Songs like 12 Etudes, Op. 8: No. 4 in B Major (Piacevole) by Alexander Scriabin
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Scriabin
24 Preludes, Op. 11: No. 10 in C-Sharp M...
70 bpm • C# min • 01:12 • -25.51db
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: 1. Arietta
70 bpm • D# Maj • 01:07 • -32db
27% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prélude In G-Sharp Minor, Op. 32, No. 1...
70 bpm • E Maj • 02:32 • -25.61db
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
45% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Alexander Scriabin
Etude in C-Sharp Minor, Op. 2/1
70 bpm • C# min • 02:24 • -27.72db
26% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
32% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Francis Poulenc
MĂ©lancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Alexander Scriabin
Piano Sonata No. 3 in F-Sharp Minor, Op....
70 bpm • B Maj • 04:39 • -34.3db
33% Popularity • 29% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
33% Popularity • 29% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Charles Griffes
Roman Sketches, Op. 7: III. The Fountain...
70 bpm • G# Maj • 03:50 • -27db
22% Popularity • 17% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
22% Popularity • 17% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Federico Mompou
MĂşsica callada, Book 1: No. 3, Placide
70 bpm • A# Maj • 01:07 • -25.78db
39% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
39% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Waltz in F Minor, Op. 1
71 bpm • C# Maj • 03:50 • -27.19db
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
12 Etudes, Op. 8 (1894): No. 12 Patetico
69 bpm • E Maj • 02:39 • -22db
25% Popularity • 27% Danceability • 17% Energy • 19% Liveness
93% Instrumentalness • 13% Positiveness
25% Popularity • 27% Danceability • 17% Energy • 19% Liveness
93% Instrumentalness • 13% Positiveness
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Erik Satie
Satie: Gnossiennes - No. 3 Lent
69 bpm • A min • 02:55 • -42.22db
19% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: MĂ©lancolie, FP 105
71 bpm • D Maj • 05:23 • -23db
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Cantabile in B-Flat Major
69 bpm • A# Maj • 01:08 • -37.43db
47% Popularity • 41% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
47% Popularity • 41% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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AntonĂn Dvořák
Piano Quintet in A Major, Op. 81, B. 155...
71 bpm • B min • 02:17 • -28.06db
29% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
44% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Alexander Scriabin
Prélude in B Major, Op. 16, No. 1 - Upr...
71 bpm • C# min • 02:22 • -37.06db
32% Popularity • 33% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 33% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 2 in E Major...
69 bpm • B Maj • 03:14 • -32.1db
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Maurice Ravel
Miroirs: II. Oiseaux tristes
69 bpm • A# min • 04:29 • -40db
26% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Piano Concerto in F sharp minor, Op. 20:...
69 bpm • B Maj • 08:41 • -33db
21% Popularity • 14% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
X. October. Autimn`s Song
71 bpm • D min • 05:43 • -38db
21% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
21% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
Capriccio in F-Sharp Minor, Op. 76, No. ...
69 bpm • C# Maj • 03:31 • -22db
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
56% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
56% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Reynaldo Hahn
Poèmes "Le rossignol éperdu" (Excerpts...
68 bpm • F# Maj • 01:56 • -38db
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Fanny Mendelssohn
Mendelssohn-Hensel: 6 MĂ©lodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 2 in ...
69 bpm • E Maj • 02:30 • -37.04db
21% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 10 Elegiaco
68 bpm • C# min • 02:05 • -29db
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Alexander Scriabin
3 Pieces, Op. 45: I. Feuillet d'Album
71 bpm • D# Maj • 01:24 • -34db
20% Popularity • 40% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
20% Popularity • 40% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Alexander Scriabin
Preparation for the Final Mystery - Real...
72 bpm • D# min • 03:59 • -24.31db
1% Popularity • 7% Danceability • 8% Energy • 59% Liveness
68% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 8% Energy • 59% Liveness
68% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Sigismond Thalberg
Les Soirees de Pausilippe, Hommage a Ros...
72 bpm • F min • 01:43 • -29db
39% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: II. A...
72 bpm • D# Maj • 09:55 • -13.24db
12% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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AntonĂn Dvořák
Romance in F Minor, Op. 11, B. 38 (Arr. ...
72 bpm • G# Maj • 02:13 • -33.45db
31% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
31% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
