Songs like 28 Days Later Theme (In The House, In A Heartbeat) by Myuu
Based on a tempo of (+/- 10%) and a similar genre
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Myuu
Gymnopédie No. 1 (Erik Satie)
69 bpm • G Maj • 03:39 • -30.02db
37% Popularity • 46% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
37% Popularity • 46% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Daniela Mars
Lugia's Song - Harmony Disturbed
69 bpm • E min • 01:38 • -27.49db
20% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 13% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 13% Positiveness
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ViolinGamer
Valse di Fantasticá
69 bpm • G min • 04:32 • -9.8db
23% Popularity • 28% Danceability • 41% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
23% Popularity • 28% Danceability • 41% Energy • 14% Liveness
26% Instrumentalness • 43% Positiveness
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Eternal Eclipse
Reach
69 bpm • D# min • 02:34 • -11db
42% Popularity • 19% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Philip Sheppard
Keep Turning - Kara
69 bpm • A min • 02:00 • -16.01db
29% Popularity • 6% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 6% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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The Newton Brothers
The End
69 bpm • B min • 02:48 • -26.32db
30% Popularity • 33% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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CO.Ag Music
The Rake
69 bpm • C min • 03:12 • -35.57db
14% Popularity • 34% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
14% Popularity • 34% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Nicholas Frega
Requiem of Silence
69 bpm • C min • 03:19 • -12db
36% Popularity • 46% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 46% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Myuu
28 Days Later Theme (In The House, In A ...
69 bpm • D min • 03:09 • -22.01db
27% Popularity • 34% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 34% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Secession Studios
The Untold II
68 bpm • C min • 05:18 • -12.97db
37% Popularity • 11% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Arkadiusz Reikowski
House Revisited
70 bpm • G Maj • 01:39 • -23.36db
22% Popularity • 24% Danceability • 8% Energy • 19% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 24% Danceability • 8% Energy • 19% Liveness
91% Instrumentalness • 3% Positiveness
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Jacob Karlzon
End of the Battle
68 bpm • G min • 02:34 • -32.55db
12% Popularity • 60% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 23% Positiveness
12% Popularity • 60% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 23% Positiveness
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Marc Straight
Endless Sunset
68 bpm • F Maj • 07:06 • -22.78db
7% Popularity • 23% Danceability • 1% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 1% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Jason Tai
Hatter
70 bpm • C# min • 00:51 • -22.16db
26% Popularity • 19% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
26% Popularity • 19% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Tobias Lilja
Beneath the Waves
70 bpm • E min • 02:40 • -25.58db
29% Popularity • 37% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
29% Popularity • 37% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Rolelush
Time Has No Mercy (Soundtrack from the A...
68 bpm • E min • 02:30 • -28.67db
19% Popularity • 38% Danceability • 2% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
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Myuu
Collapse
68 bpm • G min • 03:20 • -28db
30% Popularity • 41% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 41% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Arkadiusz Reikowski
Main Theme
68 bpm • G# Maj • 02:12 • -12.61db
30% Popularity • 24% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
30% Popularity • 24% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Lucas King
Sociopath
70 bpm • E Maj • 05:06 • -47db
39% Popularity • 25% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 25% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Jason Tai
Surreal
70 bpm • A# Maj • 02:44 • -29db
25% Popularity • 42% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
25% Popularity • 42% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Samuel Laflamme
Welcome to the Asylum
68 bpm • C min • 01:21 • -18db
28% Popularity • 16% Danceability • 20% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 20% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
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Tobias Lilja
Six's Theme Part I
70 bpm • D# Maj • 01:17 • -24.37db
34% Popularity • 15% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
34% Popularity • 15% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Myuu
Resident Evil Outbreak Main Title Theme ...
70 bpm • F min • 03:33 • -21.4db
33% Popularity • 64% Danceability • 9% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 64% Danceability • 9% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Magnificent, Isn't It
71 bpm • E min • 02:11 • -18.96db
34% Popularity • 21% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Lucas King
Silence
68 bpm • E Maj • 03:54 • -44.97db
24% Popularity • 23% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 23% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Yutaka Minobe
チェロによるエチュード
71 bpm • G Maj • 01:09 • -29db
24% Popularity • 10% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
24% Popularity • 10% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Jason Tai
Card Castles in the Sky
70 bpm • D# Maj • 01:12 • -22.53db
33% Popularity • 32% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Piano Vampire
Little Nightmares II Main Theme - Piano ...
