Songs like 3 Rondo brillants, Op. 2: No. 2b in A Minor. Rondo moderato by Dionisio Aguado
Based on a tempo of (+/- 10%) and a similar genre
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Luigi Legnani
36 Caprices, Op. 20: IV. Allegretto
95 bpm • E Maj • 01:09 • -24db
26% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
26% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Roland Dyens
Lettre encore
95 bpm • F Maj • 01:39 • -26.57db
30% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Dionisio Aguado
Allegro
95 bpm • E Maj • 02:05 • -20.86db
0% Popularity • 52% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
0% Popularity • 52% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Prelude No 3
95 bpm • A min • 06:34 • -25.95db
10% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
10% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Leo Brouwer
Cancion de cuna
94 bpm • G Maj • 03:48 • -30db
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
95 bpm • A Maj • 04:47 • -23.06db
18% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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John Dowland
Melancholy Galliard
94 bpm • F Maj • 03:41 • -26.99db
9% Popularity • 44% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 44% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Hector Ayala
Serie Americana: Preludio
96 bpm • E min • 02:36 • -33db
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Heitor Villa-Lobos
Preludes, W419: II. Andantino
94 bpm • E Maj • 03:31 • -22.4db
8% Popularity • 34% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Antoine de Lhoyer
Duo Concertant in D Minor, Op. 34, No. 2...
94 bpm • F Maj • 02:20 • -18.01db
0% Popularity • 52% Danceability • 20% Energy • 22% Liveness
72% Instrumentalness • 40% Positiveness
0% Popularity • 52% Danceability • 20% Energy • 22% Liveness
72% Instrumentalness • 40% Positiveness
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Gaspar Sanz
Canarios - Arr. for Guitar
94 bpm • D Maj • 01:28 • -18db
19% Popularity • 51% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 94% Positiveness
19% Popularity • 51% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 94% Positiveness
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Matteo Carcassi
Etude In A Major
96 bpm • A Maj • 02:26 • -29.42db
9% Popularity • 27% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Dionisio Aguado
Study in A Minor
94 bpm • A min • 01:06 • -15.59db
0% Popularity • 30% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
0% Popularity • 30% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
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Jean-Philippe Rameau
Nouvelles suites de pièces de clavecin,...
94 bpm • D# min • 02:20 • -29db
30% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Luis de Narváez
Los seys libros del Delphin de musica de...
96 bpm • A min • 02:10 • -28db
8% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Lute Partita in E Major, BWV 1006a (arr....
96 bpm • E Maj • 02:33 • -27.21db
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
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Gaspar Sanz
Canarios
96 bpm • D Maj • 02:02 • -24.87db
18% Popularity • 39% Danceability • 13% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
18% Popularity • 39% Danceability • 13% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 3 (Vals c...
96 bpm • E Maj • 01:36 • -30.31db
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: La nit de Nadal (E...
96 bpm • E Maj • 01:33 • -18.19db
11% Popularity • 55% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
11% Popularity • 55% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
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Jason Vieaux
Recuerdos de viaje, Op. 71: No. 8. Rumor...
97 bpm • A min • 04:14 • -21db
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
97 bpm • A min • 03:01 • -21.17db
9% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
9% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
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Antonio MartÃn y Coll
El Villano
97 bpm • C Maj • 01:45 • -14.83db
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
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Heitor Villa-Lobos
Suite populaire Brésilienne, W020: V. C...
97 bpm • C Maj • 04:04 • -20.73db
13% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 35% Positiveness
13% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 35% Positiveness
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Andrea Falconieri
Canzone, Libro 1: No. 56, La Benedetta
93 bpm • F# min • 01:52 • -24.8db
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Antoine de Lhoyer
Duo Concertant in A Major, Op. 31, No. 1...
93 bpm • F# min • 04:08 • -23.02db
0% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
0% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
Estudio Capricho
97 bpm • D Maj • 02:01 • -23db
19% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze la Harpa en la M...
93 bpm • D Maj • 01:54 • -19.27db
12% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
12% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Leo Brouwer
2 Temas Populares Cubanos: Ojos brujos
97 bpm • A min • 02:10 • -32.18db
10% Popularity • 40% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 1b in E Ma...
