Songs like 17 by Julia Michaels
Based on a tempo of (+/- 10%) and a similar genre
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Cadmium
Feel It Too
98 bpm • F# min • 03:18 • -5.78db
38% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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A R I Z O N A
Problems
98 bpm • D Maj • 02:51 • -7.41db
49% Popularity • 72% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 13% Positiveness
49% Popularity • 72% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 13% Positiveness
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Julia Michaels
17
98 bpm • E Maj • 03:02 • -6.87db
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
62% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Orlando
Phobias
98 bpm • F min • 03:03 • -6.05db
39% Popularity • 45% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 45% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Ava Max
Freaking Me Out
98 bpm • C# min • 03:12 • -4.84db
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Maximillian
On My Mind
98 bpm • F min • 02:54 • -6.76db
51% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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Justin Jesso
Let it Be Me
97 bpm • G# Maj • 03:39 • -5db
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Rasmus Hagen
Fight For You
99 bpm • G# Maj • 03:05 • -7.51db
29% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Hey Violet
Queen Of The Night
97 bpm • A Maj • 03:17 • -5db
43% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Rita Ora
Keep Talking
97 bpm • C# Maj • 03:33 • -7.39db
31% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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MARINA
About Love
97 bpm • C Maj • 03:34 • -5.57db
55% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Evan Blum
Hurt The Ones We Love The Most
99 bpm • E Maj • 03:23 • -12db
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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John K
cheap sunglasses
99 bpm • G# Maj • 03:19 • -5.89db
49% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Julia Michaels
Give It To You
97 bpm • A Maj • 02:15 • -7.1db
38% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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ZAYN
Good Years
97 bpm • D Maj • 03:00 • -5.98db
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Olivia O'Brien
Love Myself
100 bpm • D Maj • 03:33 • -5.7db
51% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Nightly
Twenty Something - Stripped Sessions
100 bpm • G# Maj • 04:21 • -11.15db
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Zedd
Funny
100 bpm • F Maj • 03:41 • -4.65db
60% Popularity • 66% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 66% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Jasmine Thompson
Funny - Stripped
100 bpm • F Maj • 03:39 • -4db
39% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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James TW
Butterflies
100 bpm • C min • 03:17 • -7.3db
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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HRVY
Told You So
100 bpm • C Maj • 02:57 • -5.41db
51% Popularity • 74% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 74% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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MKTO
Shoulda Known Better
100 bpm • C# min • 03:26 • -5.31db
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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PRETTYMUCH
Summer on You
100 bpm • E Maj • 03:25 • -6.55db
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Alex Aiono
Be Alright Forever
100 bpm • B Maj • 03:02 • -4.57db
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Liam Payne
Live Forever (With Cheat Codes)
100 bpm • G Maj • 02:54 • -6.11db
46% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Liv Dawson
Pushing 21
100 bpm • E Maj • 03:27 • -9.44db
30% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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MKTO
Marry Those Eyes
96 bpm • F min • 02:58 • -5.11db
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Helman
Wait No More
100 bpm • G# Maj • 02:44 • -6.63db
34% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sam DeRosa
Pill for This
96 bpm • G Maj • 02:53 • -5.34db
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Julia Michaels
Body
95 bpm • G# Maj • 03:00 • -6.66db
41% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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MNEK
Colour
101 bpm • C Maj • 03:21 • -2.99db
50% Popularity • 68% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 68% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Charlotte Lawrence
Stole Your Car
101 bpm • G min • 03:35 • -5.61db
41% Popularity • 66% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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JST FRNDS
All Night Long
95 bpm • D# Maj • 03:35 • -7.96db
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jack & Jack
Day Dreaming
101 bpm • A# Maj • 03:31 • -6db
48% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Michaels
Fucked Up, Kinda
95 bpm • F# min • 02:33 • -5.78db
36% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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BANNERS
No One Knows Us
95 bpm • C Maj • 03:15 • -7.71db
35% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sandro Cavazza
Used To
102 bpm • A# Maj • 02:54 • -8.16db
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Lost Kings
Anti-Everything
102 bpm • C Maj • 03:03 • -7.29db
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte Lawrence
