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2AM
Songs like
2AM
by
Landon Conrath
Based on a tempo of (+/- 10%) and a similar genre
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Knox Hamilton
Pretty Way to Fight
154 bpm • C# Maj • 03:23 • -4.78db
45% Popularity • 52% Danceability • 89% Energy • 21% Liveness
6% Instrumentalness • 35% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
60% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Tai Verdes
TWO SUGARS
155 bpm • B min • 02:55 • -4.94db
49% Popularity • 67% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Saint Blonde
Coil
155 bpm • A# min • 03:17 • -4db
34% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
45% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Landon Conrath
Casanova
154 bpm • G Maj • 02:42 • -6.51db
44% Popularity • 59% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
45% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Vacation Manor
Fading
152 bpm • A Maj • 03:22 • -5db
47% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Clubhouse
Ohio
156 bpm • C Maj • 03:22 • -7.22db
42% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Colony House
Would Ya Could Ya
152 bpm • F# Maj • 02:49 • -5.47db
37% Popularity • 59% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Peach Tree Rascals
C'est La Vie
157 bpm • A Maj • 03:00 • -5.06db
35% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Hippo Campus
Moonshine
157 bpm • E Maj • 04:00 • -6db
46% Popularity • 51% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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The Band CAMINO
Novocaine
156 bpm • D Maj • 02:54 • -5.55db
51% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Run River North
29
157 bpm • G min • 03:27 • -5db
52% Popularity • 44% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Cardinal Bloom
She’s Just a Friend
150 bpm • C# Maj • 04:12 • -4.47db
51% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Claire Rosinkranz
Sad in Hawaii
157 bpm • D Maj • 02:31 • -4.69db
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Landon Conrath
Acetone
158 bpm • D# Maj • 03:22 • -8.51db
49% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Krooked Kings
Sick of Being Young
150 bpm • G Maj • 02:59 • -5.49db
51% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
59% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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COIN
Boyfriend
150 bpm • C Maj • 02:59 • -4.83db
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Saint Blonde
Love Me Instead
150 bpm • E Maj • 02:52 • -8db
40% Popularity • 51% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Dawes
19
150 bpm • G min • 02:16 • -3.87db
49% Popularity • 51% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Ivy
Gold
150 bpm • B Maj • 03:35 • -7db
47% Popularity • 45% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Palmer
PEOPLE FUEL
150 bpm • A# Maj • 02:53 • -7db
37% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Blake Rose
Use Me
150 bpm • C# Maj • 02:49 • -5.12db
33% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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STVN
Summer Healing
159 bpm • A Maj • 03:06 • -7.98db
32% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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pj frantz
downbad
149 bpm • C# Maj • 02:33 • -7.81db
34% Popularity • 64% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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John Michael Howell
NEVER CRY AGAIN
160 bpm • C Maj • 02:44 • -4.57db
40% Popularity • 49% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Marko
HIDE
160 bpm • D Maj • 02:47 • -4.42db
47% Popularity • 80% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Rose
Don't Stop the Car
160 bpm • E Maj • 02:39 • -5.01db
40% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Night Cap
Sentimental
160 bpm • G Maj • 03:13 • -5.35db
47% Popularity • 50% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Vacation Manor
Ending Credits
160 bpm • C Maj • 03:06 • -5.95db
35% Popularity • 44% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Claire Rosinkranz
Screw Time
160 bpm • E Maj • 03:05 • -6.61db
37% Popularity • 55% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Night Cap
Eileen
160 bpm • C Maj • 02:46 • -4.81db
41% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Nightly
dirty white chucks
148 bpm • C# Maj • 02:38 • -5.95db
38% Popularity • 75% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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West 22nd
Sunburns
160 bpm • G# Maj • 03:40 • -5.91db
46% Popularity • 31% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Vacation Manor
Falling Back
148 bpm • A Maj • 04:10 • -5.02db
38% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jefferson Clay
Kitchen Floor
148 bpm • A# Maj • 02:16 • -6.5db
36% Popularity • 72% Danceability • 84% Energy • 30% Liveness
1% Instrumentalness • 55% Positiveness
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Hastings
Chapstick
161 bpm • C Maj • 03:05 • -4.72db
36% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Carter Vail
NAPOLEON
161 bpm • G# Maj • 03:35 • -6.14db
33% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Nightly
wear your heart out
161 bpm • C Maj • 03:19 • -3.83db
35% Popularity • 45% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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half•alive
Subliminal
147 bpm • B Maj • 02:45 • -5.07db
50% Popularity • 65% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
51% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Vacation Manor
If Only for Tonight
147 bpm • C# Maj • 04:56 • -6db
47% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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half•alive
High Up
146 bpm • F Maj • 03:29 • -6.37db
38% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Honest Men
Stuck!
146 bpm • A Maj • 03:33 • -6db
34% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Wingtip
Mr. 29
163 bpm • G Maj • 03:18 • -6.93db
30% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Breakup Shoes
How It Goes
163 bpm • E min • 02:02 • -6.64db
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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Landon Conrath
Jericho
145 bpm • F# Maj • 03:27 • -7.82db
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Alfie Jukes
Traffic Jams
145 bpm • D Maj • 03:11 • -5.95db
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Aidan Bissett
Grocery Store Girl
145 bpm • G Maj • 02:43 • -6.38db
40% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Claire Rosinkranz
stuck on us
145 bpm • D Maj • 02:55 • -6.67db
45% Popularity • 54% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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Abby Holliday
Better By Now
145 bpm • D Maj • 03:29 • -8db
37% Popularity • 53% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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LANY
Love At First Fight
164 bpm • C Maj • 03:12 • -7.2db
51% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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Peach Tree Rascals
Let U Go
164 bpm • C# min • 02:48 • -4.29db
42% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Landon Conrath
Replay
164 bpm • G Maj • 02:30 • -5.8db
38% Popularity • 52% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Astronomers
Bad Type
144 bpm • G# Maj • 03:10 • -8.7db
50% Popularity • 75% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Krooked Kings
Coming of Age
144 bpm • A Maj • 03:36 • -7.05db
48% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Edgehill
Shooting Glances
165 bpm • C# min • 02:58 • -6.98db
41% Popularity • 43% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Coastal Club
honey
165 bpm • A Maj • 04:10 • -3.62db
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Phil Good
Thank You
165 bpm • A Maj • 02:18 • -6.62db
41% Popularity • 70% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Colony House
Silhouettes
165 bpm • G# Maj • 02:57 • -7db
54% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
33% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah and the Sundays
I'm So Bored
165 bpm • A# Maj • 03:28 • -5db
45% Popularity • 49% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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khai dreams
Not Enough
166 bpm • A# min • 02:44 • -5db
35% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Ax and the Hatchetmen
Peach Trees
167 bpm • A Maj • 01:50 • -9.12db
59% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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The Strike
Nothing New
142 bpm • C# min • 04:49 • -7db
49% Popularity • 55% Danceability • 83% Energy • 20% Liveness
2% Instrumentalness • 21% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Forrest Nolan
stupid i miss u
168 bpm • G Maj • 02:20 • -5.75db
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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bennytheghost
Tightrope
141 bpm • D Maj • 02:20 • -5.38db
37% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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almost monday
only wanna dance
169 bpm • A Maj • 02:24 • -4.95db
55% Popularity • 51% Danceability • 92% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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nodisco.
Thoughts From Your Car
140 bpm • B Maj • 03:59 • -6.37db
38% Popularity • 69% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Spacey Jane
Lots of Nothing - BENEE
140 bpm • A Maj • 03:13 • -5db
49% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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2AM