67 bpm • C Maj • 02:39 • -26.09db
21% Popularity • 55% Danceability • 3% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 55% Danceability • 3% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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Myuu
Flowered Rust
71 bpm • F min • 03:39 • -24.4db
19% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Forgotten Memories
67 bpm • C# Maj • 01:07 • -37.44db
42% Popularity • 18% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 18% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Olivier Deriviere
What We Could Have Become
67 bpm • F# min • 02:53 • -21.18db
18% Popularity • 17% Danceability • 14% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 14% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Vangakuz
Love Deterrence
67 bpm • A min • 02:26 • -29.16db
28% Popularity • 32% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
28% Popularity • 32% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Josh Kramer
Changing Wind
71 bpm • A min • 04:01 • -20.86db
11% Popularity • 43% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Kepa Lehtinen
It is ok to be sad and dark
71 bpm • C Maj • 02:36 • -17.58db
32% Popularity • 56% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 56% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Myuu
Angst
71 bpm • D min • 01:40 • -29.8db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
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Jon Hillman
Awake, Oh Awake My Joel
71 bpm • G Maj • 03:52 • -32db
17% Popularity • 33% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
17% Popularity • 33% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Isak J Martinsson
Bedtime Story
67 bpm • C# Maj • 01:05 • -21.98db
24% Popularity • 49% Danceability • 15% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
24% Popularity • 49% Danceability • 15% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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Lucas King
Suicide
72 bpm • D# min • 03:56 • -25.81db
27% Popularity • 21% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
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Marc Straight
Eyes of a Firekeeper - Instrumental
72 bpm • D min • 04:48 • -29.59db
8% Popularity • 34% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Midnight Syndicate
Grisly Reminder
72 bpm • C# Maj • 01:50 • -27.01db
33% Popularity • 62% Danceability • 13% Energy • 9% Liveness
62% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 13% Energy • 9% Liveness
62% Instrumentalness • 12% Positiveness
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Myuu
Rise and Fall
67 bpm • A# Maj • 06:19 • -19.45db
25% Popularity • 30% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 30% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Kepa Lehtinen
Kontula
72 bpm • E min • 02:48 • -18.43db
23% Popularity • 47% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
23% Popularity • 47% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Austin Wintory
Bloodlines
72 bpm • G min • 01:53 • -11.66db
36% Popularity • 15% Danceability • 34% Energy • 9% Liveness
31% Instrumentalness • 7% Positiveness
36% Popularity • 15% Danceability • 34% Energy • 9% Liveness
31% Instrumentalness • 7% Positiveness
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Secession Studios
The Immortalist
72 bpm • G min • 06:53 • -17db
36% Popularity • 7% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Berlinist
Mae
72 bpm • F min • 02:33 • -36.05db
44% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Jason Tai
Queensland
65 bpm • G min • 01:50 • -26.78db
30% Popularity • 12% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
30% Popularity • 12% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Jessica Curry
The Church
66 bpm • C Maj • 01:33 • -6.96db
26% Popularity • 24% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Zavodila
Vin's Theme
73 bpm • F Maj • 03:30 • -16.25db
12% Popularity • 18% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Rolelush
Crime and Punishment (Soundtrack from th...
