Songs like 3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) by Robert Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 10 in C-Sharp M...
70 bpm • C# min • 01:12 • -25.51db
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
42% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: 1. Arietta
70 bpm • D# Maj • 01:07 • -32db
29% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
29% Popularity • 43% Danceability • 2% Energy • 16% Liveness
91% Instrumentalness • 22% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Robert Schumann
FantasiestĂĽcke, Op. 12: I. Des Abends
70 bpm • C# Maj • 03:54 • -37.27db
4% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
4% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
48% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
48% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
51% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
51% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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JoaquĂn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
55% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
55% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Edvard Grieg
7 Lyric Pieces, Op. 71: No. 4, Peace of ...
69 bpm • C# min • 05:13 • -30.08db
9% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Robert Schumann
Kreisleriana, Op. 16: No. 4, Sehr langsa...
70 bpm • A# Maj • 04:22 • -32.66db
44% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
44% Popularity • 28% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: The...
71 bpm • F# Maj • 02:31 • -31db
10% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 38, Book II: VIII. Kan...
69 bpm • D# min • 05:00 • -28.95db
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
69 bpm • B Maj • 04:04 • -28.66db
32% Popularity • 33% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
32% Popularity • 33% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Edward Elgar
Adieu
69 bpm • B min • 02:40 • -28db
36% Popularity • 13% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
36% Popularity • 13% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Robert Schumann
Symphonic Studies, Op. 13 - Version 1852...
69 bpm • C# min • 02:59 • -23.71db
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
Poèmes "Le rossignol éperdu" (Excerpts...
68 bpm • F# Maj • 01:56 • -38db
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
34% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Robert Schumann
Abendlied, Op. 85, No. 12 (Arr. for Stri...
71 bpm • C# Maj • 03:22 • -31.71db
55% Popularity • 21% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 3% Positiveness
55% Popularity • 21% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 3% Positiveness
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GabrĂel Ă“lafs
Faded Leaves Fall
68 bpm • E min • 02:42 • -37db
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 2 in B-Flat Min...
68 bpm • A# min • 04:54 • -29db
10% Popularity • 33% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Waltz in G-Flat Major, D. Anh....
68 bpm • F# Maj • 01:52 • -34.69db
36% Popularity • 23% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Robert Schumann
Schumann: Albumblätter, Op. 124: No. 6,...
69 bpm • G Maj • 02:25 • -31.63db
29% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 30 in E Major, Op. 109:...
72 bpm • E Maj • 02:36 • -37.31db
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Alessandra Ammara
Melodie
68 bpm • C Maj • 01:03 • -39.34db
26% Popularity • 38% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 48% Positiveness
26% Popularity • 38% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 48% Positiveness
► Preview
Claude Debussy
D'un cahier d'esquisses, CD 112
68 bpm • C# Maj • 04:53 • -30db
30% Popularity • 47% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 47% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Child Falling Asleep, Op. 15 No. 12 (Arr...
72 bpm • E Maj • 02:09 • -28.73db
37% Popularity • 7% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 10 Elegiaco
68 bpm • C# min • 02:05 • -29db
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
9 Préludes, Op. 103: No. 3 in G Minor
68 bpm • D# Maj • 03:35 • -27.74db
42% Popularity • 32% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
42% Popularity • 32% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Robert Schumann
FantasiestĂĽcke, Op. 12: III. Warum?
72 bpm • C# Maj • 02:37 • -32.79db
1% Popularity • 32% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
1% Popularity • 32% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
Three Visions: II. Summerland
68 bpm • G Maj • 04:37 • -32.28db
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
43% Popularity • 49% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
72 bpm • F# min • 06:12 • -26.3db
43% Popularity • 39% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
43% Popularity • 39% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Frédéric Chopin
Nocturne in D-Flat Major, Op. 27 No. 2
68 bpm • C# Maj • 05:52 • -24.93db
37% Popularity • 38% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
30% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
30% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
67 bpm • D Maj • 03:28 • -32.42db
44% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
44% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
44% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
44% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Robert Schumann
Symphony No. 2 in C Major, Op. 61: III. ...
73 bpm • D# Maj • 10:06 • -35.68db
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Ludwig van Beethoven
II. Adagio
67 bpm • F Maj • 05:07 • -39db
38% Popularity • 34% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 18% Positiveness
38% Popularity • 34% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 18% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei (Arr...
67 bpm • F Maj • 02:50 • -26.85db
30% Popularity • 14% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
30% Popularity • 14% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ravel: Cadence for the Video by Yoann Bo...
73 bpm • E Maj • 03:07 • -29.01db
43% Popularity • 53% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
43% Popularity • 53% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness