Songs like 24 Preludes: No. 13 In F Sharp Major by Adam Holzman
Based on a tempo of (+/- 10%) and a similar genre
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João Pernambuco
Sons de Carrilhoes
77 bpm • D Maj • 02:27 • -16db
12% Popularity • 44% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Ariel Ramírez
Alfonsina y el mar (Arr. V. Coves for gu...
77 bpm • E min • 03:23 • -24.27db
15% Popularity • 46% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
15% Popularity • 46% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: No. 13. Canco del ...
77 bpm • D Maj • 02:12 • -35.33db
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Niccolò Paganini
Guitar Sonata No. 6 in F Major: Minuet -...
77 bpm • C Maj • 04:15 • -26.64db
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Berta Rojas
Un Sueno En La Floresta
77 bpm • G Maj • 07:34 • -19.87db
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
77 bpm • D min • 03:03 • -28.99db
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.23 Allegro
78 bpm • A Maj • 01:10 • -15.47db
25% Popularity • 37% Danceability • 55% Energy • 35% Liveness
86% Instrumentalness • 31% Positiveness
25% Popularity • 37% Danceability • 55% Energy • 35% Liveness
86% Instrumentalness • 31% Positiveness
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Antonio Lauro
Papelon
78 bpm • D Maj • 01:09 • -25db
14% Popularity • 36% Danceability • 13% Energy • 16% Liveness
89% Instrumentalness • 94% Positiveness
14% Popularity • 36% Danceability • 13% Energy • 16% Liveness
89% Instrumentalness • 94% Positiveness
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Ariel Ramírez
Alfonsina y el mar (Arr. R. Dyens for Gu...
78 bpm • E min • 05:05 • -29db
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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João Pernambuco
Maxixe Choro
76 bpm • G Maj • 01:54 • -24db
27% Popularity • 41% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
27% Popularity • 41% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
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Jorge Morel
Prelude (for Olga)
76 bpm • A min • 02:29 • -35.79db
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
76 bpm • C Maj • 01:23 • -28db
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Joaquín Turina
Homenaje a Tarrega: II. Soleares
76 bpm • D Maj • 02:30 • -18db
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: IX. Largo
78 bpm • E min • 02:19 • -27db
17% Popularity • 40% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
17% Popularity • 40% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Adam Holzman
24 Preludes: No. 18 In F Minor
76 bpm • F Maj • 00:49 • -29.23db
3% Popularity • 27% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
3% Popularity • 27% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Julio Sagreras
El Colibri
76 bpm • E min • 01:19 • -15.33db
30% Popularity • 34% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
30% Popularity • 34% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
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Sergio & Odair Assad
Prelúdio No. 1
78 bpm • E min • 04:38 • -15db
15% Popularity • 39% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
15% Popularity • 39% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Jeffrey McFadden
Eagle Soaring
79 bpm • G min • 02:00 • -20db
17% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
17% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Joaquín Turina
Sonata D Major, Op. 61: 1. Allegro
76 bpm • G Maj • 04:00 • -24db
25% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
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Carlos Fariñas
Cancion triste (Sad Song)
75 bpm • C Maj • 02:56 • -28db
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Franz Schubert
6 Schubertian Songs: Winterreise, Op. 89...
79 bpm • D Maj • 02:30 • -25.07db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Antônio Carlos Jobim
Jobim: Road to the Sun
79 bpm • D Maj • 02:32 • -31db
41% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
41% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Adam Holzman
Courante
79 bpm • A min • 02:47 • -25.88db
1% Popularity • 35% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 90% Positiveness
1% Popularity • 35% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 90% Positiveness
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Manuel Ponce
Estrellita
79 bpm • E Maj • 02:34 • -27db
20% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
20% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Berta Rojas
Julia Florida
75 bpm • D Maj • 04:18 • -21.91db
14% Popularity • 37% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
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François Couperin
Vingt-Sixiéme Ordre - L'Epineuse
75 bpm • A min • 04:36 • -26db
36% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
36% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
79 bpm • D Maj • 01:44 • -30db
43% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
43% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Victor Villadangos
El Día Que Me Quieras
80 bpm • D Maj • 06:01 • -23db
24% Popularity • 37% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 37% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Tango
80 bpm • C Maj • 03:00 • -26db
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Manuel Ponce
Sonata romantica: III. Moment musical: V...
74 bpm • E min • 03:33 • -26.48db
13% Popularity • 30% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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William Walton
5 Bagatelles: III. Alla Cubana
74 bpm • B min • 01:39 • -28db
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Adam Holzman
Suite in A minor: V. Gigue
74 bpm • A min • 04:54 • -26db
4% Popularity • 31% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
4% Popularity • 31% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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John Pritchard
Meditation
80 bpm • D Maj • 06:34 • -18.88db
0% Popularity • 22% Danceability • 13% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
0% Popularity • 22% Danceability • 13% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Mauro Giuliani
Giuliani: Études for Guitar, Le papillo...
