Songs like 3 Moods by Abe Parker
Based on a tempo of (+/- 10%) and a similar genre
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Noah Henderson
tired of healing.
84 bpm • C Maj • 04:12 • -14.38db
55% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
55% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Abe Parker
3 Moods
84 bpm • F Maj • 03:08 • -9.24db
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Dawes
Don't Hate Me When It's Over
85 bpm • E Maj • 02:36 • -8.03db
55% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Darren Kiely
Slow Decay
84 bpm • G# Maj • 03:19 • -8.35db
53% Popularity • 46% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 46% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Rowan Drake
Heartbeat
83 bpm • A min • 02:28 • -9.77db
34% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hanniou
what do i do now
85 bpm • D# Maj • 03:05 • -8.94db
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander Stewart
i wish you cheated
85 bpm • B Maj • 03:10 • -7.69db
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jared Benjamin
Diana
83 bpm • C Maj • 02:41 • -11.23db
46% Popularity • 55% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 55% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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GRAHAM
worth the wait
85 bpm • A Maj • 02:09 • -3.9db
57% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Darren Kiely
Lost & Found
83 bpm • C Maj • 04:09 • -9.46db
50% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Michal Leah
Think I'm Gonna Love You
83 bpm • C Maj • 02:44 • -12.27db
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Croixx_
Love Me Then
83 bpm • B min • 01:13 • -10.65db
40% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kyle Hume
Happy
82 bpm • E Maj • 02:13 • -5.81db
63% Popularity • 83% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 83% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Reagan Beem
Dancing Round My Problems
82 bpm • A# Maj • 02:57 • -9.23db
45% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jonah Kagen
broken (Acoustic)
82 bpm • C# Maj • 02:57 • -10db
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Myles Smith
Betting on Us
86 bpm • G Maj • 02:35 • -7.7db
65% Popularity • 47% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 47% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Chri$tian Gate$
Take Me Back
82 bpm • G Maj • 03:20 • -4.61db
54% Popularity • 59% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 59% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 40% Positiveness
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Suriel Hess
Little Bit More
86 bpm • G Maj • 03:00 • -11.61db
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Eli Wilson
Wish I Never Met You
82 bpm • A# min • 02:38 • -7.49db
55% Popularity • 51% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 51% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Camylio
hurting me, hurting you
86 bpm • C# Maj • 02:39 • -9.8db
49% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 36% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Mack
Did You Love Me Ever?
82 bpm • C Maj • 02:06 • -11.41db
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Myles Smith
Memories (I Don't Have)
82 bpm • G min • 02:45 • -9.69db
54% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
54% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Kylie Muse
To The Boy
82 bpm • D# min • 02:19 • -10.81db
57% Popularity • 47% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 47% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Caryl
House of Glass
86 bpm • D Maj • 03:22 • -16.83db
35% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Haiden Henderson
killed the kid
82 bpm • B Maj • 03:16 • -14.66db
42% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Benson Boone
To Love Someone
82 bpm • F Maj • 03:16 • -7.93db
75% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
75% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Walked Through Hell
82 bpm • A# Maj • 03:36 • -11.09db
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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AWIN
My Home
82 bpm • B Maj • 02:09 • -11.48db
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Warren
Remember Me Happy
86 bpm • D Maj • 02:21 • -8.27db
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Caryl
Alone
82 bpm • D Maj • 03:09 • -12db
52% Popularity • 51% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
52% Popularity • 51% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Jamie Grey
Shouldn't Be Thinking About You
87 bpm • F# Maj • 02:51 • -8.7db
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Day
MASOCHIST - Bedroom Recording
81 bpm • D Maj • 02:43 • -8.85db
32% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Caleb Hearn
Damage
81 bpm • F# Maj • 02:32 • -10db
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Brenn!
Rearview
87 bpm • D Maj • 03:51 • -6.09db
33% Popularity • 56% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 36% Positiveness
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Henrik
Turn out fine
87 bpm • B Maj • 02:27 • -9.23db
65% Popularity • 65% Danceability • 42% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
65% Popularity • 65% Danceability • 42% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
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Abe Parker
Until Now
81 bpm • C# Maj • 03:09 • -7.84db
38% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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gavn!
vices - Stripped
81 bpm • D# Maj • 02:54 • -8.52db
45% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lauren Spencer Smith
That Part
88 bpm • F Maj • 02:54 • -7.78db
68% Popularity • 38% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 38% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Camylio
leaving home
80 bpm • C Maj • 02:53 • -8.48db
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jamie Miller
Maybe Next Time
80 bpm • B Maj • 03:08 • -6.82db
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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GRAHAM
See You Later
88 bpm • A# min • 01:51 • -7.32db
69% Popularity • 71% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 71% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Abe Parker
Younger Me
81 bpm • C# Maj • 02:37 • -6.7db
36% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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gavn!
