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12 Hours Before
Songs like
12 Hours Before
by
Hildur Guðnadóttir
Based on a tempo of (+/- 10%) and a similar genre
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Murcof
Static Discos 100
84 bpm • C# Maj • 01:40 • -25db
37% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Owen Pallett
Planet Earth
84 bpm • F# Maj • 01:22 • -30.71db
35% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Lucy Railton
Women’s Center
84 bpm • G Maj • 02:27 • -23db
23% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Deal with Chaos
84 bpm • C min • 02:05 • -27.96db
37% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Bobby Krlic
The Blessing
84 bpm • C# Maj • 03:04 • -9db
27% Popularity • 18% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 2% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
37% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
LÃður
84 bpm • D min • 02:46 • -24db
22% Popularity • 12% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Bomb Crater
84 bpm • D# Maj • 03:39 • -28.45db
33% Popularity • 9% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marco Beltrami
Leaving the Farm
83 bpm • E Maj • 01:34 • -21.34db
35% Popularity • 9% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Natalia Tsupryk
Enerhodar
83 bpm • A min • 04:27 • -22.43db
28% Popularity • 8% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Bartosz Szpak
Leaving Nattskift
85 bpm • C# Maj • 02:21 • -18.82db
27% Popularity • 20% Danceability • 18% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Clint Mansell
Wipe Them from Your Mind, Mike
85 bpm • D min • 04:13 • -20.24db
9% Popularity • 9% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
12 Hours Before
84 bpm • C Maj • 02:31 • -20db
39% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Cycles
85 bpm • C Maj • 04:57 • -26.26db
24% Popularity • 8% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Lorne Balfe
Pure Silence
83 bpm • A# Maj • 03:03 • -19.71db
12% Popularity • 16% Danceability • 26% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
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Jed Kurzel
Spores
85 bpm • G Maj • 02:17 • -21.47db
25% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Bobby Krlic
Chorus of Sirens
85 bpm • A Maj • 01:38 • -23.83db
21% Popularity • 14% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Peter Gregson
Don't Stare At The Stars Too Long
83 bpm • D Maj • 01:32 • -16.53db
39% Popularity • 15% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Paul
85 bpm • G min • 01:42 • -13.46db
41% Popularity • 17% Danceability • 18% Energy • 18% Liveness
48% Instrumentalness • 3% Positiveness
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Lovett
Four Tents
83 bpm • C# Maj • 01:17 • -14db
18% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Jason Hill
Complicated Knots
85 bpm • G# Maj • 03:46 • -14.53db
13% Popularity • 14% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Only in the Dark
85 bpm • C# Maj • 03:29 • -37db
48% Popularity • 10% Danceability • 0% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Dan Romer
I Wonder Why You Made Me
85 bpm • C min • 01:33 • -32.24db
27% Popularity • 10% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
You
83 bpm • C Maj • 10:04 • -12.59db
7% Popularity • 13% Danceability • 17% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Brambles
To Speak Of Solitude
86 bpm • D# min • 04:21 • -25db
47% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Daniel L.K. Caldwell
The Green Moon
82 bpm • F Maj • 03:41 • -34.93db
13% Popularity • 8% Danceability • 2% Energy • 26% Liveness
76% Instrumentalness • 3% Positiveness
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Dan Romer
They Want You to Come With Me
83 bpm • D Maj • 01:01 • -25.62db
24% Popularity • 22% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Volker Bertelmann
All Quiet On The Western Front
82 bpm • G min • 02:39 • -22.93db
37% Popularity • 8% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mark Korven
The Light Belongs to Me
86 bpm • G Maj • 01:13 • -21db
18% Popularity • 27% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
So That The City Can Begin To Exist
86 bpm • F Maj • 04:46 • -23.4db
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Hammock
Saitowitz
86 bpm • E Maj • 04:19 • -25.14db
21% Popularity • 9% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Daniel L.K. Caldwell
Weak-Handed
86 bpm • F min • 02:10 • -19.02db
14% Popularity • 18% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Clean Up
82 bpm • F# min • 01:41 • -16.88db
27% Popularity • 15% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Alex Somers
Match
82 bpm • F min • 01:31 • -16.65db
32% Popularity • 9% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Library Tapes
The First Signs
82 bpm • G Maj • 01:45 • -15.63db
29% Popularity • 8% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Backfire
86 bpm • D# Maj • 01:12 • -20.76db
37% Popularity • 13% Danceability • 10% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Tóti Guðnason
The Lambing
86 bpm • D# min • 02:24 • -21.6db
13% Popularity • 9% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Clint Mansell
.38 Killer
82 bpm • D min • 02:17 • -19.87db
14% Popularity • 38% Danceability • 9% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig Göransson
BETRAYAL
82 bpm • D# Maj • 03:55 • -17.39db
42% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 2% Positiveness
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A Winged Victory for the Sullen
A Minor Fifth Is Made Of Phantoms
87 bpm • B min • 04:59 • -23.25db
29% Popularity • 9% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Tjaden
81 bpm • D# Maj • 01:29 • -17db
42% Popularity • 19% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Alex Somers
Let You Down
81 bpm • D Maj • 02:14 • -15.97db
15% Popularity • 18% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Bersarin Quartett
Im Lichte des Anderen
87 bpm • C# min • 06:14 • -13.3db
21% Popularity • 12% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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David Bickley and Tom Green
Polar Sirens
87 bpm • F min • 04:51 • -20.52db
16% Popularity • 12% Danceability • 47% Energy • 21% Liveness
97% Instrumentalness • 8% Positiveness
