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1980
Songs like
1980
by
O.S.T.R.
Based on a tempo of (+/- 10%) and a similar genre
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Hemp Gru
Nie Zapomnę
95 bpm • C# min • 04:55 • -5.9db
25% Popularity • 91% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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O.S.T.R.
1980
95 bpm • B Maj • 03:58 • -3.88db
20% Popularity • 77% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Paktofonika
A Robi Się To Tak
95 bpm • C# Maj • 05:51 • -7.31db
40% Popularity • 83% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Łona I Webber
Rozmowa
95 bpm • F# Maj • 03:07 • -5.81db
46% Popularity • 81% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Pięć Dwa Dębiec
Dębiec, dębiec
95 bpm • G# min • 04:58 • -5db
21% Popularity • 86% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Rahim
Dzisiaj
95 bpm • D Maj • 03:18 • -8.38db
16% Popularity • 77% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Kaliber 44
Konfrontacje
95 bpm • E min • 02:36 • -10db
47% Popularity • 75% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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PMM
Podążamy za sobą
95 bpm • A# Maj • 03:37 • -5.64db
23% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Hemp Gru
Na Krawędzi 2
95 bpm • B Maj • 04:43 • -5.04db
19% Popularity • 92% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Łona I Webber
Ballada o Szlachetnym Czorcie
95 bpm • C# min • 02:16 • -8.89db
43% Popularity • 85% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Buka
Super Ziom
95 bpm • C Maj • 04:30 • -5db
26% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ero
Bez Przesady
95 bpm • G Maj • 02:55 • -3.61db
39% Popularity • 62% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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O.S.T.R.
Co By Się Nie Działo
95 bpm • G# Maj • 03:22 • -5.17db
26% Popularity • 66% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Bez Cenzury
Nie Idę Sam
95 bpm • C Maj • 03:37 • -4.12db
30% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Hemp Gru
Droga
95 bpm • A# min • 03:39 • -6db
49% Popularity • 72% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Łona I Webber
My Się Znamy???
95 bpm • C Maj • 02:30 • -5.35db
35% Popularity • 80% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Molesta
Xeroboy
95 bpm • G Maj • 03:01 • -8.9db
29% Popularity • 86% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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TEDE
Wyścig Szczurów
95 bpm • A Maj • 04:02 • -5.52db
37% Popularity • 76% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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O.S.T.R.
Karma
95 bpm • C# min • 03:12 • -4.26db
19% Popularity • 55% Danceability • 93% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Polska Wersja
Lepiej to zostaw
95 bpm • C# Maj • 04:31 • -5db
46% Popularity • 73% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Sarius
Przerywamy Program O.S.T.R. & Hades
96 bpm • F# min • 03:51 • -5.85db
24% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Łona I Webber
Biznesmen
95 bpm • C# Maj • 02:05 • -7db
39% Popularity • 72% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Paktofonika
Powierzchnie Tnące
95 bpm • G# min • 03:35 • -8.82db
49% Popularity • 69% Danceability • 61% Energy • 70% Liveness
62% Instrumentalness • 71% Positiveness
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TEDE
Drin za Drinem
95 bpm • C Maj • 04:13 • -6db
47% Popularity • 60% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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O.S.T.R.
W Miłości
95 bpm • F min • 05:56 • -2.93db
19% Popularity • 53% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ten Typ Mes
Studio, scena, łóżko
94 bpm • G# Maj • 03:19 • -7.25db
31% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Pono
Policyjne miasto
94 bpm • D min • 04:10 • -6.19db
15% Popularity • 87% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Nullo
10 Minut Bragga
94 bpm • C# Maj • 10:02 • -4.37db
20% Popularity • 66% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Fundacja #1
Nieśmiertelna nawijka - Prosto Remix
96 bpm • G Maj • 03:15 • -8db
13% Popularity • 73% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Pięć Dwa Dębiec
Graffiti
96 bpm • F# Maj • 02:26 • -6.61db
26% Popularity • 83% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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O.S.T.R.
Taki Jak Wy
96 bpm • C# min • 02:57 • -3.39db
25% Popularity • 68% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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HIFI Banda
Noc Nie Daje Snu
94 bpm • B Maj • 03:40 • -5.51db
35% Popularity • 62% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Pono
Nieśmiertelna nawijka ZIP Składowa
96 bpm • G Maj • 03:59 • -8db
34% Popularity • 84% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Mor W.A.
