Songs like 25 Lovers by Jennifer Rush
Based on a tempo of (+/- 10%) and a similar genre
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Kim Wilde
You Came
119 bpm • E Maj • 04:33 • -5.76db
52% Popularity • 67% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 67% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Stefan Waggershausen
Das erste Mal tat's noch weh (Les histoi...
119 bpm • G Maj • 04:35 • -7.38db
40% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Stephanie
Irrisistible
119 bpm • D# min • 04:38 • -17.58db
14% Popularity • 76% Danceability • 45% Energy • 7% Liveness
13% Instrumentalness • 83% Positiveness
14% Popularity • 76% Danceability • 45% Energy • 7% Liveness
13% Instrumentalness • 83% Positiveness
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Cock Robin
Thought You Were On My Side
119 bpm • B min • 04:19 • -10.89db
36% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Jennifer Rush
Testify with My Heart
119 bpm • G# Maj • 03:18 • -8.66db
18% Popularity • 59% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 59% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Dominoe
Here I Am
119 bpm • A Maj • 03:16 • -8.78db
25% Popularity • 52% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 52% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Kim Wilde
You Came - Single Version
119 bpm • E Maj • 03:28 • -5.21db
55% Popularity • 66% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 66% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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London Boys
London Nights
120 bpm • A min • 04:03 • -8.27db
38% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Louise Tucker
Dancing By Moonlight
118 bpm • F Maj • 04:21 • -9.15db
29% Popularity • 55% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Stephanie
Irrésistible
118 bpm • D# min • 04:43 • -12db
45% Popularity • 73% Danceability • 66% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
45% Popularity • 73% Danceability • 66% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
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Jennifer Rush
25 Lovers
119 bpm • C Maj • 03:36 • -9db
36% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Dominoe
Here I Am
120 bpm • A Maj • 03:13 • -5.11db
37% Popularity • 52% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Okay / O.K.
Okay! - Single Version
118 bpm • B min • 03:38 • -10.04db
32% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kim Wilde
The Second Time
118 bpm • E min • 03:56 • -11.55db
32% Popularity • 73% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
32% Popularity • 73% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 49% Positiveness
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Mixed Emotions
Sweetheart - Darlin' - My Dear
120 bpm • A Maj • 04:33 • -10db
30% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Edelweiss
Bring Me Edelweiss
118 bpm • B min • 03:41 • -9db
37% Popularity • 68% Danceability • 92% Energy • 11% Liveness
29% Instrumentalness • 76% Positiveness
37% Popularity • 68% Danceability • 92% Energy • 11% Liveness
29% Instrumentalness • 76% Positiveness
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Stephanie
One Love to Give
120 bpm • C# min • 05:48 • -14db
30% Popularity • 68% Danceability • 62% Energy • 44% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 68% Danceability • 62% Energy • 44% Liveness
5% Instrumentalness • 44% Positiveness
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Dominoe
Here I Am (Maxi Version)
120 bpm • A Maj • 05:15 • -10.27db
13% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Alphaville
Jerusalem
120 bpm • G min • 04:12 • -9db
41% Popularity • 65% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
41% Popularity • 65% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
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Sally Oldfield
Andromeda Rising
120 bpm • A min • 03:50 • -11.79db
15% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Mixed Emotions
Changin' Light Of Love
120 bpm • F Maj • 03:53 • -11.16db
28% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Anders
Soldier
120 bpm • G Maj • 04:31 • -13.75db
17% Popularity • 75% Danceability • 50% Energy • 12% Liveness
8% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 50% Energy • 12% Liveness
8% Instrumentalness • 96% Positiveness
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London Boys
Requiem
118 bpm • A min • 04:19 • -8.87db
43% Popularity • 59% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 59% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Peter Kent
Solo Por Ti (Key of Magic)
120 bpm • C Maj • 04:02 • -6.98db
29% Popularity • 55% Danceability • 87% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 87% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Alphaville
Jerusalem
120 bpm • G min • 04:10 • -12.88db
32% Popularity • 65% Danceability • 65% Energy • 6% Liveness
5% Instrumentalness • 49% Positiveness
32% Popularity • 65% Danceability • 65% Energy • 6% Liveness
5% Instrumentalness • 49% Positiveness
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Chesney Hawkes
The One And Only - 2022 Nik Kershaw Remi...
