Songs like 3 Romances sans paroles, Op. 17: III. Andante moderato by Jonny Southard
Based on a tempo of (+/- 10%) and a similar genre
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Lang Lang
Jasmine Flower (Arr. Schindler for Piano...
67 bpm • G# Maj • 06:44 • -21.99db
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
67 bpm • F Maj • 02:54 • -29.35db
34% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
34% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Yiruma
Serenade In E
67 bpm • F# min • 05:10 • -18.25db
43% Popularity • 40% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 40% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Alfonso Gugliucci
La giostra
67 bpm • D Maj • 02:11 • -27.64db
16% Popularity • 42% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
16% Popularity • 42% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Rosey Chan
Infinity
67 bpm • D# Maj • 07:28 • -29.62db
59% Popularity • 36% Danceability • 1% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
59% Popularity • 36% Danceability • 1% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Chris Snelling
Slowly Towards
67 bpm • D# Maj • 02:30 • -26.17db
24% Popularity • 57% Danceability • 0% Energy • 17% Liveness
95% Instrumentalness • 44% Positiveness
24% Popularity • 57% Danceability • 0% Energy • 17% Liveness
95% Instrumentalness • 44% Positiveness
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Metamorphose String Orchestra
Dinner
67 bpm • E Maj • 03:44 • -14.63db
32% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Jonny Southard
3 Romances sans paroles, Op. 17: III. An...
67 bpm • G# Maj • 02:22 • -27.51db
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Mano Vecina
La vérité
67 bpm • B min • 02:27 • -21db
44% Popularity • 37% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
44% Popularity • 37% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Roberto Cacciapaglia
Farthest Star (Piano Solo Version)
67 bpm • D Maj • 03:23 • -19.48db
25% Popularity • 28% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
25% Popularity • 28% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Rosey Chan
How We Danced - Solo Piano Version
67 bpm • A min • 04:57 • -25.25db
15% Popularity • 34% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Karen Biehl
Reflections (Solo Piano)
67 bpm • G min • 01:55 • -27db
41% Popularity • 44% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 15% Positiveness
41% Popularity • 44% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 15% Positiveness
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Lisa Chong
Lisa's waltz
67 bpm • D# Maj • 02:09 • -22.71db
42% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
42% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Jonny Southard
Emergence
67 bpm • F min • 03:15 • -24.72db
6% Popularity • 67% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
6% Popularity • 67% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Jean Roger-Ducasse
Petite Suite (Arr. J. Charlot for Solo P...
68 bpm • C Maj • 02:24 • -33.26db
31% Popularity • 37% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Rewired88
Clarinet Concerto in A Major, K, 622: II...
68 bpm • D Maj • 02:48 • -18.42db
23% Popularity • 49% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
23% Popularity • 49% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
68 bpm • G# Maj • 05:24 • -37.43db
46% Popularity • 29% Danceability • 0% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 0% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
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Niall Byrne
Nocturne in G
66 bpm • G min • 03:00 • -17.87db
23% Popularity • 42% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
23% Popularity • 42% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Rachel Portman
recollection
68 bpm • A min • 05:19 • -18.97db
17% Popularity • 34% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
17% Popularity • 34% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Martin Bloch
Debussy - Arabesque
68 bpm • E Maj • 05:25 • -25.45db
31% Popularity • 26% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 26% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
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Emile Franck
Rivière De Larmes
68 bpm • D min • 02:58 • -24.03db
37% Popularity • 32% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Franz Gordon
Togetherless
68 bpm • A min • 03:48 • -26.69db
35% Popularity • 49% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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Dirk Maassen
Peace of Mind
66 bpm • F min • 04:24 • -22.03db
24% Popularity • 46% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 46% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Yiruma
Embrace of Silence
68 bpm • D Maj • 02:53 • -28db
45% Popularity • 42% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
45% Popularity • 42% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Rachel Portman
a gift
68 bpm • C min • 02:59 • -20.3db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Jonny Southard
In a Soul
66 bpm • A min • 08:48 • -20.91db
6% Popularity • 23% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Gratitude (Piano Solo Version)
68 bpm • D# Maj • 03:01 • -21.56db
24% Popularity • 79% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
24% Popularity • 79% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Franz Gordon
Shapes of Shadows
66 bpm • G min • 03:26 • -24.33db
41% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
41% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
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Peter Cavallo
Found By You
66 bpm • G Maj • 04:05 • -13.19db
30% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Claude Debussy
Debussy: Preludes, Book 1, L. 117: VIII....
