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10,000 Hours
Songs like
10,000 Hours (with Justin Bieber)
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
67% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Dan + Shay
10,000 Hours
90 bpm • A# Maj • 02:47 • -4.64db
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
63% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Kylie Morgan
If He Wanted To He Would
90 bpm • C Maj • 02:54 • -4.72db
69% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
64% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
74% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
42% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
58% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Brett Eldredge
The Long Way
89 bpm • A# Maj • 03:28 • -8db
54% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
55% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Morgan Evans
Over For You
91 bpm • E Maj • 03:05 • -8.97db
56% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
49% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Dan + Shay
Lately
92 bpm • C Maj • 04:03 • -6db
47% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Brett Eldredge
Mean to Me
88 bpm • C Maj • 03:48 • -7db
51% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
60% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Lady A
What If I Never Get Over You
93 bpm • C Maj • 03:26 • -5.15db
62% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carrie Underwood
Church Bells
87 bpm • D# min • 03:13 • -1.77db
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Dan + Shay
No Such Thing
87 bpm • C Maj • 02:59 • -5db
40% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
42% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Rascal Flatts
Stand
94 bpm • C Maj • 03:28 • -5db
51% Popularity • 60% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
58% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
62% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
68% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
51% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
76% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
61% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
38% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
61% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Darius Rucker
If I Told You
84 bpm • A Maj • 03:32 • -7db
58% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
68% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Zac Brown Band
Whatever It Is
84 bpm • C# Maj • 03:28 • -6.63db
71% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
56% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dan + Shay
Good Things
97 bpm • B Maj • 02:28 • -6db
53% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
61% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
57% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
57% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jelly Roll
Save Me
83 bpm • C Maj • 03:57 • -5.02db
77% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Keith Urban
One Too Many
83 bpm • E Maj • 03:23 • -6.5db
60% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas Rhett
Be A Light
98 bpm • C Maj • 02:53 • -6.69db
42% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
74% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Combs
Fast Car
98 bpm • G# Maj • 04:25 • -5.52db
86% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dan + Shay
All Nighter
98 bpm • E Maj • 03:23 • -4.03db
38% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Owen
Down To The Honkytonk
82 bpm • D# Maj • 03:06 • -4.12db
70% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Urban
Parallel Line
82 bpm • C Maj • 04:13 • -5.28db
53% Popularity • 62% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Dan + Shay
Irresponsible
82 bpm • D# Maj • 02:43 • -6.67db
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
70% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Brett Eldredge
Gabrielle
99 bpm • A# Maj • 03:36 • -6.72db
48% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Zac Brown Band
Loving You Easy
99 bpm • C# Maj • 02:35 • -4.18db
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
50% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lauren Alaina
Wings Of An Angel
81 bpm • A Maj • 03:12 • -5.52db
41% Popularity • 61% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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10,000 Hours