120 bpm • E Maj • 04:25 • -8.81db
32% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mixed Emotions
Save The Last Dance For Me
120 bpm • E Maj • 03:13 • -11db
37% Popularity • 59% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 59% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Arabesque
Marigot Bay - Megamix-Version
120 bpm • D Maj • 03:36 • -7.95db
11% Popularity • 73% Danceability • 75% Energy • 27% Liveness
3% Instrumentalness • 91% Positiveness
11% Popularity • 73% Danceability • 75% Energy • 27% Liveness
3% Instrumentalness • 91% Positiveness
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C.C. Catch
Are You Man Enough
120 bpm • A min • 03:38 • -12.28db
43% Popularity • 74% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 74% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Peter Kent
You're All I Need
120 bpm • D Maj • 03:45 • -6.75db
14% Popularity • 71% Danceability • 94% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
14% Popularity • 71% Danceability • 94% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Jennifer Rush
Echoes Love
120 bpm • F min • 03:37 • -4.22db
19% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sally Oldfield
Digging for Gold (Remastered 2022)
118 bpm • C# Maj • 04:02 • -5.9db
31% Popularity • 65% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 65% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mixed Emotions
Bring Back (Sha Na Na)
120 bpm • D Maj • 04:04 • -12db
31% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Cock Robin
Thought You Were On My Side - Extended R...
120 bpm • B min • 05:22 • -8db
39% Popularity • 64% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 64% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Laura Branigan
Shattered Glass
120 bpm • A# Maj • 03:41 • -5.53db
32% Popularity • 71% Danceability • 96% Energy • 7% Liveness
58% Instrumentalness • 90% Positiveness
32% Popularity • 71% Danceability • 96% Energy • 7% Liveness
58% Instrumentalness • 90% Positiveness
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Peter Kent
For Your Love
120 bpm • A Maj • 03:41 • -6db
19% Popularity • 65% Danceability • 91% Energy • 14% Liveness
5% Instrumentalness • 61% Positiveness
19% Popularity • 65% Danceability • 91% Energy • 14% Liveness
5% Instrumentalness • 61% Positiveness
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Jennifer Rush
Sidekick
120 bpm • A# Maj • 04:06 • -9.53db
10% Popularity • 75% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 75% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Andreas Martin
Samstag Nacht in der Stadt
118 bpm • F# min • 04:13 • -5.81db
2% Popularity • 72% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 72% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Maggie Reilly
Follow The Midnight Sun - New Edit
120 bpm • D# min • 04:21 • -14.51db
27% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mike Oldfield
Arrival
118 bpm • C# Maj • 02:47 • -9db
44% Popularity • 46% Danceability • 60% Energy • 13% Liveness
80% Instrumentalness • 73% Positiveness
44% Popularity • 46% Danceability • 60% Energy • 13% Liveness
80% Instrumentalness • 73% Positiveness
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Harpo
Horoscope
117 bpm • F Maj • 03:15 • -4.46db
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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London Boys
Requiem - Special UK Mix
121 bpm • C Maj • 07:57 • -11.16db
22% Popularity • 55% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 81% Positiveness
22% Popularity • 55% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 81% Positiveness
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Jennifer Rush
Heart over Mind
120 bpm • B Maj • 04:06 • -9db
36% Popularity • 65% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 65% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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A La Carte
Viva Torero - Remastered
117 bpm • D Maj • 03:55 • -5.4db
13% Popularity • 58% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 58% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Maggie Reilly
Little Boy's Eyes
118 bpm • F Maj • 03:44 • -8.93db
25% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Cretu & Thiers
When Love Is The Missing Word
121 bpm • D min • 04:00 • -12.1db
37% Popularity • 66% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 66% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Boney M.
I See a Boat on the River - 7" Version
121 bpm • A Maj • 04:40 • -7.5db
39% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Inker & Hamilton
Faith, Hope & Fortune
121 bpm • E Maj • 04:01 • -6.06db
14% Popularity • 66% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 66% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Jennifer Rush
Never Gonna Turn Back Again
117 bpm • D Maj • 03:27 • -11.8db
23% Popularity • 83% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 83% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Secret Service
L.A. Goodbye
121 bpm • G min • 03:04 • -6db
17% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Kim Carnes
Crazy In The Night (Barking At Airplanes...