80 bpm • G Maj • 01:06 • -27.04db
23% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
23% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Federico Moreno Torroba
Aires de La Mancha (arr. P. Galbraith): ...
80 bpm • F min • 02:29 • -29.58db
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Berta Rojas
Ca'azapa
74 bpm • G Maj • 04:41 • -17.55db
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
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Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Adam Holzman
Suite in A minor: IV. Gavotte
80 bpm • A Maj • 03:15 • -28.02db
7% Popularity • 28% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
7% Popularity • 28% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
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Roland Dyens
Hymne à l'amour
81 bpm • D# Maj • 03:04 • -23.55db
41% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
41% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Mauro Giuliani
Variazioni su un tema di Handel, Op. 107
80 bpm • A Maj • 09:26 • -29db
37% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
37% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Carles Trepat
Cançó del Lladre
81 bpm • D Maj • 02:47 • -26.26db
15% Popularity • 36% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
15% Popularity • 36% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo: II. Zamba
80 bpm • E min • 01:23 • -19.98db
23% Popularity • 56% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
23% Popularity • 56% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
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Miguel Llobet Solés
M. リョベート：ソル主題によ�...
81 bpm • E min • 08:43 • -30.09db
9% Popularity • 20% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Adam Holzman
Balletto
74 bpm • A Maj • 02:58 • -30.43db
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Roland Dyens
Songe Capricorne
81 bpm • B min • 06:12 • -30db
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Joaquín Turina
Fandanguillo, Op. 36
81 bpm • A min • 05:03 • -28db
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Manuel Ponce
Por ti mi Corazon (version for guitar)
81 bpm • A Maj • 03:17 • -29db
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Hector Ayala
Serie Americana: Vals
81 bpm • A min • 01:37 • -25.53db
18% Popularity • 49% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
18% Popularity • 49% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Miguel Llobet Solés
Variations on a Theme of Sor, Op. 15: Va...
81 bpm • E min • 00:51 • -34db
27% Popularity • 39% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Adam Holzman
Suite in D major: IV. Gavotte I
73 bpm • D Maj • 03:07 • -28db
6% Popularity • 35% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
6% Popularity • 35% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Jason Vieaux
Julia Florida: Barcarola
73 bpm • D Maj • 04:41 • -28.06db
16% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
16% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Sergio & Odair Assad
Prelúdio No. 3
73 bpm • A min • 03:16 • -18db
12% Popularity • 47% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Dilermando Reis
Eterna Saudade
73 bpm • D min • 04:27 • -24.51db
15% Popularity • 34% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
15% Popularity • 34% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Franz Schubert
6 Schubertian Songs (arr. J. Mertz for g...
82 bpm • D Maj • 03:23 • -32.11db
19% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
19% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Napoléon Coste
Le Départ, Op. 31: Fantaisie dramatiqu...
82 bpm • E min • 10:03 • -16.54db
16% Popularity • 37% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
16% Popularity • 37% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Adam Holzman
Alborada
82 bpm • D Maj • 01:26 • -23.58db
8% Popularity • 42% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 51% Positiveness
8% Popularity • 42% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 51% Positiveness
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Anonomous Anonomous
Spanish Romance (Romanza)
82 bpm • E min • 03:07 • -27.68db
18% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Berta Rojas
La Catedral: Allegro Solemne
82 bpm • B min • 03:09 • -19.42db
20% Popularity • 26% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
20% Popularity • 26% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
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Michael Nicolella
Suite No. 1 in D Major (Orig. G Major), ...
82 bpm • D Maj • 02:34 • -17.48db
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Frédéric Chopin
Valse, Op. 64: II. Tempo giusto
82 bpm • A min • 03:51 • -14.19db
12% Popularity • 42% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
12% Popularity • 42% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Joaquín Rodrigo
Junto al Generalife
82 bpm • E min • 05:08 • -27.64db
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Hector Ayala
Serie Americana: Guarania
82 bpm • D Maj • 04:37 • -35db
13% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Antonio Lauro
El Negrito
82 bpm • G Maj • 01:43 • -30db
29% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
29% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
► Preview
Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2a in A Mi...
