Songs like 2000 Woman by Custard
Based on a tempo of (+/- 10%) and a similar genre
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Ratcat
Tingles
129 bpm • C Maj • 03:26 • -7.4db
8% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
8% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
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Custard
Music Is Crap
129 bpm • C Maj • 03:07 • -7db
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Wax Lips
Take What You Want
129 bpm • D min • 04:39 • -17.82db
9% Popularity • 46% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Magic Dirt
Drunk for You
130 bpm • C# Maj • 03:35 • -3.93db
16% Popularity • 25% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 25% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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David Devant and His Spirit Wife
Ginger
128 bpm • A Maj • 03:27 • -6.89db
11% Popularity • 38% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 38% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kitty in the Tree
Starfucker
130 bpm • F# min • 02:23 • -4.12db
13% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Even
Don't Wait
130 bpm • A Maj • 04:10 • -8db
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Custard
2000 Woman
129 bpm • D# min • 02:48 • -7.22db
11% Popularity • 49% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 49% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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The Wallies
Love Potion No. 9
130 bpm • A min • 02:03 • -4.73db
29% Popularity • 49% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 49% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Sweet Tuesday
Stay With Me
130 bpm • G# min • 03:25 • -4.12db
8% Popularity • 69% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
8% Popularity • 69% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Sloan
Gimme That
130 bpm • E Maj • 02:39 • -4db
18% Popularity • 50% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 50% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Art vs Science
Wickoo
130 bpm • B Maj • 02:53 • -4.13db
16% Popularity • 65% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 65% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Infugue
Transmission
130 bpm • D# Maj • 03:41 • -4.71db
8% Popularity • 30% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 30% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Kurstin x Grohl
Rock And Roll
130 bpm • F Maj • 04:34 • -6.26db
8% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sweet Tuesday
Deep Blue
130 bpm • F min • 02:37 • -3.38db
13% Popularity • 47% Danceability • 89% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
13% Popularity • 47% Danceability • 89% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
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TISM
Greg! The Stop Sign!!
130 bpm • C Maj • 03:28 • -8db
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Sean Spada
Set Up to Self-Destruct
128 bpm • C Maj • 03:00 • -5.39db
10% Popularity • 45% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 45% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
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Ratcat
I Think We're Alone Now
128 bpm • B min • 02:54 • -13db
21% Popularity • 47% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 47% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Screamfeeder
Static
130 bpm • D Maj • 03:16 • -4.44db
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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The Hendriggs
Perfection
130 bpm • C Maj • 03:10 • -6.1db
12% Popularity • 71% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 60% Positiveness
12% Popularity • 71% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 60% Positiveness
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The Vines
Hate the Sound
130 bpm • G Maj • 02:44 • -5.99db
34% Popularity • 60% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
34% Popularity • 60% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
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The Ooh Mao Maos
Shake Martian! Shake!
130 bpm • G# Maj • 03:23 • -2.6db
9% Popularity • 59% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 59% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Melancholy Paper Planes
Apathy
130 bpm • C# Maj • 02:49 • -7.85db
12% Popularity • 42% Danceability • 43% Energy • 14% Liveness
17% Instrumentalness • 22% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 14% Liveness
17% Instrumentalness • 22% Positiveness
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The Whitlams
Get A Hotel Room
130 bpm • A Maj • 02:58 • -4.75db
13% Popularity • 44% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
13% Popularity • 44% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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TISM
Saturday Night Palsy
130 bpm • G Maj • 03:21 • -11db
16% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Materia
Slipping Away
128 bpm • G Maj • 02:48 • -6.48db
10% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Even
Stop and Go Man
131 bpm • C Maj • 02:40 • -6.86db
13% Popularity • 36% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 36% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Dopamine
2005
131 bpm • F# Maj • 04:41 • -5.51db
20% Popularity • 51% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 51% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
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Children Collide
Uh Oh
127 bpm • A Maj • 03:03 • -5.81db
21% Popularity • 68% Danceability • 70% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
21% Popularity • 68% Danceability • 70% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