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Anne Nikitin
Romance Begins
87 bpm • A min • 01:33 • -17.97db
34% Popularity • 21% Danceability • 15% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Clint Mansell
Out Of Blue
81 bpm • D min • 02:02 • -19db
41% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
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Hammock
Venturi
81 bpm • D# min • 02:22 • -19.63db
28% Popularity • 15% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
30% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Korven
Stranded
87 bpm • G# min • 02:18 • -12.73db
17% Popularity • 12% Danceability • 28% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Michael Abels
Chris & Rose (Love Theme)
87 bpm • F# Maj • 02:05 • -18.67db
24% Popularity • 21% Danceability • 6% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Cliff Martinez
Can I Sit Next to You
81 bpm • G min • 01:44 • -18.07db
33% Popularity • 9% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Daniel Pemberton
OSR I - I
87 bpm • C Maj • 03:54 • -17.18db
12% Popularity • 9% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
45% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Federico Albanese
682 Steps
88 bpm • A# min • 01:51 • -22.62db
30% Popularity • 9% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Exhibition
88 bpm • G Maj • 01:12 • -14.14db
40% Popularity • 24% Danceability • 40% Energy • 40% Liveness
83% Instrumentalness • 4% Positiveness
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Howard Shore
Crimes of the Future
88 bpm • F Maj • 02:10 • -16.56db
29% Popularity • 12% Danceability • 43% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Dirk Dresselhaus
Alles Kaputt - O.S.T. Version
80 bpm • C Maj • 02:01 • -8.33db
0% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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A Winged Victory for the Sullen
Sullen Sonata
88 bpm • F Maj • 05:23 • -19.14db
31% Popularity • 9% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Daniel Hart
I Promise You Will Not Come To Harm
88 bpm • D Maj • 03:14 • -17.08db
23% Popularity • 37% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Paul Haslinger
Phoenix
80 bpm • C# min • 01:57 • -36db
32% Popularity • 24% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 12% Positiveness
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Ludwig Göransson
Groves
80 bpm • F# Maj • 03:03 • -21.12db
57% Popularity • 44% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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The Insects
Christ
88 bpm • C Maj • 01:35 • -18.29db
11% Popularity • 16% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Mac Quayle
1.0_2-oneincontrol.aiff
80 bpm • A# min • 04:39 • -21db
33% Popularity • 25% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Jay Wadley
Ivan's Chance
88 bpm • D Maj • 03:38 • -17.61db
21% Popularity • 20% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Casey Tells the Truth
80 bpm • C# Maj • 01:40 • -38db
39% Popularity • 27% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Elevation
80 bpm • G min • 05:57 • -18db
25% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Fission
80 bpm • F# min • 04:38 • -21.83db
59% Popularity • 15% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Ian Hawgood
I
80 bpm • D Maj • 01:16 • -28.8db
12% Popularity • 16% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Tally Wanders Off
80 bpm • G# Maj • 01:54 • -24.31db
18% Popularity • 17% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Frische Luft
Cayucos
80 bpm • D Maj • 01:50 • -19.11db
22% Popularity • 30% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
LÃður - Chernobyl Version
88 bpm • D min • 02:48 • -25.69db
29% Popularity • 12% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Remember
89 bpm • B Maj • 01:49 • -26.47db
42% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Dustin O'Halloran
Melon's Story
80 bpm • A min • 02:38 • -35.16db
14% Popularity • 8% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Hauschka
#304
79 bpm • C min • 06:09 • -22.74db
7% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jason Hill
Coming Home
80 bpm • C Maj • 01:39 • -21.73db
32% Popularity • 21% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Spencer Creaghan
Of Mothers and Daughters
79 bpm • D# min • 06:51 • -29.54db
19% Popularity • 17% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Tim Hecker
An Accident
79 bpm • D Maj • 01:49 • -27.95db
21% Popularity • 17% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Sarah Schachner
Kanna
79 bpm • D min • 04:57 • -15.57db
17% Popularity • 29% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
44% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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The Mountain King
A Fist Of Swarms
79 bpm • A# Maj • 03:35 • -21.13db
19% Popularity • 19% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Clint Mansell
We Are All Stardust
79 bpm • D min • 05:12 • -13.42db
15% Popularity • 10% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
► Preview
Ludwig Göransson
MEETING NEIL
79 bpm • C# min • 02:15 • -15.87db
44% Popularity • 15% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Hildur Guðnadóttir
Learning How to Act Normal
79 bpm • A Maj • 01:17 • -33.96db
34% Popularity • 14% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Dan Romer
Owen
79 bpm • D Maj • 01:20 • -23.46db
32% Popularity • 18% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Alex Somers
A Violent Act
90 bpm • G# min • 04:19 • -13.19db
8% Popularity • 31% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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The Album Leaf
Forgiveness
78 bpm • C Maj • 02:08 • -33.18db
14% Popularity • 13% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
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Ben Frost
Slaughter
78 bpm • B Maj • 01:09 • -22.77db
25% Popularity • 28% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Cliff Martinez
I Drive
78 bpm • C Maj • 02:03 • -26.23db
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Hildur Guðnadóttir
The Kidnap
90 bpm • G# Maj • 03:28 • -21.88db
19% Popularity • 48% Danceability • 25% Energy • 28% Liveness
77% Instrumentalness • 5% Positiveness
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12 Hours Before