63% Energy • 11% Liveness
19% Instrumentalness • 87% Positiveness
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Jáfu'Mega
Latin'América
155 bpm • F Maj • 04:18 • -9.46db
38% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Toranja
Por Trás Do Fim
142 bpm • G Maj • 02:57 • -7.46db
16% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Lena d’Água
Demagogia
155 bpm • G# Maj • 03:55 • -6.05db
27% Popularity • 70% Danceability • 91% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 70% Danceability • 91% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
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Doce
Depois De Ti
141 bpm • C Maj • 03:46 • -7.35db
15% Popularity • 45% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 45% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Salada de Frutas
Se Cá Nevasse ...
141 bpm • C Maj • 04:07 • -11.81db
13% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Pólo Norte
Vou P'ra Longe
141 bpm • G Maj • 03:20 • -6db
22% Popularity • 56% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 56% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Ena Pá 2000
Mulher Portuguesa
141 bpm • D min • 04:26 • -4.44db
13% Popularity • 51% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 51% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Resistencia
A noite
141 bpm • D Maj • 03:56 • -15.15db
40% Popularity • 74% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 74% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Lena d’Água
No fundo dos teus olhos d'água
156 bpm • C# Maj • 03:35 • -7.6db
15% Popularity • 41% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 41% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Quinta Do Bill
Menino
156 bpm • A# Maj • 03:50 • -12db
38% Popularity • 54% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 54% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Salada de Frutas
Robot - Remaster
156 bpm • F min • 04:19 • -5.46db
9% Popularity • 48% Danceability • 82% Energy • 7% Liveness
22% Instrumentalness • 96% Positiveness
9% Popularity • 48% Danceability • 82% Energy • 7% Liveness
22% Instrumentalness • 96% Positiveness
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Pedro Khima
Esfera
140 bpm • E Maj • 03:08 • -8db
18% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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João Pedro Pais
Não há
156 bpm • G# Maj • 04:58 • -7.34db
19% Popularity • 59% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Pólo Norte
Pele
140 bpm • A Maj • 04:32 • -7db
15% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Ala Dos Namorados
A história de Zé Passarinho
156 bpm • D Maj • 02:14 • -11.5db
32% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Toranja
Doce No Chão
140 bpm • E Maj • 02:00 • -6.9db
19% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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A Fúria Do Açúcar
Rei Dos Matraquilhos
140 bpm • B Maj • 03:28 • -3.93db
12% Popularity • 78% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 78% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Dina
Amor de Água Fresca
140 bpm • G min • 02:53 • -4.05db
31% Popularity • 67% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 67% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Virgem Suta
Vovó Joaquina
140 bpm • F Maj • 03:23 • -5.07db
11% Popularity • 70% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 70% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Pólo Norte
Se Eu Voltasse Atrás
140 bpm • G Maj • 03:29 • -11db
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Ena Pá 2000
Dona
140 bpm • E Maj • 02:07 • -13.25db
12% Popularity • 79% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Ala Dos Namorados
Fim do mundo (E ao cabo do teu ser)
140 bpm • C# min • 03:01 • -5.83db
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Humanos
Na Lama - Ao Vivo
140 bpm • A Maj • 03:07 • -5.3db
8% Popularity • 46% Danceability • 94% Energy • 99% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 46% Danceability • 94% Energy • 99% Liveness
0% Instrumentalness • 68% Positiveness
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Quinta Do Bill
Os Filhos Da Nação
140 bpm • C Maj • 03:05 • -9.68db
42% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Luís Represas
Fora de tempo
140 bpm • D Maj • 04:02 • -16db
17% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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João Pedro Pais
Mais que uma vez
140 bpm • A min • 04:52 • -8.7db
22% Popularity • 59% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Rádio Macau
O elevador da glória
157 bpm • E Maj • 04:38 • -17.93db
32% Popularity • 45% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 45% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Os Pontos Negros
Conto de Fadas de Sintra a Lisboa
157 bpm • E Maj • 03:31 • -7db
31% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 44% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Virgem Suta
Dança de Balcão
139 bpm • F# min • 03:26 • -8db
35% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Taxi
Sorte Na Mão
157 bpm • A Maj • 02:54 • -11.23db
6% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
6% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Carlos Paião
Playback
139 bpm • A min • 03:06 • -6.42db
36% Popularity • 87% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 87% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ena Pá 2000
Marilú
139 bpm • D Maj • 04:20 • -12.43db
28% Popularity • 61% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 61% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Diabo Na Cruz
Malhão 3.0
158 bpm • F Maj • 03:48 • -8.37db
29% Popularity • 58% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 58% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Rui Veloso
Beirã
138 bpm • C# min • 04:46 • -11.7db
28% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Trovante
Um caso mais
158 bpm • D Maj • 03:12 • -11.22db
24% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Taxi
Goodbye Charlie
139 bpm • G Maj • 04:05 • -6.92db
16% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Iris
Atira' Tó Mar...
138 bpm • G Maj • 04:01 • -6.8db
34% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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António Variações
... O corpo é que paga
138 bpm • C Maj • 03:12 • -5.66db
43% Popularity • 74% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 74% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Clã
Dançar na corda bamba
138 bpm • E Maj • 03:16 • -5.64db
24% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Peste & Sida
Acordas P'la Manhã
159 bpm • G Maj • 03:18 • -4.4db
23% Popularity • 56% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
23% Popularity • 56% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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Miguel Araújo
Dona Laura
138 bpm • C Maj • 03:55 • -8.11db
37% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
