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12 Sonate a tre - Sonata IV in A Major, Op. 3: III...
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12 Sonate a tre - Sonata IV in A Major, Op. 3: III. Sarabanda, Allegro
by
Tomaso Albinoni
Based on a tempo of (+/- 10%) and a similar genre
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86% Instrumentalness • 24% Positiveness
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61% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
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80% Instrumentalness • 14% Positiveness
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George Frideric Handel
Apollo e Dafne, HWV 122: Aria: Felicissi...
172 bpm • F# Maj • 05:18 • -20.87db
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4% Instrumentalness • 27% Positiveness
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Tomaso Albinoni
Albinoni: Concerto for Two Oboes in C Ma...
172 bpm • A min • 02:58 • -17db
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93% Instrumentalness • 6% Positiveness
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Johann Rosenmüller
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175 bpm • E min • 01:03 • -27db
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94% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
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63% Instrumentalness • 5% Positiveness
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Johann Christian Bach
Symphony in D Major, Op. 3, No. 1, W. C1...
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51% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
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91% Instrumentalness • 19% Positiveness
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Tomaso Albinoni
Adagio in G Minor (Arr. for Harp and Orc...
175 bpm • C min • 05:00 • -16.16db
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Franz Schubert
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90% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
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3% Instrumentalness • 10% Positiveness
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Giovanni Paisiello
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180 bpm • C min • 06:51 • -23db
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70% Instrumentalness • 4% Positiveness
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William Boyce
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180 bpm • A Maj • 02:50 • -18.24db
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93% Instrumentalness • 73% Positiveness
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Tomaso Albinoni
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2% Instrumentalness • 4% Positiveness
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29% Instrumentalness • 20% Positiveness
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91% Instrumentalness • 22% Positiveness
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64% Instrumentalness • 15% Positiveness
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92% Instrumentalness • 44% Positiveness
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90% Instrumentalness • 27% Positiveness
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William Boyce
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1% Instrumentalness • 46% Positiveness
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68% Instrumentalness • 49% Positiveness
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72% Instrumentalness • 36% Positiveness
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148 bpm • C min • 01:46 • -28db
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88% Instrumentalness • 4% Positiveness
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Ottorino Respighi
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90% Instrumentalness • 34% Positiveness
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Jean-Philippe Rameau
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148 bpm • E min • 00:56 • -22.81db
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93% Instrumentalness • 51% Positiveness
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17% Instrumentalness • 6% Positiveness
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Carl Friedrich Abel
Sonata for violoncello and basso continu...
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28% Instrumentalness • 66% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
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95% Instrumentalness • 3% Positiveness
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Concerto Grosso in D Minor, H. 143 "La F...
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92% Instrumentalness • 45% Positiveness
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Giuseppe Tartini
12 Trio Sonate, Op. 3: Sonata No. 2 in r...
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95% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Te Deum Motet à deux choeurs
147 bpm • B Maj • 02:17 • -11.13db
31% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
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Tomaso Albinoni
Concerto a 5 in C Major, Op. 9, No. 5 fo...
189 bpm • C Maj • 03:32 • -16.87db
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52% Instrumentalness • 89% Positiveness
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Tomaso Albinoni
12 Concerti a 5, Op. 5 - Concerto a5, Op...
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8% Popularity • 25% Danceability • 12% Energy • 33% Liveness
23% Instrumentalness • 18% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes, Strings and String...
149 bpm • C Maj • 01:05 • -21.57db
18% Popularity • 12% Danceability • 3% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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12 Sonate a tre - Sonata IV in A Major, Op. 3: III...