My to My
96 bpm • F# min • 04:21 • -9.11db
19% Popularity • 86% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Fenomen
Fenomenada
94 bpm • C Maj • 03:34 • -7.96db
21% Popularity • 78% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Jano Polska Wersja
PRYM
94 bpm • G# Maj • 03:52 • -5.2db
42% Popularity • 88% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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O.S.T.R.
Jestem Tylko Dzieckiem
96 bpm • F min • 03:24 • -3.77db
13% Popularity • 70% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Czarny HIFI
Remis
94 bpm • A Maj • 03:47 • -7.31db
19% Popularity • 78% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Pono
Instynkt
96 bpm • F# Maj • 03:22 • -4.53db
14% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Trzeci Wymiar
Skamieniali Teka
94 bpm • A min • 03:36 • -5.08db
52% Popularity • 81% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Ten Typ Mes
Trze'a było
96 bpm • B min • 04:03 • -5.9db
31% Popularity • 86% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Ero
Nie Mogę Przestać
94 bpm • G# min • 03:16 • -5.92db
32% Popularity • 76% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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O.S.T.R.
Odzyskamy Hiphop
96 bpm • G min • 03:44 • -8.84db
25% Popularity • 89% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Kasta
Atom
94 bpm • C# Maj • 03:22 • -3.24db
23% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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POE (Projekt Ostry Emade)
My albo oni
96 bpm • F# Maj • 04:13 • -5.62db
20% Popularity • 92% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Trzeci Wymiar
Więcej Grzechów Nie Pamiętam
94 bpm • B min • 03:29 • -4.03db
22% Popularity • 83% Danceability • 84% Energy • 70% Liveness
0% Instrumentalness • 69% Positiveness
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Płomień 81
To Są Nasze Dni
96 bpm • C# Maj • 03:05 • -10.44db
24% Popularity • 84% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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PMM
Tak trzymaj
94 bpm • C Maj • 03:05 • -4.66db
32% Popularity • 75% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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O.S.T.R.
Jestem Tylko Dzieckiem
96 bpm • C# Maj • 03:31 • -4.27db
19% Popularity • 78% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Dj Decks
Łoj
96 bpm • C# min • 02:30 • -8.88db
27% Popularity • 81% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Fenomen
Szansa
94 bpm • G min • 04:33 • -5.11db
38% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Kaliber 44
Baku, Baku to jest skład
94 bpm • C# Maj • 05:36 • -8.69db
41% Popularity • 86% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Wzgórze Ya-Pa 3
Co Ważne a Co Ważne Nie Jest
96 bpm • A# min • 04:10 • -5.02db
24% Popularity • 90% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
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PMM
Wstawaj
96 bpm • F min • 03:27 • -1.73db
44% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Łona I Webber
Nic Dziwnego
94 bpm • G# min • 03:05 • -8.03db
36% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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HIFI Banda
A My
94 bpm • E Maj • 03:54 • -6.49db
18% Popularity • 41% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 47% Positiveness
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Warszafski Deszcz
Aluminium
94 bpm • F Maj • 04:28 • -6.99db
36% Popularity • 78% Danceability • 69% Energy • 8% Liveness
47% Instrumentalness • 63% Positiveness
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O.S.T.R.
Dla Tych Kilku Rzeczy
96 bpm • C Maj • 04:05 • -5.28db
19% Popularity • 66% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Miuosh
Nie mamy skrzydeł
94 bpm • F# min • 03:48 • -6.53db
42% Popularity • 56% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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PMM
Sprawa dla dżentelmena
94 bpm • C min • 03:40 • -7.73db
25% Popularity • 64% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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Hades
Zmiany
94 bpm • D Maj • 03:15 • -7.5db
29% Popularity • 61% Danceability • 89% Energy • 28% Liveness
32% Instrumentalness • 69% Positiveness
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Łona I Webber
Raperzy Są Niedobrzy
96 bpm • A# min • 03:15 • -7.59db
26% Popularity • 75% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Bez Cenzury
Po Męczącym Dniu
96 bpm • F Maj • 03:37 • -4.77db
23% Popularity • 80% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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O.S.T.R.
