Songs like 1 step forward, 3 steps back by Olivia Rodrigo
Based on a tempo of (+/- 10%) and a similar genre
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
79% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
79% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.64db
79% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
79% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Joji
Glimpse of Us
170 bpm • G# Maj • 03:53 • -9.26db
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
67% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Adele
To Be Loved
170 bpm • G# Maj • 06:43 • -8.29db
64% Popularity • 36% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 36% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Birdy
Skinny Love
166 bpm • E Maj • 03:21 • -8.49db
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -11.37db
67% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Vamps
Somebody To You
172 bpm • D# Maj • 03:05 • -5.95db
71% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Olivia Rodrigo
good 4 u
167 bpm • A Maj • 02:58 • -5.04db
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Birdy
Deep End
172 bpm • D Maj • 03:28 • -8.51db
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Odell
Black Friday
165 bpm • F# Maj • 03:41 • -12.4db
70% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
70% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -12db
73% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
73% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Styles
Keep Driving
165 bpm • A Maj • 02:20 • -9.67db
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
59% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
59% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Olivia Rodrigo
All I Want - Live at Vevo
165 bpm • C min • 02:46 • -7.1db
41% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Styles
As It Was
174 bpm • F# min • 02:47 • -5.34db
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Madeline The Person
MEAN!
175 bpm • G Maj • 02:23 • -10db
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kelly Clarkson
Happier Than Ever
162 bpm • G min • 04:14 • -6.44db
59% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Billie Eilish
Happier Than Ever - Edit
162 bpm • C Maj • 02:31 • -5.74db
74% Popularity • 33% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
74% Popularity • 33% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Olivia O'Brien
hate u love u
177 bpm • F# min • 02:55 • -8.92db
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jessica Baio
trust issues
161 bpm • A Maj • 02:14 • -9db
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Miley Cyrus
The Climb
161 bpm • E Maj • 03:54 • -6.35db
74% Popularity • 34% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 34% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Hozier
Work Song
178 bpm • A# Maj • 03:49 • -7.69db
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia Rodrigo
get him back!
162 bpm • F Maj • 03:31 • -5.72db
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:30 • -5.57db
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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girl in red
midnight love
180 bpm • D min • 03:13 • -9.89db
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Olivia Rodrigo
love is embarrassing
160 bpm • A Maj • 02:34 • -3.43db
80% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
80% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Dove Cameron
Boyfriend
180 bpm • G min • 02:33 • -6.54db
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
Apple Pie
180 bpm • A# Maj • 04:19 • -12.27db
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Conan Gray
Crush Culture
180 bpm • C Maj • 03:24 • -5.4db
66% Popularity • 52% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 52% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Reneé Rapp
Bruises
181 bpm • A Maj • 02:41 • -7.89db
63% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
63% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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New West
Those Eyes - Sped Up
158 bpm • A Maj • 02:47 • -6.66db
75% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
75% Popularity • 50% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
67% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
67% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Cate
Can't Wait To Be Pretty - Demo
182 bpm • F Maj • 02:37 • -9.44db
46% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Olivia Rodrigo
all-american bitch
156 bpm • F# Maj • 02:45 • -4.23db
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Leah Kate
10 Things I Hate About You
154 bpm • G# Maj • 02:37 • -2.97db
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Olivia Rodrigo
stranger
186 bpm • C Maj • 03:12 • -4.9db
80% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
80% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Ricky Montgomery
Line Without a Hook
190 bpm • G# Maj • 04:09 • -4.97db
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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James Arthur
Car's Outside
150 bpm • A Maj • 04:08 • -7.18db
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Reneé Rapp
Tummy Hurts
150 bpm • E Maj • 02:48 • -5.86db
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander Stewart
Halo
150 bpm • D Maj • 02:41 • -7.21db
63% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Ashe
I'm Fine
148 bpm • A Maj • 02:16 • -6.55db
45% Popularity • 52% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 52% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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One Direction
They Don't Know About Us
148 bpm • C Maj • 03:20 • -6.13db
73% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
73% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Miley Cyrus
Used To Be Young
147 bpm • E Maj • 03:11 • -3.84db
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jessie Murph
How Could You
147 bpm • B Maj • 03:07 • -11db
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ashe
Save Myself
147 bpm • A Maj • 03:44 • -9.21db
51% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Alex & Sierra
Little Do You Know
146 bpm • C Maj • 03:05 • -8.55db
72% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
72% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Bruno Mars
Talking to the Moon
146 bpm • C# min • 03:37 • -4.72db
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Sofia Carson
Come Back Home
145 bpm • G Maj • 02:56 • -8db
66% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
66% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Florence + The Machine
Never Let Me Go
145 bpm • A Maj • 04:30 • -3.21db
67% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Hannah Montana
I'll Always Remember You
144 bpm • G# Maj • 03:53 • -2.74db
61% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