65 bpm • D min • 02:41 • -23.1db
28% Popularity • 31% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 10% Positiveness
28% Popularity • 31% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 10% Positiveness
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Mark Fowler
The Last Of Us - Piano Suite
73 bpm • E min • 06:32 • -20db
8% Popularity • 22% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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BrunuhVille
Red Queen's Lullaby
65 bpm • A# min • 02:37 • -13.82db
29% Popularity • 56% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
29% Popularity • 56% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Victor Butzelaar
Pheasant Room
65 bpm • C min • 01:20 • -45.41db
23% Popularity • 38% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
23% Popularity • 38% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Tobias Lilja
Six's Theme Part II
65 bpm • D# min • 02:08 • -15db
39% Popularity • 24% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Lucas King
Liar
73 bpm • D# min • 10:16 • -28.71db
35% Popularity • 41% Danceability • 1% Energy • 20% Liveness
80% Instrumentalness • 21% Positiveness
35% Popularity • 41% Danceability • 1% Energy • 20% Liveness
80% Instrumentalness • 21% Positiveness
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Jason Tai
Pulling Strings
73 bpm • C min • 01:39 • -24.25db
25% Popularity • 22% Danceability • 12% Energy • 11% Liveness
44% Instrumentalness • 6% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 11% Liveness
44% Instrumentalness • 6% Positiveness
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Adam Hurst
Desolation
73 bpm • D Maj • 03:14 • -16.03db
35% Popularity • 20% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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daigoro789
Resident Evil 3: Nemesis, Save Room Them...
74 bpm • C# Maj • 00:58 • -29.91db
24% Popularity • 45% Danceability • 0% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
24% Popularity • 45% Danceability • 0% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
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Yoshihiro Ike
Anywhere But Here
64 bpm • C Maj • 01:30 • -32.48db
31% Popularity • 66% Danceability • 0% Energy • 16% Liveness
11% Instrumentalness • 74% Positiveness
31% Popularity • 66% Danceability • 0% Energy • 16% Liveness
11% Instrumentalness • 74% Positiveness
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Alexey Nechaev
Unleash the Pain
64 bpm • A# min • 02:03 • -12.25db
11% Popularity • 24% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Tai
Into Londerland
74 bpm • D Maj • 01:43 • -24.97db
25% Popularity • 24% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Shipluss
Last Memories
74 bpm • G min • 02:51 • -21db
17% Popularity • 34% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
17% Popularity • 34% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
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Broken Heart Sad Violin
Sad But Beautiful - Sad Violin Mix
64 bpm • A min • 03:24 • -14.49db
12% Popularity • 6% Danceability • 22% Energy • 5% Liveness
77% Instrumentalness • 7% Positiveness
12% Popularity • 6% Danceability • 22% Energy • 5% Liveness
77% Instrumentalness • 7% Positiveness
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Rachel LaFond
Alone in the Mist - Conjuring Shadows
74 bpm • D min • 03:00 • -20.37db
26% Popularity • 30% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 4% Positiveness
26% Popularity • 30% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 4% Positiveness
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ibi
Bitter Milk
64 bpm • A# min • 06:40 • -33.66db
35% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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The Newton Brothers
The Haunting of Bly Manor (Main Titles)
75 bpm • G# Maj • 01:06 • -12.76db
31% Popularity • 15% Danceability • 49% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
31% Popularity • 15% Danceability • 49% Energy • 11% Liveness
70% Instrumentalness • 14% Positiveness
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Ari J.
Cascading
75 bpm • G min • 03:20 • -25.29db
21% Popularity • 29% Danceability • 3% Energy • 55% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 3% Energy • 55% Liveness
80% Instrumentalness • 4% Positiveness
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Carlos Viola
Anna
64 bpm • D min • 01:58 • -21.46db
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Nox Arcana
Masque of the Red Death
75 bpm • C# Maj • 04:42 • -14.69db
30% Popularity • 26% Danceability • 27% Energy • 39% Liveness
85% Instrumentalness • 3% Positiveness
30% Popularity • 26% Danceability • 27% Energy • 39% Liveness
85% Instrumentalness • 3% Positiveness
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Christopher Larkin
Braai
75 bpm • G min • 04:57 • -16.96db
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Tobias Lilja
Prison Toys
75 bpm • A# Maj • 03:26 • -18db
41% Popularity • 49% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
41% Popularity • 49% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Peter Gundry
Till Death Do Us Part
75 bpm • C# min • 02:46 • -16.71db
35% Popularity • 64% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 64% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Freya Catherine
Koi no Yokushiryoku (Love Deterrence)
63 bpm • A min • 02:14 • -12.33db
31% Popularity • 37% Danceability • 17% Energy • 4% Liveness
84% Instrumentalness • 19% Positiveness
31% Popularity • 37% Danceability • 17% Energy • 4% Liveness
84% Instrumentalness • 19% Positiveness
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Brian Reitzell
Bach Goldberg Variation Aria Pt. 1
63 bpm • G Maj • 01:35 • -29.81db
32% Popularity • 38% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
32% Popularity • 38% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Keith Power
The Second Dream
75 bpm • D min • 02:06 • -19db
34% Popularity • 10% Danceability • 21% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 21% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Piotr Musiał
Frostpunk Theme
75 bpm • C min • 03:06 • -13.49db
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Rachel LaFond
Alone in the Mist
75 bpm • D min • 02:53 • -18.39db
24% Popularity • 57% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
24% Popularity • 57% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Salome Scheidegger
Cohen’s Masterpiece
76 bpm • D# min • 03:01 • -18db
22% Popularity • 32% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
22% Popularity • 32% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Harp Twins
Silent Hill: Promise (Reprise) / Not Tom...