66 bpm • F# Maj • 02:50 • -32.56db
32% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Carlos Cipa
Today and it’s gone (Munich Session)
68 bpm • E min • 04:18 • -25.09db
49% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Giovanni Renzo
Serra Gelada
68 bpm • F min • 01:05 • -20.07db
45% Popularity • 42% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
45% Popularity • 42% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Rosey Chan
A Short Story About Love
66 bpm • A min • 03:01 • -20.63db
20% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
20% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Piotr Wiese
We Won't Waltz Together
68 bpm • E min • 02:06 • -24.03db
36% Popularity • 43% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 20% Positiveness
36% Popularity • 43% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 20% Positiveness
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Carlos Marquez
Valse Melancolique No. VIII - Le Desir E...
66 bpm • G Maj • 01:37 • -21db
38% Popularity • 38% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
38% Popularity • 38% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Jeroen van Veen
Mika's Song
68 bpm • F Maj • 03:00 • -21.83db
26% Popularity • 45% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
26% Popularity • 45% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Emile Pandolfi
Broken Vow
66 bpm • D Maj • 05:01 • -18.21db
18% Popularity • 28% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
18% Popularity • 28% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Martin Bloch
Chopin - Prelude E-Minor OP.28 No 4
68 bpm • E min • 02:09 • -28.79db
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Stephan Moccio
Freddie's Theme
66 bpm • D# min • 02:15 • -32.05db
42% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
42% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Thad Fiscella
Bittersweet September
69 bpm • F min • 03:48 • -19.26db
33% Popularity • 35% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
33% Popularity • 35% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Arelius
Lucid Dreamin'
68 bpm • F min • 02:33 • -23db
16% Popularity • 31% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
16% Popularity • 31% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Aria variata, BWV 989: Var. 10
65 bpm • E Maj • 02:32 • -35.4db
33% Popularity • 40% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 22% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
49% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
49% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Csizmazia Etel
Szerelem
69 bpm • C# Maj • 02:00 • -24.76db
40% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
40% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Rosey Chan
Autumn
69 bpm • G Maj • 04:41 • -27db
40% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
40% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Juan MarÃa Solare
Three Bridges
69 bpm • C Maj • 02:25 • -30.32db
41% Popularity • 43% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 43% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schubert
Im Abendrot, D. 799 (Transcr. for Cello ...
65 bpm • G# Maj • 04:22 • -27.17db
40% Popularity • 26% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
40% Popularity • 26% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Lara Downes
The Baby Sleeps
69 bpm • C Maj • 01:17 • -28.46db
17% Popularity • 42% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
17% Popularity • 42% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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![Franz Schubert: Schwanengesang, D. 957: IV. Ständchen (Serenade) [Arr. for Piano Solo by Franz Liszt] cover art](https://i.scdn.co/image/ab67616d00001e02c194eb4701bbe216cea16253)
Vadim Chaimovich
Franz Schubert: Schwanengesang, D. 957: ...
69 bpm • D Maj • 05:47 • -28.73db
30% Popularity • 28% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
30% Popularity • 28% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Franz Gordon
She Folded a Paper Plane
69 bpm • D# Maj • 03:03 • -19.16db
23% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
23% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Gian Marco La Serra
Gli Amanti
69 bpm • G min • 02:49 • -16.78db
21% Popularity • 45% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 24% Positiveness
21% Popularity • 45% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 24% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Jonny Southard
Drawings In The Sky
65 bpm • C# min • 02:55 • -26.87db
16% Popularity • 45% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
16% Popularity • 45% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
54% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
54% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Greg Maroney
Saved By a Passing Moment
69 bpm • B min • 04:58 • -16.47db
32% Popularity • 19% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
32% Popularity • 19% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Nelson Haynes
Bergamo
70 bpm • C Maj • 02:06 • -24.41db
38% Popularity • 26% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
38% Popularity • 26% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Hugo Gorka
Scenes from Childhood, Op. 15: VII. Trä...