vices
81 bpm • D# Maj • 02:46 • -8.8db
63% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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NF
GONE
80 bpm • F Maj • 04:06 • -6db
66% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Day
After We Break Up
80 bpm • E Maj • 03:03 • -8.25db
38% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 48% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Shaya Zamora
Young Heart
80 bpm • B Maj • 02:50 • -11.8db
53% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Croixx_
I love it
80 bpm • C Maj • 02:03 • -6.12db
40% Popularity • 58% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 58% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Abe Parker
The Best Song (Acoustic)
87 bpm • A# Maj • 04:07 • -6.98db
5% Popularity • 56% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 56% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Camylio
high, high, high
80 bpm • D# Maj • 02:55 • -7.73db
63% Popularity • 54% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 54% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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sombr
would've been you
80 bpm • C# Maj • 03:03 • -12.79db
68% Popularity • 31% Danceability • 38% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
68% Popularity • 31% Danceability • 38% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
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Sofia Camara
Who Do I Call Now? (Hellbent)
80 bpm • F# Maj • 03:10 • -8.64db
67% Popularity • 30% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
67% Popularity • 30% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chelsea Cutler
Men On The Moon
79 bpm • G# Maj • 03:40 • -6.83db
49% Popularity • 56% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 56% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Benson Boone
Little Runaway
89 bpm • C Maj • 03:15 • -6.54db
67% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Abe Parker
Imposter Syndrome
80 bpm • D# Maj • 03:13 • -5.98db
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Will Swinton
Better Days
89 bpm • D Maj • 02:47 • -8.13db
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Camylio
amnesia
88 bpm • G# min • 02:52 • -9db
51% Popularity • 47% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 47% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley Singh
Can't Find the Man
79 bpm • G Maj • 03:17 • -7.18db
47% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Seabaugh
Maybe in the Morning
79 bpm • E Maj • 02:44 • -11db
41% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Rachel Grae
Enough of Me
79 bpm • G min • 02:28 • -5.28db
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Sam MacPherson
Play Dumb
89 bpm • C Maj • 02:53 • -8.22db
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Livingston
Message in a Bottle
79 bpm • B Maj • 02:54 • -5.01db
61% Popularity • 67% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 67% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Cameron Whitcomb
Shoot Me Dead
89 bpm • B min • 03:12 • -12.47db
62% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Nealon
Feel Good
79 bpm • F Maj • 02:58 • -10.14db
41% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Zach Hood
never knew a heart could break itself
79 bpm • A Maj • 02:35 • -7.26db
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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gavn!
not again
90 bpm • D# Maj • 02:54 • -11.68db
56% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jonah Kagen
CHEMICALS!
90 bpm • G# Maj • 02:10 • -10db
38% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jared Benjamin
Not Going Back
90 bpm • C Maj • 02:22 • -6.42db
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Clinton Kane
I GUESS I'M IN LOVE
78 bpm • C Maj • 03:24 • -6.37db
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Kyle Hume
Fine
78 bpm • C# Maj • 02:30 • -4.54db
67% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Steinza
The Former
78 bpm • C Maj • 02:37 • -13db
58% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Camylio
monsters
78 bpm • B Maj • 02:53 • -7.23db
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Lillian Hepler
House Of Lies
78 bpm • G# Maj • 03:14 • -5.45db
49% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Vincent Lima
Somewhere
78 bpm • F# Maj • 03:10 • -7.91db
52% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Caryl
Us Together
78 bpm • F# min • 02:15 • -8.65db
24% Popularity • 50% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
24% Popularity • 50% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Jeremy Zucker
this is how you fall in love
78 bpm • G Maj • 02:54 • -12.5db
71% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Benson Boone
In The Stars
78 bpm • A# Maj • 03:36 • -6.03db
64% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 36% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Hayd
When You Were Mine
78 bpm • E Maj • 04:26 • -10.92db
45% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Dean Lewis
Half A Man
78 bpm • C Maj • 02:59 • -11.58db
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Haiden Henderson
you don't even like me
91 bpm • A Maj • 03:05 • -11.85db
45% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Abe Parker
Last First Kiss
78 bpm • D Maj • 02:51 • -9.61db
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Zach Hood
how to change a tire
78 bpm • C Maj • 03:00 • -7.98db
58% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mark Ambor
Belong Together
91 bpm • D Maj • 02:28 • -5.2db
85% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
85% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Chri$tian Gate$
I Won't Beg for You
78 bpm • B min • 02:03 • -8.29db
70% Popularity • 63% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
70% Popularity • 63% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Ruth B.
28
77 bpm • C Maj • 03:28 • -6.34db
71% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Good Neighbours
Home
77 bpm • F# Maj • 02:37 • -4.44db
89% Popularity • 58% Danceability • 68% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
89% Popularity • 58% Danceability • 68% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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gavn!
Madelyne
77 bpm • C Maj • 02:15 • -6.89db
54% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Munn
Loved Us More
92 bpm • G Maj • 03:00 • -11db
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Anson Seabra
Trying My Best
77 bpm • F Maj • 03:42 • -18.19db
61% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Myles Smith
Sweet Love
92 bpm • F# Maj • 02:29 • -7.06db
66% Popularity • 73% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
66% Popularity • 73% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Zach Seabaugh
I Miss Who You Were
92 bpm • C Maj • 02:40 • -6.66db
43% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Henrik
Half of forever
77 bpm • A Maj • 02:33 • -7.33db
77% Popularity • 75% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
77% Popularity • 75% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Rowan Drake
Elephant In The Room
77 bpm • C# Maj • 02:41 • -12.02db
54% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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David Kushner
Cannon Beach
76 bpm • B Maj • 02:52 • -7db
56% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Caryl
Darling, I Do
92 bpm • D# Maj • 02:01 • -9.27db
30% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