71 bpm • A min • 02:22 • -25.78db
10% Popularity • 47% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 47% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Julian Arcas
Bolero in A Minor
83 bpm • A min • 02:16 • -31db
33% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
Adam Holzman
Suite in A minor: I. Preludio
83 bpm • A min • 01:49 • -27.01db
8% Popularity • 34% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Joaquín Rodrigo
3 Piezas espanolas (3 Spanish Pieces): N...
84 bpm • E Maj • 04:00 • -26db
9% Popularity • 38% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
► Preview
Manuel de Falla
Homenaje, 'Le Tombeau de Claude Debussy'
84 bpm • A min • 03:25 • -30.99db
12% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Miguel Llobet Solés
13 Catalan Folksongs: El testament d'Ame...
84 bpm • D min • 02:01 • -31db
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
► Preview
Johann Kaspar Mertz
Bardenklange, Op. 13: Elfenreigen (Dance...
84 bpm • D Maj • 01:50 • -29db
30% Popularity • 30% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
30% Popularity • 30% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
► Preview
Roland Dyens
3 Pieces Polyglottes: II. Valse des loge...
70 bpm • D Maj • 05:00 • -28.6db
8% Popularity • 29% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 29% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
84 bpm • A min • 01:20 • -16db
24% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
24% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
Fernando Sor
Etude No. 5 en si mineur
84 bpm • E min • 01:16 • -32db
41% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
41% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
► Preview
Jose Luis Merlin
Suite del recuerdo: Zamba
84 bpm • E min • 02:46 • -22.81db
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Miguel Llobet Solés
13 Catalan Folksongs: Canco del lladre
71 bpm • D Maj • 01:50 • -30db
23% Popularity • 33% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 34% Positiveness
► Preview
Eduardo Sainz De La Maza
Campanas del Alba
84 bpm • B min • 03:52 • -27.8db
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Gentil Montaña
Suite Colombiana No. 3: V. Porro
85 bpm • D min • 03:51 • -26db
15% Popularity • 48% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
15% Popularity • 48% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
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Stjepan Šulek
The Troubadours Three: Melancholy
85 bpm • C Maj • 03:38 • -29.56db
11% Popularity • 16% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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Fernando Sor
Sor : Study No.6
70 bpm • D Maj • 01:08 • -22.89db
27% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
27% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Adam Holzman
Cancion
85 bpm • D Maj • 01:49 • -28.08db
2% Popularity • 47% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
2% Popularity • 47% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
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Celia Linde
Porro
85 bpm • E min • 03:35 • -18.43db
18% Popularity • 57% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
18% Popularity • 57% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 46% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: La frontera de Dios: V...
70 bpm • E min • 03:30 • -31.38db
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Liebeslied (Love S...
86 bpm • C Maj • 03:41 • -31.29db
3% Popularity • 23% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
3% Popularity • 23% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Enrique Granados
Vals sentimental
86 bpm • F# min • 01:27 • -27.2db
18% Popularity • 26% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
18% Popularity • 26% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Giulio Regondi
10 Etudes: I. Etude No. 1: Moderato
86 bpm • C Maj • 03:00 • -21.85db
17% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
17% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Adam Holzman
24 Preludes: No. 1 In C Major
85 bpm • C Maj • 01:13 • -27.26db
17% Popularity • 31% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
17% Popularity • 31% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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Roland Dyens
Göttingen
86 bpm • A min • 03:48 • -22.38db
28% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 1. Liebesbot...
86 bpm • G Maj • 03:37 • -26.83db
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Lied ohne Worte (S...
86 bpm • A Maj • 03:16 • -29.18db
6% Popularity • 34% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
6% Popularity • 34% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio Diabolico ''Omaggio a Paganini...
86 bpm • G Maj • 09:12 • -23.21db
14% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Jorge Morel
Danza Brasileira
86 bpm • A min • 02:20 • -28.16db
20% Popularity • 41% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
20% Popularity • 41% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Domenico Scarlatti
Keyboard Sonata in E Major, K.380/L.23/P...
86 bpm • B Maj • 04:26 • -23.22db
14% Popularity • 46% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
14% Popularity • 46% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Niccolò Paganini
24 Caprices, Op. 1 (arr. for guitar): No...
69 bpm • E min • 03:15 • -24.22db
18% Popularity • 21% Danceability • 20% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
18% Popularity • 21% Danceability • 20% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Marshall (Arr.)
The Girl With The Flaxen Hair
87 bpm • E min • 02:33 • -33.26db
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Tiles
The View from Here
68 bpm • C Maj • 01:27 • -26.07db
0% Popularity • 28% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Anonymous
Romance
88 bpm • E min • 01:53 • -29.9db
21% Popularity • 27% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
21% Popularity • 27% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
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Manuel de Falla
La vida breve / Act 2: Spanish Dance No....
88 bpm • A Maj • 03:40 • -21.93db
15% Popularity • 29% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 64% Positiveness
15% Popularity • 29% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 64% Positiveness
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Manuel Ponce
Sonata romantica: II. Andante
67 bpm • E Maj • 04:57 • -28db
8% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