65 bpm • F Maj • 02:29 • -25.02db
25% Popularity • 50% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
25% Popularity • 50% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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S.A. Karl
Aldebaran
70 bpm • F min • 03:18 • -21.96db
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Jonny Southard
Just People
70 bpm • A# Maj • 04:47 • -25.61db
13% Popularity • 30% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 30% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Carlos Marquez
Nocturne Romantique No. 1 in C Minor
70 bpm • C min • 02:43 • -18.24db
18% Popularity • 40% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
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Céline Aubin
Mère bien-aimée
70 bpm • D# min • 02:16 • -27.44db
41% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
41% Popularity • 49% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Arden Forest
African Violet
64 bpm • G# min • 03:02 • -25.14db
43% Popularity • 24% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 24% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Greg Maroney
Melting Heart
64 bpm • G Maj • 05:02 • -19.37db
35% Popularity • 41% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 41% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Yiruma
Lost In Island
70 bpm • D min • 03:29 • -16.89db
37% Popularity • 40% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
37% Popularity • 40% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Brique a Braq
Mia & Sebastian's Theme
70 bpm • A Maj • 01:48 • -19.38db
45% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 24% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Franz Gordon
Nocturnal Daydream
70 bpm • F Maj • 03:30 • -23.41db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Winter Moon
70 bpm • G min • 03:07 • -27.43db
11% Popularity • 50% Danceability • 4% Energy • 20% Liveness
96% Instrumentalness • 21% Positiveness
11% Popularity • 50% Danceability • 4% Energy • 20% Liveness
96% Instrumentalness • 21% Positiveness
► Preview
Léo Delibes
Lakmé: Flower Duet
70 bpm • C Maj • 01:46 • -31db
42% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Greg Maroney
Swirling Leaves
70 bpm • C Maj • 04:22 • -17.69db
15% Popularity • 28% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Alfonso Gugliucci
September Awakening
70 bpm • G# Maj • 03:15 • -25.17db
17% Popularity • 29% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Leo Livens
Moonbeams
64 bpm • A min • 01:59 • -29db
43% Popularity • 37% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 37% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
56% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
56% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Eric Badanti
Airbourne
64 bpm • A min • 03:58 • -30.1db
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Franz Gordon
In a Bar in Buenos Aires
70 bpm • A# min • 02:46 • -24.57db
41% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
41% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Illuminine
It's Alright - Jonny Southard Rework
70 bpm • D# Maj • 03:54 • -21.51db
16% Popularity • 41% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
16% Popularity • 41% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Eusebius
Heather
70 bpm • A Maj • 02:05 • -16.68db
27% Popularity • 35% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
27% Popularity • 35% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Jonny Southard
Confessions
71 bpm • D Maj • 02:33 • -29.36db
23% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
23% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Dalal
The Water Diviner
64 bpm • G Maj • 06:47 • -24.6db
10% Popularity • 45% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
10% Popularity • 45% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Piotr Miteska
Pour l'amour de toi
64 bpm • D Maj • 01:48 • -26db
46% Popularity • 36% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
46% Popularity • 36% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Cinthya Garcia
Midnight Waltz
63 bpm • F# min • 01:59 • -24.43db
35% Popularity • 41% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 25% Positiveness
35% Popularity • 41% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 25% Positiveness
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George Nascimento
Intermezzo Op.118 No.2 in a Major
71 bpm • A Maj • 06:23 • -21.33db
16% Popularity • 46% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
16% Popularity • 46% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
58% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
58% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jonny Southard
Views Right Round
71 bpm • G# min • 03:32 • -19.2db
6% Popularity • 24% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
6% Popularity • 24% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Alma Deutscher
Up in the Sky
71 bpm • A Maj • 02:29 • -32.28db
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Maryna Aksenov
Flying Leaves
71 bpm • D# Maj • 01:38 • -20.43db
34% Popularity • 28% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
34% Popularity • 28% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Yiruma
Variation on a Theme from 'Dance'
71 bpm • D Maj • 03:19 • -24.75db
37% Popularity • 41% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 41% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Jorge Segovia
Eight O'clock in the Morning
71 bpm • D Maj • 01:00 • -28.65db
30% Popularity • 50% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
30% Popularity • 50% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Jonny Southard
Sit Tight
71 bpm • G Maj • 02:49 • -19.46db
2% Popularity • 46% Danceability • 8% Energy • 21% Liveness
94% Instrumentalness • 52% Positiveness
2% Popularity • 46% Danceability • 8% Energy • 21% Liveness
94% Instrumentalness • 52% Positiveness
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Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
71 bpm • D# Maj • 04:52 • -31.75db
33% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
33% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
The Swan - Piano Solo
63 bpm • G Maj • 02:49 • -23db
30% Popularity • 46% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 46% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Franz Gordon
Les Feuilles Jaunes
71 bpm • F Maj • 03:06 • -21.14db
32% Popularity • 35% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
32% Popularity • 35% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Martin Bloch
Beethoven - Pathetique Sonata Op.13 Adag...
71 bpm • G# Maj • 05:50 • -28.53db
27% Popularity • 28% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Jonny Southard
Yours Before Sunset
63 bpm • E min • 05:39 • -21.09db
11% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
47% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
47% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
