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13 Missed Calls
Songs like
13 Missed Calls
by
Zach Hood
Based on a tempo of (+/- 10%) and a similar genre
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Chase Atlantic
Slow Down
130 bpm • A# Maj • 03:32 • -4.86db
79% Popularity • 47% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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JESSIA
I Should Quit
130 bpm • A Maj • 02:30 • -7.1db
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Anna Thompson
Get Me High
130 bpm • A min • 02:47 • -5.76db
28% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Joshua Bassett
Set Me Free
130 bpm • D Maj • 04:02 • -8.26db
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Chase Atlantic
Into It
130 bpm • A# min • 03:16 • -6.71db
79% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jessie Murph
Upgrade
130 bpm • C Maj • 02:37 • -4.59db
61% Popularity • 66% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
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Natalie Jane
Kind of Love
130 bpm • B Maj • 03:38 • -6db
45% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Tedy
I Wanted My Heart to Break
130 bpm • C Maj • 03:47 • -6.71db
34% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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good problem
Heart In A Cold Room
132 bpm • A# Maj • 03:01 • -8db
29% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Grey Zeigler
Sensitive Subject
128 bpm • G Maj • 02:22 • -5.92db
40% Popularity • 58% Danceability • 71% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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44phantom
all figured out
129 bpm • C min • 03:05 • -8.46db
32% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Rowan Drake
Closure
132 bpm • C min • 02:19 • -8.69db
26% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kodoku
So Fine
132 bpm • C# min • 02:10 • -7.88db
46% Popularity • 82% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Alexa Cappelli
broke & lonely
128 bpm • E Maj • 02:45 • -5db
37% Popularity • 84% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sara Kays
Future Kids
128 bpm • F Maj • 03:11 • -10.28db
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Nessa Barrett
if u love me
128 bpm • A min • 04:14 • -6.64db
46% Popularity • 68% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Chase Atlantic
MOLLY
128 bpm • A# Maj • 03:28 • -7.51db
49% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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bülow
You & Jennifer
132 bpm • B Maj • 02:39 • -6.53db
55% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Huddy
America's Sweetheart
127 bpm • C# min • 03:24 • -7.43db
44% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Zach Hood
dopamine
127 bpm • A# Maj • 02:59 • -5.76db
47% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia O'Brien
Sociopath
133 bpm • G Maj • 02:33 • -6.16db
40% Popularity • 73% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
55% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Joshua Bassett
Crisis
134 bpm • D Maj • 03:09 • -6.62db
48% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Orlando
Adelaide
134 bpm • G min • 03:02 • -6.84db
47% Popularity • 77% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
63% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Chase Atlantic
OHMAMI - With Maggie Lindemann
126 bpm • A# min • 03:46 • -5.75db
54% Popularity • 60% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
52% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Grant Landis
Next Flight Home
126 bpm • E Maj • 03:08 • -12.94db
31% Popularity • 69% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Andi
House On Fire
135 bpm • C# Maj • 03:13 • -10db
36% Popularity • 82% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Ashley Kutcher
When You're Not Okay
135 bpm • F Maj • 02:31 • -7db
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Chase Atlantic
OHMAMI
126 bpm • A# min • 03:46 • -5.88db
65% Popularity • 58% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Nic D
Icee Pop
135 bpm • C Maj • 02:27 • -6.61db
40% Popularity • 91% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Chase Atlantic
Moonlight
135 bpm • B Maj • 04:12 • -5.9db
69% Popularity • 31% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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JESSIA
Next Time
135 bpm • C Maj • 03:17 • -9db
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Verus
Your Guilty Pleasure
136 bpm • A min • 02:54 • -18.51db
53% Popularity • 53% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 30% Positiveness
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Just Stef
Joke
136 bpm • D Maj • 02:57 • -10.48db
26% Popularity • 44% Danceability • 32% Energy • 2% Liveness
0% Instrumentalness • 14% Positiveness
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ROLE MODEL
death wish
136 bpm • E min • 02:40 • -7.67db
43% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Bea Miller
feel something
136 bpm • C Maj • 03:00 • -8.91db
64% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Short
Already Mine
136 bpm • F Maj • 02:25 • -10.2db
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Natalie Jane
Seven
136 bpm • G# Maj • 02:04 • -7.75db
66% Popularity • 82% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Witt Lowry
Put Me First
124 bpm • D Maj • 02:38 • -7.03db
51% Popularity • 80% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Julia Wolf
Nikes
136 bpm • B Maj • 02:29 • -7.47db
34% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jade LeMac
Aimed to Kill
124 bpm • C Maj • 03:22 • -2.79db
51% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Chase Atlantic
Drugs & Money - New Mix
124 bpm • B Maj • 03:59 • -4.83db
66% Popularity • 63% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Andrea Russett
Freezing
124 bpm • F min • 02:23 • -5.92db
43% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Katherine Li
I Don't Care
137 bpm • B Maj • 03:03 • -8db
39% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Vwillz
She's Gone
123 bpm • D Maj • 03:44 • -11db
37% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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John K
happiness
123 bpm • B Maj • 03:16 • -4.04db
44% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Brainheart
Hell & Heaven
138 bpm • G# min • 02:46 • -6.61db
21% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
everything sucks
138 bpm • F# Maj • 01:56 • -7.31db
43% Popularity • 73% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Emma Oliver
i'm sorry, i miss you
138 bpm • B Maj • 02:55 • -7db
20% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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We Three
30,000 Ft
138 bpm • A# Maj • 02:57 • -6.34db
39% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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vaultboy
everything sucks
138 bpm • F# Maj • 01:55 • -8.96db
69% Popularity • 76% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Camylio
ghost me
122 bpm • C Maj • 03:22 • -12.31db
39% Popularity • 72% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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sammy rash
summer&cigarettes
122 bpm • F min • 01:54 • -10.28db
61% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Kyd the Band
Real Problems
122 bpm • A# Maj • 03:13 • -5db
29% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Munn
hey, what's up
122 bpm • A min • 02:59 • -9db
36% Popularity • 68% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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We Three
Kissin' When We're Mad
122 bpm • E Maj • 03:05 • -7db
40% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Britton
To My Younger Self
139 bpm • G# min • 02:52 • -10.38db
55% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Haiden Henderson
Wasted
121 bpm • G Maj • 02:28 • -8.05db
32% Popularity • 76% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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jxdn
Pray
140 bpm • C Maj • 01:59 • -7.84db
58% Popularity • 55% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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13 Missed Calls