76 bpm • G min • 04:55 • -10.26db
15% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 15% Positiveness
15% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 15% Positiveness
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Ari J.
Untrodden
76 bpm • D min • 03:02 • -30.32db
19% Popularity • 31% Danceability • 1% Energy • 8% Liveness
39% Instrumentalness • 10% Positiveness
19% Popularity • 31% Danceability • 1% Energy • 8% Liveness
39% Instrumentalness • 10% Positiveness
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Myuu
Rising Walls
63 bpm • G min • 02:30 • -16.95db
21% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Rachel LaFond
Skelly Waltz - A Night in the Graveyard
76 bpm • C min • 02:52 • -14.16db
19% Popularity • 24% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
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Theophany
The Clockworks
76 bpm • D min • 03:15 • -16.76db
29% Popularity • 18% Danceability • 40% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
29% Popularity • 18% Danceability • 40% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
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Matt Tondut
Sky Castles
76 bpm • C min • 02:12 • -15.1db
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Tobias Lilja
True Colours
76 bpm • A min • 01:48 • -27.91db
34% Popularity • 7% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Arkadiusz Reikowski
Holy Flame
77 bpm • G min • 03:11 • -14.37db
18% Popularity • 16% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Masatoshi Yanagi
Sacrifice
62 bpm • E min • 04:15 • -29.88db
17% Popularity • 20% Danceability • 2% Energy • 57% Liveness
21% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 2% Energy • 57% Liveness
21% Instrumentalness • 4% Positiveness
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Edgar Rothermich
True
77 bpm • F min • 03:17 • -11db
31% Popularity • 56% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
31% Popularity • 56% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Berlinist
Perseverance
62 bpm • D min • 02:54 • -14.72db
34% Popularity • 17% Danceability • 12% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 12% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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The Newton Brothers
Go Tomorrow
77 bpm • D Maj • 02:37 • -32.27db
45% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
45% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Alexey Nechaev
Spark
62 bpm • A# min • 01:45 • -14db
12% Popularity • 26% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Guy Jackson
I Picture You Before Me - Instrumental
77 bpm • D min • 04:16 • -18.68db
11% Popularity • 14% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 8% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 8% Positiveness
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Vasaria Project
Not Tomorrow
77 bpm • A# Maj • 02:54 • -21db
23% Popularity • 51% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
23% Popularity • 51% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
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Je Suis Parte
Davy Jones Theme (Pirates of the Caribbe...
78 bpm • D min • 01:18 • -19.4db
47% Popularity • 38% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
47% Popularity • 38% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Motoi Sakuraba
Companionship: Great Grey Wolf Sif [Rem...
78 bpm • C# Maj • 04:18 • -13.32db
27% Popularity • 24% Danceability • 26% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 26% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Jacob Karlzon
Nuclear
61 bpm • F min • 03:28 • -29.3db
18% Popularity • 36% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Raining Yu
Under the Grand
78 bpm • G min • 03:54 • -18.89db
14% Popularity • 44% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
