Songs like 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio by Johan Svendsen
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Johan Svendsen
The Wedding at Dovre
92 bpm • G# Maj • 05:34 • -21.06db
1% Popularity • 38% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
1% Popularity • 38% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gerald Finzi
Clear and gentle stream, Op. 17, No. 4 -...
92 bpm • F Maj • 04:30 • -25db
14% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
14% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto in A Minor, Wq. 170, H. 4...
92 bpm • C Maj • 08:43 • -26.99db
1% Popularity • 20% Danceability • 3% Energy • 15% Liveness
78% Instrumentalness • 15% Positiveness
1% Popularity • 20% Danceability • 3% Energy • 15% Liveness
78% Instrumentalness • 15% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 2 in D Minor, Op. 119...
91 bpm • G Maj • 05:52 • -19.45db
5% Popularity • 33% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
5% Popularity • 33% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
37% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
37% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Johan Svendsen
Romanze in G Major, Op. 26
93 bpm • G Maj • 07:08 • -20.84db
1% Popularity • 22% Danceability • 11% Energy • 8% Liveness
60% Instrumentalness • 5% Positiveness
1% Popularity • 22% Danceability • 11% Energy • 8% Liveness
60% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Suite in D Minor, Op. 16 (version for ce...
91 bpm • D Maj • 03:41 • -20.34db
2% Popularity • 44% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
2% Popularity • 44% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Benjamin Britten
Variations on a Theme of Frank Bridge, O...
93 bpm • C Maj • 02:52 • -20.54db
1% Popularity • 35% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 6% Positiveness
1% Popularity • 35% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 6% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
37% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Johan Svendsen
Romanza in G Major, Op. 26
91 bpm • G Maj • 07:34 • -18.31db
1% Popularity • 20% Danceability • 14% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 14% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
91 bpm • D# Maj • 05:19 • -22.59db
4% Popularity • 15% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
4% Popularity • 15% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Suite in D Minor, Op. 16 (version for ce...
94 bpm • F Maj • 02:07 • -30.75db
2% Popularity • 37% Danceability • 3% Energy • 26% Liveness
92% Instrumentalness • 46% Positiveness
2% Popularity • 37% Danceability • 3% Energy • 26% Liveness
92% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
23% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Johan Svendsen
Romance for Violin and Orchestra, Op. 26
94 bpm • G Maj • 08:28 • -25.52db
2% Popularity • 16% Danceability • 8% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 8% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Percy Grainger
Handel in the Strand
94 bpm • G Maj • 04:44 • -18.71db
2% Popularity • 38% Danceability • 19% Energy • 26% Liveness
78% Instrumentalness • 46% Positiveness
2% Popularity • 38% Danceability • 19% Energy • 26% Liveness
78% Instrumentalness • 46% Positiveness
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Ralph Vaughan Williams
Flos campi: IV. Moderato alla marcia
90 bpm • D min • 02:05 • -19.47db
1% Popularity • 42% Danceability • 12% Energy • 47% Liveness
87% Instrumentalness • 21% Positiveness
1% Popularity • 42% Danceability • 12% Energy • 47% Liveness
87% Instrumentalness • 21% Positiveness
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Edward Elgar
Chanson de Nuit et Chanson de Matin, Op....
90 bpm • G Maj • 02:53 • -22.74db
1% Popularity • 16% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
1% Popularity • 16% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Suite for Viola and Orchestra, Group II:...
90 bpm • C Maj • 05:48 • -30.1db
2% Popularity • 11% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 6% Positiveness
2% Popularity • 11% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 6% Positiveness
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Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
94 bpm • G# Maj • 08:01 • -21db
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Allegro appassionato in B Minor, Op. 43
94 bpm • E min • 03:57 • -26.67db
1% Popularity • 27% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
1% Popularity • 27% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
23% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Poisoned Kiss: Overture
94 bpm • G Maj • 06:44 • -20.11db
0% Popularity • 29% Danceability • 14% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
0% Popularity • 29% Danceability • 14% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
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Armas Järnefelt
Berceuse, "Lullaby"
95 bpm • G min • 04:11 • -34db
23% Popularity • 19% Danceability • 1% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 1% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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Richard Blackford
Mirror of Perfection: Canticle of The Bi...