Brzydki, Zły i Szczery
96 bpm • G Maj • 03:16 • -7.35db
40% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Hemp Gru
Zjedz Skręta
96 bpm • G Maj • 04:24 • -7db
37% Popularity • 79% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Trzeci Wymiar
Dolina Klaunoow
96 bpm • F Maj • 04:42 • -5db
32% Popularity • 51% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 52% Positiveness
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Kosi
Nie mam czasu
94 bpm • B min • 03:22 • -6.59db
25% Popularity • 60% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Łona I Webber
Kaloryfer
96 bpm • A min • 03:01 • -9.47db
38% Popularity • 84% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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B.O.K.
Wszystko do nas wraca
96 bpm • F# Maj • 03:29 • -5.22db
27% Popularity • 83% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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O.S.T.R.
Zobacz Co Mówią
96 bpm • F# min • 03:01 • -3.48db
18% Popularity • 62% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Molesta
Się żyje
94 bpm • C# Maj • 05:02 • -10.49db
31% Popularity • 89% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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FIRMA
Przeciwko kurestwu i upadkowi zasad
97 bpm • C Maj • 05:30 • -8.06db
40% Popularity • 90% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Fisz
Bla Bla Bla
93 bpm • G# Maj • 05:10 • -6.59db
24% Popularity • 88% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Kali
Lajla Lajla
93 bpm • G Maj • 03:29 • -7.26db
28% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Waco
Graffiti
93 bpm • C# Maj • 03:56 • -6.69db
29% Popularity • 83% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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O.S.T.R.
Po Drodze do Nieba
97 bpm • F# Maj • 02:58 • -1.99db
32% Popularity • 70% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Paktofonika
Wielka Gra
93 bpm • B Maj • 03:39 • -6.3db
34% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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B.O.K.
Nie poddawaj się
97 bpm • C# min • 03:12 • -5.15db
29% Popularity • 78% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Miuosh
Kilka słów
97 bpm • E min • 04:01 • -6.46db
29% Popularity • 66% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Małolat
W Weekendy Żyjąc
97 bpm • A# min • 04:22 • -6.3db
17% Popularity • 72% Danceability • 89% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Molesta
Klima
93 bpm • A# min • 03:59 • -8.18db
34% Popularity • 80% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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O.S.T.R.
Masz to jak w Banku
93 bpm • E min • 03:22 • -6.75db
32% Popularity • 56% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Eripe
Punchline - redefinicja
93 bpm • F# Maj • 03:38 • -10.75db
25% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Kacper HTA
Obcy
93 bpm • G Maj • 03:43 • -5.2db
26% Popularity • 62% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Flexxip
Oszuści
97 bpm • D min • 03:47 • -7.04db
24% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Te-Tris
Ilę Mogę?
93 bpm • G min • 03:39 • -4.88db
43% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Molesta
Osiedlowe akcje
93 bpm • C# Maj • 04:15 • -6.66db
29% Popularity • 82% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
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O.S.T.R.
Sam To Nazwij
93 bpm • A# Maj • 02:40 • -2.9db
31% Popularity • 52% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Hemp Gru
Życie Warszawy
97 bpm • A# min • 04:03 • -7.02db
35% Popularity • 84% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Nosowska
Jutro Jest Dziś - Live
97 bpm • G# Maj • 03:26 • -6.25db
29% Popularity • 75% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Małolat
W Tej Grze
97 bpm • C Maj • 03:35 • -6.19db
22% Popularity • 82% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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TEDE
Odcinam Się
93 bpm • D# Maj • 03:30 • -5.91db
21% Popularity • 88% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Molesta
Upadek
93 bpm • C# Maj • 04:03 • -8.14db
27% Popularity • 88% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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HIFI Banda
Między Prawdą A Betonem
97 bpm • F Maj • 04:39 • -4.17db
21% Popularity • 71% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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O.S.T.R.
Masz to jak w Banku 2
93 bpm • A# min • 03:51 • -8.81db
28% Popularity • 74% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Bez Cenzury
Nie Wiem jak to Jest
93 bpm • G# Maj • 04:08 • -4.21db
24% Popularity • 75% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Drużyna Mistrzów
Szukaj tego
93 bpm • C# Maj • 04:41 • -7.78db
36% Popularity • 85% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Pięć Dwa Dębiec
Refleksje
93 bpm • C# Maj • 03:06 • -5.13db
24% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Waco
W imię czego?
93 bpm • F min • 03:39 • -5.98db
24% Popularity • 85% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Męskie Granie Orkiestra
Jutro jest dziś
97 bpm • F Maj • 03:26 • -5.74db
27% Popularity • 69% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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1980