Sleep Talking
102 bpm • D min • 03:44 • -4.31db
48% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Julia Michaels
Work Too Much
95 bpm • C Maj • 03:17 • -4.64db
29% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Halsey
Still Learning
102 bpm • C min • 03:31 • -6.54db
52% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
60% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Picture This
Parked Car Conversations
94 bpm • C# Maj • 03:11 • -4.66db
45% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ivy Adara
Famous
94 bpm • A Maj • 03:43 • -5.49db
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Marshmello
Be Kind
94 bpm • E Maj • 02:52 • -7.09db
73% Popularity • 63% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 63% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Conor Maynard
Waste Your Time
94 bpm • B Maj • 03:08 • -6.06db
44% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Julia Michaels
Just Do It
94 bpm • F Maj • 03:12 • -8.79db
33% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Alexander Stewart
Best Damn Thing
94 bpm • C# Maj • 03:52 • -3db
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Greyson Chance
Twenty One
94 bpm • F min • 03:12 • -8db
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Brynn Cartelli
Last Night's Mascara
102 bpm • E Maj • 03:17 • -6db
41% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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![Be Kind (with Halsey) [Stripped] cover art](https://i.scdn.co/image/ab67616d00001e022b9a27db61fb82fa32f34968)
Marshmello
Be Kind [Stripped]
94 bpm • E Maj • 02:53 • -10.48db
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hailee Steinfeld
Most Girls
103 bpm • A Maj • 03:24 • -7.02db
66% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Smith
Dancing With A Stranger
103 bpm • G# Maj • 02:51 • -7.51db
78% Popularity • 74% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 74% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Ed Sheeran
Beautiful People
93 bpm • F min • 03:17 • -8.11db
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Gabriel Conte
I'm Not Sorry
93 bpm • G# Maj • 03:00 • -7.02db
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Hailee Steinfeld
Back to Life
103 bpm • A# min • 03:53 • -6.22db
50% Popularity • 64% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 64% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Orlando
See You
93 bpm • F# Maj • 02:55 • -4.71db
48% Popularity • 67% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 67% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
I Forgot That You Existed
93 bpm • F Maj • 02:50 • -10.35db
74% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
74% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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HRVY
ME BECAUSE OF YOU
93 bpm • A# Maj • 03:35 • -6.56db
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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JP Saxe
If The World Was Ending - Marian Hill R...
104 bpm • C# Maj • 03:27 • -9.12db
28% Popularity • 53% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 53% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Liam Payne
Remember
104 bpm • F min • 03:09 • -5.1db
48% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Hailee Steinfeld
Let Me Go
103 bpm • G# Maj • 02:54 • -4.15db
74% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Chainsmokers
Call You Mine
104 bpm • E min • 03:37 • -5.6db
68% Popularity • 58% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 58% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Ivy Adara
Rebels
104 bpm • F# Maj • 02:56 • -6.09db
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Elina
Free
92 bpm • A# Maj • 03:19 • -13db
45% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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NIKI DEMAR
Alone in My Car
92 bpm • C Maj • 03:13 • -7db
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Charlotte Lawrence
Just the Same
92 bpm • G Maj • 03:31 • -5db
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Halsey
Graveyard
92 bpm • B min • 03:01 • -5.13db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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kenzie
Emoceans
92 bpm • A Maj • 03:00 • -3.59db
30% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Baxter
Talk About Us
92 bpm • F# Maj • 02:45 • -6db
31% Popularity • 64% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 64% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Munn
Loved Us More
92 bpm • G Maj • 03:00 • -11db
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Clean Bandit
I Miss You - Acoustic
105 bpm • D# Maj • 03:36 • -9.33db
46% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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shy martin
Just a Little Longer
105 bpm • C Maj • 03:26 • -7db
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Cameron Dallas
Why Haven't I Met You?
105 bpm • D# min • 03:00 • -7db
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jack & Jack
Lotta Love
105 bpm • A# Maj • 02:50 • -8db
41% Popularity • 72% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 72% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Clean Bandit
I Miss You - DRAM Remix
105 bpm • C min • 03:25 • -9db
19% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sody
The Bully
105 bpm • C min • 03:13 • -10.37db
30% Popularity • 71% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 71% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Quinn XCII
Stacy
105 bpm • G# Maj • 02:48 • -6.97db
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