89 bpm • C Maj • 05:00 • -24.98db
2% Popularity • 14% Danceability • 4% Energy • 11% Liveness
32% Instrumentalness • 6% Positiveness
2% Popularity • 14% Danceability • 4% Energy • 11% Liveness
32% Instrumentalness • 6% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Horn Concerto No. 3 in E-Flat Major, K. ...
89 bpm • D# Maj • 03:39 • -28.34db
2% Popularity • 52% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
2% Popularity • 52% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
95 bpm • A Maj • 05:49 • -21db
1% Popularity • 16% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
1% Popularity • 16% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Robert Schumann
Abendlied
89 bpm • C# Maj • 03:05 • -32.35db
1% Popularity • 10% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Suite for Viola and Orchestra, Group I: ...
95 bpm • C Maj • 01:46 • -20.37db
1% Popularity • 38% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 49% Positiveness
1% Popularity • 38% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 49% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
27% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
► Preview
Johan Svendsen
Romance for Violin and Orchestra
96 bpm • G Maj • 07:55 • -22.6db
1% Popularity • 21% Danceability • 9% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
1% Popularity • 21% Danceability • 9% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
37% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
37% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Academy of St. Martin in the Fields
Two Eligiac Melodies Last Spring
88 bpm • G Maj • 05:20 • -22.95db
10% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Johan Svendsen
Norwegian Rhapsody No. 1, Op. 17
88 bpm • C# min • 09:14 • -27.08db
1% Popularity • 15% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Variations on a Theme of Frank Bridge, O...
88 bpm • A# Maj • 01:24 • -20.7db
2% Popularity • 29% Danceability • 19% Energy • 20% Liveness
88% Instrumentalness • 16% Positiveness
2% Popularity • 29% Danceability • 19% Energy • 20% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
► Preview
JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
96 bpm • F# Maj • 02:58 • -23.64db
19% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Variations on a Theme of Frank Bridge, O...
88 bpm • G# Maj • 03:23 • -19.03db
1% Popularity • 11% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
40% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
40% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Ole Bull
Solitude sur la Montagne (arr. J. Svends...
97 bpm • D Maj • 03:15 • -21.12db
1% Popularity • 16% Danceability • 9% Energy • 14% Liveness
54% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 9% Energy • 14% Liveness
54% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1. ...
87 bpm • E min • 03:27 • -16.62db
1% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
88 bpm • G min • 07:21 • -18.27db
1% Popularity • 9% Danceability • 10% Energy • 30% Liveness
91% Instrumentalness • 5% Positiveness
1% Popularity • 9% Danceability • 10% Energy • 30% Liveness
91% Instrumentalness • 5% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
87 bpm • E min • 04:12 • -21.96db
8% Popularity • 20% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Concerto for 3 Harpsichords, Strings & C...
87 bpm • D Maj • 06:34 • -14.77db
1% Popularity • 52% Danceability • 41% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
1% Popularity • 52% Danceability • 41% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
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William Walton
Film music for Henry V: 2 Pieces for Str...
87 bpm • F Maj • 02:03 • -36.3db
1% Popularity • 9% Danceability • 1% Energy • 12% Liveness
100% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 1% Energy • 12% Liveness
100% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Arvo Pärt
Pärt: Festina lente
87 bpm • A min • 06:07 • -28.25db
8% Popularity • 16% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 3% Positiveness
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Johan Svendsen
Svendsen : Romance, Op.26
87 bpm • G Maj • 08:09 • -26.11db
8% Popularity • 14% Danceability • 6% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: No. 2: Gaily, but not quic...
87 bpm • A Maj • 02:21 • -25.35db
2% Popularity • 10% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
2% Popularity • 10% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Johan Svendsen
Variations on a Norwegian Folktune, Op. ...
87 bpm • E Maj • 05:35 • -22.51db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov / Transcr. Balsom: 14 Romanc...
87 bpm • C# min • 05:02 • -18db
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Frederick Delius
2 Pieces for Small Orchestra, Th. VI/19:...
87 bpm • G Maj • 06:44 • -29.08db
1% Popularity • 16% Danceability • 6% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 6% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: VII. Lux aeterna
87 bpm • G Maj • 06:26 • -29.94db
1% Popularity • 19% Danceability • 4% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Johan Svendsen
Romanze in G Major, Op. 26
87 bpm • G Maj • 07:52 • -10.1db
2% Popularity • 20% Danceability • 34% Energy • 32% Liveness
83% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 34% Energy • 32% Liveness
83% Instrumentalness • 4% Positiveness
