Songs like 12 Pieces, Op. 40, TH 138: 12 Morceaux, Op. 40: No. 6. Chant sans paroles (arr. F. Kreisler for violin and piano) by Fritz Kreisler
Based on a tempo of (+/- 10%) and a similar genre
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: I. Allegr...
79 bpm • C Maj • 04:38 • -31db
23% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Schön Rosmarin
79 bpm • G Maj • 01:53 • -26.16db
9% Popularity • 56% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 50% Positiveness
9% Popularity • 56% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 50% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Sergei Rachmaninoff
Kreisler - Liebesfreud: Liebesfreud (Lov...
80 bpm • F Maj • 06:41 • -18db
30% Popularity • 28% Danceability • 23% Energy • 33% Liveness
86% Instrumentalness • 14% Positiveness
30% Popularity • 28% Danceability • 23% Energy • 33% Liveness
86% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Tomaso Antonio Vitali
Chaconne in G Minor
80 bpm • G min • 09:31 • -9.84db
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
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Johannes Brahms
Violin Sonata No. 1 in G Major, Op. 78: ...
78 bpm • D Maj • 10:58 • -23db
25% Popularity • 16% Danceability • 6% Energy • 12% Liveness
11% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 12% Liveness
11% Instrumentalness • 7% Positiveness
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Fritz Kreisler
Aucassin and Nicolette (canzonetta medie...
79 bpm • G Maj • 02:23 • -26.04db
12% Popularity • 32% Danceability • 7% Energy • 16% Liveness
61% Instrumentalness • 26% Positiveness
12% Popularity • 32% Danceability • 7% Energy • 16% Liveness
61% Instrumentalness • 26% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Henryk Wieniawski
Wieniawski : Variations on an original t...
78 bpm • A Maj • 11:19 • -19.96db
22% Popularity • 30% Danceability • 12% Energy • 5% Liveness
2% Instrumentalness • 24% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 5% Liveness
2% Instrumentalness • 24% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Fritz Kreisler
La Précieuse in the Style of Couperin
80 bpm • D Maj • 03:10 • -22.5db
13% Popularity • 30% Danceability • 8% Energy • 16% Liveness
30% Instrumentalness • 60% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 16% Liveness
30% Instrumentalness • 60% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20
81 bpm • G min • 09:07 • -25.39db
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Arts Music Recording, Rotterdam
Liebesleid
81 bpm • A Maj • 03:26 • -26.27db
22% Popularity • 20% Danceability • 6% Energy • 13% Liveness
33% Instrumentalness • 25% Positiveness
22% Popularity • 20% Danceability • 6% Energy • 13% Liveness
33% Instrumentalness • 25% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Glinka/Balakirev
Glinka/Balakirev: The Lark (L'Alouette)
77 bpm • A# min • 05:23 • -33db
21% Popularity • 22% Danceability • 1% Energy • 6% Liveness
36% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 1% Energy • 6% Liveness
36% Instrumentalness • 6% Positiveness
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Johan Halvorsen
Passacaglia in G Minor (after G.F. Hande...
81 bpm • G min • 06:37 • -20.64db
14% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Fritz Kreisler
Liebesleid
77 bpm • A min • 03:45 • -30.33db
22% Popularity • 31% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
22% Popularity • 31% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Mela Tenenbaum
Russian Romance: P.Chernyetsky
81 bpm • C min • 02:51 • -21.23db
16% Popularity • 27% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
16% Popularity • 27% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Viriato Baltasar
Appassionata (3rd Movement)
77 bpm • F min • 07:25 • -27.97db
34% Popularity • 39% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 39% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Gypsy Caprice
77 bpm • A min • 05:23 • -23.37db
7% Popularity • 30% Danceability • 4% Energy • 6% Liveness
2% Instrumentalness • 15% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 6% Liveness
2% Instrumentalness • 15% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
81 bpm • E min • 03:27 • -22db
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Violin Partita No. 2 in D Minor, BWV 100...
76 bpm • D min • 05:12 • -22db
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
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Fritz Kreisler
Tambourin chinois
82 bpm • G min • 03:34 • -20.97db
18% Popularity • 44% Danceability • 18% Energy • 9% Liveness
75% Instrumentalness • 17% Positiveness
18% Popularity • 44% Danceability • 18% Energy • 9% Liveness
75% Instrumentalness • 17% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: II. Lento assai
82 bpm • A min • 02:10 • -29.3db
25% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Rondo in D Major, K. 485
76 bpm • D Maj • 06:23 • -30.03db
28% Popularity • 44% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 34% Positiveness
28% Popularity • 44% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 34% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Cello Concerto No. 1 in A ...