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The Vines
Waitin
127 bpm • C Maj • 01:40 • -6.32db
38% Popularity • 69% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
38% Popularity • 69% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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The Hugs
Mile High Lady
131 bpm • G Maj • 02:18 • -6.74db
22% Popularity • 64% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Rocket Science
Being Followed
131 bpm • C Maj • 03:49 • -5.7db
29% Popularity • 79% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
29% Popularity • 79% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
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Screamfeeder
Dart
132 bpm • D Maj • 02:50 • -6.1db
21% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Fur
Jimmy Rogers
132 bpm • C Maj • 03:46 • -4.67db
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
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Died Pretty
Godbless
126 bpm • D min • 03:28 • -2db
21% Popularity • 48% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Whitlams
Love Is Everywhere
132 bpm • C Maj • 04:01 • -6.34db
20% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Toxhards
(The) Coffee Song
132 bpm • A Maj • 03:14 • -11.31db
32% Popularity • 61% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 61% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Gord Downie
Swing Set
132 bpm • G Maj • 03:19 • -7.88db
18% Popularity • 61% Danceability • 84% Energy • 34% Liveness
72% Instrumentalness • 42% Positiveness
18% Popularity • 61% Danceability • 84% Energy • 34% Liveness
72% Instrumentalness • 42% Positiveness
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Custard
Ringo (I Feel Like)
126 bpm • B Maj • 02:49 • -5.06db
27% Popularity • 60% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 60% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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The Fauves
Surf City Limits - Edit
132 bpm • G# Maj • 03:31 • -6.23db
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Wallies
Wrong Way
126 bpm • G Maj • 02:11 • -5.66db
15% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Geezer
Nothing I Can Do
132 bpm • B min • 03:51 • -7.06db
10% Popularity • 47% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 47% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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TISM
All Homeboys Are Dickheads
132 bpm • D Maj • 03:06 • -11.65db
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Tumbleweed
Sundial
126 bpm • C Maj • 02:45 • -10.54db
23% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Custard
The Golden Age Of Nicotine
126 bpm • A Maj • 00:47 • -5.94db
19% Popularity • 42% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 42% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 84% Positiveness
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Pollyanna
Effervescence
132 bpm • D# Maj • 02:30 • -5.33db
20% Popularity • 35% Danceability • 73% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
20% Popularity • 35% Danceability • 73% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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Barerra
I'm Not Your Girl
132 bpm • B min • 02:05 • -5.21db
16% Popularity • 35% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 35% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Spacehog
Glad To Know
126 bpm • A Maj • 03:23 • -4.72db
8% Popularity • 36% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Mac The Knife
Wasteland
133 bpm • B min • 04:17 • -7.24db
19% Popularity • 52% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 52% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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The Clouds
Bower Of Bliss
125 bpm • B Maj • 03:03 • -6.79db
10% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
10% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
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Custard
Anatomically Correct
126 bpm • E Maj • 02:43 • -6.94db
25% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
25% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Died Pretty
D.C.
133 bpm • D Maj • 04:32 • -3.03db
31% Popularity • 55% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 55% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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The Mavis's
Naughty Boy
133 bpm • D Maj • 03:13 • -7.57db
28% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Fauves
Bigger Than Tina
133 bpm • C Maj • 03:16 • -5.27db
13% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Turnstyle
Spray Water On The Stereo
133 bpm • G Maj • 02:35 • -5.72db
16% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Custard
Pluto
125 bpm • G# Maj • 02:55 • -6.13db
19% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Falling Joys
You're in a Mess
133 bpm • D Maj • 04:25 • -6.87db
26% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Dr. Fang and The Gang
Somebody Call The Doctor
125 bpm • D Maj • 01:59 • -5.61db
15% Popularity • 62% Danceability • 90% Energy • 12% Liveness
42% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 90% Energy • 12% Liveness
42% Instrumentalness • 80% Positiveness
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Peter Garrett
Tall Trees
125 bpm • G# min • 03:47 • -4.35db
16% Popularity • 67% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 67% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Fauves
Give Up Your Day Job
133 bpm • A Maj • 03:17 • -4.78db
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Pacifica
Premature Rejection
125 bpm • G Maj • 02:32 • -4.38db
30% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Custard
We Are the Parents (Our Parents Warned U...