117 bpm • F Maj • 03:33 • -6.79db
44% Popularity • 64% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 64% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Goombay Dance Band
Indio Boy
121 bpm • A Maj • 03:26 • -11db
33% Popularity • 70% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 70% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Boney M.
I See A Boat On The River
121 bpm • A Maj • 03:08 • -13db
35% Popularity • 78% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 78% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Bernie Paul
Night After Night (ZDF Disco 14.12.1981)
121 bpm • D Maj • 03:46 • -7.11db
18% Popularity • 68% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 68% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Jennifer Rush
Down On My Knees
117 bpm • G min • 03:15 • -4.92db
28% Popularity • 76% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 76% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Snoopy
No Time For A Tango
116 bpm • D Maj • 02:47 • -9.93db
12% Popularity • 85% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 99% Positiveness
12% Popularity • 85% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 99% Positiveness
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London Boys
Chapel of Love
122 bpm • A min • 03:37 • -8db
31% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Münchener Freiheit
Wenn das so einfach ist...
122 bpm • C Maj • 04:37 • -15.22db
28% Popularity • 64% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 64% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Lady Lily
Non è vero
122 bpm • E Maj • 03:15 • -8db
16% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Clout
Tender Love
122 bpm • A Maj • 03:58 • -7db
25% Popularity • 67% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 67% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jennifer Rush
Silent Killer
116 bpm • B min • 03:33 • -8.47db
16% Popularity • 70% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 70% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Maffay
Room with a View - MTV Unplugged
116 bpm • E min • 04:17 • -11.05db
39% Popularity • 58% Danceability • 65% Energy • 98% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 58% Danceability • 65% Energy • 98% Liveness
0% Instrumentalness • 22% Positiveness
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Snoopy
No Time For A Tango
116 bpm • D Maj • 02:45 • -6.71db
23% Popularity • 77% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 100% Positiveness
23% Popularity • 77% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 100% Positiveness
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Kim Wilde
Four Letter Word
122 bpm • C# min • 04:01 • -6.61db
39% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
39% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Chris de Burgh
This Waiting Heart
116 bpm • D Maj • 04:08 • -14.14db
21% Popularity • 64% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 64% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Mixed Emotions
Just For You - Version 1999
122 bpm • D Maj • 03:51 • -6db
19% Popularity • 67% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 67% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jennifer Rush
Before The Dawn
122 bpm • A Maj • 03:48 • -6.67db
11% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 65% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sally Oldfield
Silver Dagger
122 bpm • C# min • 03:48 • -11.45db
34% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Smokie
You're so Different Tonight
122 bpm • D Maj • 03:36 • -10.74db
29% Popularity • 66% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 66% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Laura Branigan
The Lucky One
122 bpm • C min • 04:09 • -12.93db
38% Popularity • 87% Danceability • 63% Energy • 3% Liveness
15% Instrumentalness • 40% Positiveness
38% Popularity • 87% Danceability • 63% Energy • 3% Liveness
15% Instrumentalness • 40% Positiveness
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A La Carte
You Get Me on the Run
122 bpm • C Maj • 03:12 • -6.51db
17% Popularity • 59% Danceability • 92% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
17% Popularity • 59% Danceability • 92% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
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Münchener Freiheit
Es gibt kein nächstes Mal
122 bpm • G Maj • 04:42 • -11db
34% Popularity • 61% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 61% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Jennifer Rush
Live Wire
116 bpm • C Maj • 03:50 • -8.89db
18% Popularity • 64% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 64% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Mixed Emotions
Bring Back (Sha Na Na) - Version 1999
122 bpm • C Maj • 04:04 • -7db
28% Popularity • 74% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 74% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Smokie
Needles and Pins
122 bpm • A Maj • 02:47 • -11.47db
55% Popularity • 68% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 68% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Bernie Paul
Oh No No
116 bpm • D# Maj • 04:04 • -9.17db
35% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Les McKeown
It's A Game - Long Version
122 bpm • A Maj • 05:16 • -12db
29% Popularity • 67% Danceability • 78% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
29% Popularity • 67% Danceability • 78% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Münchener Freiheit
Baby It's You
122 bpm • E Maj • 03:32 • -7.62db
16% Popularity • 62% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 62% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Den Harrow
Don't Break My Heart
116 bpm • D# min • 03:59 • -13.91db
39% Popularity • 64% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
39% Popularity • 64% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Jennifer Rush
Call My Name
122 bpm • D Maj • 04:10 • -11.49db
13% Popularity • 58% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Mixed Emotions
Sweetheart - Darlin' - My Dear - Version...