82 bpm • F Maj • 05:47 • -19.29db
15% Popularity • 17% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Franz Liszt
Romance oubliee
76 bpm • F# min • 04:49 • -32db
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Fritz Kreisler
Liebesleid - Arr. Mischa Maisky
83 bpm • A min • 03:53 • -25.35db
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 1 in G Minor, BWV 1001...
75 bpm • G min • 05:26 • -18.03db
31% Popularity • 39% Danceability • 11% Energy • 9% Liveness
4% Instrumentalness • 57% Positiveness
31% Popularity • 39% Danceability • 11% Energy • 9% Liveness
4% Instrumentalness • 57% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: II. Larghet...
75 bpm • C Maj • 06:49 • -29.4db
19% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
75 bpm • G min • 07:34 • -18db
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
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Fritz Kreisler
Kreisler / Arr. Rachmaninov: 3 Alt-Wiene...
83 bpm • E min • 04:35 • -24.89db
28% Popularity • 32% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 32% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Act II - Variation I
83 bpm • C# Maj • 01:06 • -34db
47% Popularity • 37% Danceability • 3% Energy • 23% Liveness
76% Instrumentalness • 46% Positiveness
47% Popularity • 37% Danceability • 3% Energy • 23% Liveness
76% Instrumentalness • 46% Positiveness
► Preview
Fritz Kreisler
Syncopation
83 bpm • G Maj • 01:52 • -20.89db
17% Popularity • 49% Danceability • 11% Energy • 8% Liveness
39% Instrumentalness • 44% Positiveness
17% Popularity • 49% Danceability • 11% Energy • 8% Liveness
39% Instrumentalness • 44% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
83 bpm • E Maj • 02:47 • -20.86db
45% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Fritz Kreisler
Berceuse Romantique (Caprice)
83 bpm • G Maj • 04:30 • -23.9db
12% Popularity • 20% Danceability • 6% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
6 Piano Pieces, Op. 118: No. 2, Intermez...
83 bpm • F# min • 05:55 • -31db
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Diane Hidy
Songs Without Words: Venetian Boat Song,...
75 bpm • G min • 02:04 • -32db
16% Popularity • 35% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 35% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Henryk Wieniawski
Romance
83 bpm • C min • 09:57 • -20.9db
19% Popularity • 24% Danceability • 14% Energy • 8% Liveness
14% Instrumentalness • 9% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 8% Liveness
14% Instrumentalness • 9% Positiveness
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Pierre Rode
24 Caprices en formes d'etudes: No. 2 in...
83 bpm • A min • 01:37 • -18.87db
35% Popularity • 51% Danceability • 22% Energy • 29% Liveness
92% Instrumentalness • 81% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 29% Liveness
92% Instrumentalness • 81% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Fritz Kreisler
Liebeslied (arr. S. Rachmaninov)
84 bpm • A Maj • 04:06 • -27.05db
17% Popularity • 26% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
17% Popularity • 26% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Ragna Schirmer
No. 1, Allegro, legato
84 bpm • C Maj • 02:01 • -19.9db
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Fritz Kreisler
Liebeslied (arr. for viola and piano)
74 bpm • A Maj • 03:27 • -21db
19% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
19% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Rubinstein
Melody in F Major, Op. 3, No. 1
74 bpm • F Maj • 04:32 • -29db
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: IV. A...
84 bpm • E Maj • 09:35 • -21db
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor,...
84 bpm • G min • 04:44 • -20db
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Danse Slave N°2 en Mi Mineur, Opus 46
74 bpm • C Maj • 03:24 • -18.69db
17% Popularity • 30% Danceability • 10% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
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Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
41% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
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Ilya Rachkovsky
Les saisons (The Seasons), Op. 37b: XI. ...
74 bpm • E Maj • 03:02 • -31.49db
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
85 bpm • C Maj • 08:05 • -26.1db
25% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Lang Lang
Children's Corner, CD 119: I. Doctor Gra...
74 bpm • F Maj • 02:47 • -22.61db
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
► Preview
Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Sergei Prokofiev
War and Peace, Op. 91: Natasha's and And...
74 bpm • F# min • 04:54 • -25db
19% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
19% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Ilya Kaler
24 Caprices, Op. 1: No. 9 in E major
85 bpm • E Maj • 02:53 • -19.06db
35% Popularity • 64% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
35% Popularity • 64% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