133 bpm • C Maj • 03:32 • -10.34db
14% Popularity • 54% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
14% Popularity • 54% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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The Nines
Insanity (The Sanest Thing You've Got)
125 bpm • D Maj • 02:03 • -5.09db
10% Popularity • 53% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 53% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Sloan
Witch's Wand
133 bpm • F Maj • 02:50 • -7db
29% Popularity • 64% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 64% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Deep Sea Camels
Johnny Come Lately
125 bpm • A Maj • 04:21 • -2.97db
10% Popularity • 54% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
10% Popularity • 54% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
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Dallas Crane
Numb All Over
133 bpm • F# min • 03:04 • -2.41db
15% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Clouds
Hieronymus
125 bpm • G Maj • 03:47 • -6.39db
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
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Custard
Nice Bird
125 bpm • F Maj • 03:01 • -3.98db
16% Popularity • 62% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 62% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Superet
Who Is This Guy
125 bpm • A Maj • 02:26 • -3.62db
14% Popularity • 57% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 57% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Kelly
Bindi Irwin Apocalypse Jam
124 bpm • D Maj • 04:38 • -6db
7% Popularity • 56% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 56% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Powderfinger
Like A Dog
124 bpm • F# min • 04:18 • -7.52db
34% Popularity • 56% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
34% Popularity • 56% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Sean Altman
Beautiful Liar
124 bpm • B min • 02:30 • -6.69db
8% Popularity • 57% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 57% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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The Dying Arts
Snake in the Grass
134 bpm • D# min • 03:52 • -3.33db
9% Popularity • 39% Danceability • 93% Energy • 33% Liveness
22% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 93% Energy • 33% Liveness
22% Instrumentalness • 56% Positiveness
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Custard
Hit Song
124 bpm • G Maj • 02:22 • -5.12db
21% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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Urbanites
Don't Tell Me Why
124 bpm • D# Maj • 03:47 • -6.56db
23% Popularity • 55% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 55% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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The Sarah Michelles
Arnold Rimmer
124 bpm • E Maj • 03:34 • -5.37db
8% Popularity • 54% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 54% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Westerberg
Better Than This
124 bpm • D Maj • 02:54 • -3.81db
9% Popularity • 56% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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alibi.
the other one
124 bpm • B min • 02:26 • -8.95db
14% Popularity • 64% Danceability • 61% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
14% Popularity • 64% Danceability • 61% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Custard
If You Would Like To
134 bpm • C Maj • 01:03 • -10.47db
17% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Even
No Surprises
134 bpm • C Maj • 02:49 • -5.28db
13% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Fauves
The Charles Atlas Way
134 bpm • F Maj • 02:50 • -8.02db
16% Popularity • 48% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 48% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Front End Loader
They're Trying To Kill Me
134 bpm • G# min • 02:25 • -3.84db
13% Popularity • 41% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 41% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Nora Belloc
92 To 93
124 bpm • G Maj • 03:22 • -11.3db
29% Popularity • 54% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 54% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Sweet Tuesday
Slowly
124 bpm • A Maj • 02:27 • -3.36db
17% Popularity • 42% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
17% Popularity • 42% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Custard
Video Killed The Radio Star
135 bpm • C Maj • 03:24 • -9db
31% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Butterfingers
Jesus I Was Evil
135 bpm • B min • 01:47 • -4.48db
22% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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The Criticals
Burn With Me
135 bpm • A Maj • 02:09 • -7.55db
10% Popularity • 68% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 68% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ammonia
You're Not The Only One Who Feels This W...
123 bpm • F min • 03:53 • -8.21db
28% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Snout
Got Sold on Heaven
135 bpm • E min • 03:19 • -8.53db
22% Popularity • 48% Danceability • 66% Energy • 18% Liveness
14% Instrumentalness • 75% Positiveness
22% Popularity • 48% Danceability • 66% Energy • 18% Liveness
14% Instrumentalness • 75% Positiveness
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Dirty Bynum
Boogie Well
135 bpm • C Maj • 06:04 • -5.3db
7% Popularity • 35% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 35% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Custard
Princes Hwy
135 bpm • C Maj • 03:50 • -9.37db
8% Popularity • 37% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 37% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Spacehog
Remains
123 bpm • A# Maj • 03:44 • -4.81db
13% Popularity • 52% Danceability • 82% Energy • 9% Liveness
72% Instrumentalness • 81% Positiveness
13% Popularity • 52% Danceability • 82% Energy • 9% Liveness
72% Instrumentalness • 81% Positiveness
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Teen Jesus and the Jean Teasers
Happier Than Ever - triple j Like A Vers...
123 bpm • C Maj • 02:59 • -8.23db
27% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Wood Burning Savages
I Don't Know Why I Do It to Myself
123 bpm • E Maj • 04:47 • -3db
10% Popularity • 38% Danceability • 97% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
10% Popularity • 38% Danceability • 97% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
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Alex Abel
Samurai
136 bpm • D Maj • 06:13 • -4.91db
14% Popularity • 24% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 24% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Tumbleweed
Silver Lizard
136 bpm • A min • 03:05 • -7.65db
31% Popularity • 53% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