122 bpm • G Maj • 04:06 • -7.28db
17% Popularity • 66% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 66% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Samantha Fox
I Promise You (Get Ready)
122 bpm • C Maj • 03:53 • -6.33db
19% Popularity • 66% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 66% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Maggie Reilly
What About Tomorrow's Children
116 bpm • B Maj • 04:13 • -9.8db
12% Popularity • 62% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 62% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Den Harrow
Don't Break My Heart
116 bpm • D# min • 03:53 • -14db
36% Popularity • 64% Danceability • 64% Energy • 56% Liveness
1% Instrumentalness • 25% Positiveness
36% Popularity • 64% Danceability • 64% Energy • 56% Liveness
1% Instrumentalness • 25% Positiveness
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Chris de Burgh
Ship To Shore
123 bpm • D Maj • 03:49 • -12.37db
38% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Tight Fit
Fantasy Island
123 bpm • D# min • 03:23 • -8db
31% Popularity • 76% Danceability • 92% Energy • 29% Liveness
4% Instrumentalness • 54% Positiveness
31% Popularity • 76% Danceability • 92% Energy • 29% Liveness
4% Instrumentalness • 54% Positiveness
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Jennifer Rush
Automatic
123 bpm • F min • 03:28 • -6.99db
19% Popularity • 66% Danceability • 85% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 66% Danceability • 85% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Kent
It's A Real Good Feeling
123 bpm • F Maj • 04:02 • -6.51db
40% Popularity • 57% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 57% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Rubettes
Ooh la la - New Version 1989
123 bpm • G Maj • 03:57 • -12db
31% Popularity • 68% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Boney M.
Children Of Paradise
123 bpm • C# min • 02:49 • -9.05db
15% Popularity • 81% Danceability • 60% Energy • 6% Liveness
3% Instrumentalness • 91% Positiveness
15% Popularity • 81% Danceability • 60% Energy • 6% Liveness
3% Instrumentalness • 91% Positiveness
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Orchestral Manoeuvres In The Dark
Speed Of Light
123 bpm • G Maj • 04:29 • -14db
36% Popularity • 60% Danceability • 90% Energy • 5% Liveness
72% Instrumentalness • 94% Positiveness
36% Popularity • 60% Danceability • 90% Energy • 5% Liveness
72% Instrumentalness • 94% Positiveness
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Animotion
I Engineer
115 bpm • A min • 04:15 • -14.18db
40% Popularity • 61% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 61% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Den Harrow
Don't Break My Heart
115 bpm • D# min • 04:14 • -11db
34% Popularity • 60% Danceability • 70% Energy • 7% Liveness
36% Instrumentalness • 78% Positiveness
34% Popularity • 60% Danceability • 70% Energy • 7% Liveness
36% Instrumentalness • 78% Positiveness
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Peter Kent
It's A Real Good Feeling
123 bpm • F Maj • 03:59 • -7.08db
23% Popularity • 66% Danceability • 91% Energy • 14% Liveness
5% Instrumentalness • 94% Positiveness
23% Popularity • 66% Danceability • 91% Energy • 14% Liveness
5% Instrumentalness • 94% Positiveness
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London Boys
Sweet Soul Music
123 bpm • G# min • 03:32 • -7.66db
17% Popularity • 59% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 59% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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BAP
Fortsetzung folgt...
123 bpm • A min • 05:52 • -5db
28% Popularity • 61% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Jennifer Rush
Like I Would For You
115 bpm • F Maj • 03:36 • -6.23db
20% Popularity • 77% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 77% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Mixed Emotions
Just For You
115 bpm • E Maj • 04:18 • -16db
36% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