97 bpm • E Maj • 04:43 • -20.38db
5% Popularity • 38% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 40% Positiveness
5% Popularity • 38% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 40% Positiveness
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Heitor Villa-Lobos
Chôro No. 1
93 bpm • E min • 04:54 • -30.36db
20% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: Lo fill del rey
97 bpm • D Maj • 01:34 • -25.95db
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Mario Castelnuovo-Tedesco
Variations a travers les siecles, Op. 71
93 bpm • G Maj • 08:40 • -27.34db
1% Popularity • 33% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 33% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Vicente Asencio
Suite mÃstica: II. Dipsô
93 bpm • F Maj • 05:41 • -27.18db
0% Popularity • 42% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 42% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
32% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 1
92 bpm • D Maj • 01:12 • -26.28db
29% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
29% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: L'hereu riera
98 bpm • A Maj • 00:56 • -19db
28% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
28% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
30% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
30% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Manuel de Falla
The Miller's Dance
98 bpm • A min • 02:54 • -17.55db
11% Popularity • 44% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
11% Popularity • 44% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Andrea Falconieri
Canzone, Libro 1: No. 47, Corriente dich...
98 bpm • F# min • 01:30 • -26.49db
1% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
1% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: II. Rondo (arr....
92 bpm • D min • 01:25 • -19.35db
32% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
32% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: Le preco de Lleida
92 bpm • D min • 01:59 • -28db
15% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
15% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Anonymous
Bertoncina
98 bpm • A# min • 01:08 • -27.24db
0% Popularity • 39% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
0% Popularity • 39% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Dionisio Aguado
Rondo brillante, Op. 2, No. 1: II. Polon...
91 bpm • E Maj • 04:53 • -19.32db
0% Popularity • 39% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
0% Popularity • 39% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 4 (Yacamb...
98 bpm • D Maj • 02:55 • -28.98db
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
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Maximo Diego Pujol
5 Preludios: No. 3, Tristango en Vos
91 bpm • E min • 03:02 • -25db
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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JoaquÃn Turina
Hommage a Tarrega: II. Soleares
91 bpm • D Maj • 02:20 • -19.33db
20% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
20% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Manuel de Falla
El sombrero de 3 picos (The 3-Cornered H...
91 bpm • D Maj • 01:58 • -22.91db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Andrea Falconieri
Villanelle, Libro 1: Occhietti amati
92 bpm • B Maj • 01:26 • -27.68db
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
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Jorge Cardoso
Brejeiro - Tango Brasileño
91 bpm • E Maj • 02:25 • -19db
19% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
19% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
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Mario Castelnuovo-Tedesco
Escarramán, Op. 177: III El Villano
99 bpm • G Maj • 02:44 • -24.08db
1% Popularity • 41% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
1% Popularity • 41% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires: No. 3, San Telmo
99 bpm • E min • 03:00 • -13.79db
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
19% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
19% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Abel Carlevaro
Milonga oriental
91 bpm • E min • 02:08 • -27db
21% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Philip Hemmo
El Maestro: Pavan No. 1
100 bpm • G Maj • 01:17 • -20.51db
17% Popularity • 42% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
17% Popularity • 42% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
► Preview
Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
14% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Leo Brouwer
El decameron negro: La huida de los aman...
90 bpm • F# min • 04:47 • -29db
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Carlos Bonell
Torroba: Madroños
100 bpm • E Maj • 03:01 • -22db
13% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Isaac Albéniz
Preludio
90 bpm • E Maj • 01:40 • -18.53db
14% Popularity • 30% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 30% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 2 in C Major: Sch...
90 bpm • E min • 01:07 • -28db
28% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
28% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
Regino Sáinz de la Maza
Canciones Castellanas
90 bpm • A min • 05:20 • -19db
34% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
34% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Philip Hemmo
Danza Mora
90 bpm • B Maj • 03:29 • -21.92db
11% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
11% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
► Preview
Victor Villadangos
Tucututa
90 bpm • G min • 02:58 • -30.35db
29% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
► Preview
Antonio Lauro
Triptico: 3. La Negra
90 bpm • G Maj • 01:49 • -27.69db
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
► Preview
Niccolò Paganini
Grand Sonata in A Major, MS 3: Romanza
90 bpm • A min • 04:09 • -27.66db
4% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
4% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Dionisio Aguado
3 Rondo Brillants, Op. 2: No. 2. Andante...
90 bpm • A min • 09:19 • -26db
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Georges Bizet
Carmen Suite: III. Seguidilla (Arr. W. K...
101 bpm • G Maj • 01:45 • -28.15db
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
► Preview
Federico Mompou
Mompou: Suite Compostelana: Canción (ex...
90 bpm • A min • 03:02 • -25.98db
11% Popularity • 40% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
11% Popularity • 40% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Leo Brouwer
Estudios Sencillos: VI.
101 bpm • A Maj • 01:08 • -18db
13% Popularity • 27% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
13% Popularity • 27% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Isaac Albéniz
Rumores de la Caleta
101 bpm • C Maj • 03:20 • -18.47db
17% Popularity • 39% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
17% Popularity • 39% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Antón GarcÃa Abril
Sonata del Portico: I. Allegro
89 bpm • E min • 05:16 • -20.79db
9% Popularity • 26% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Dionisio Aguado
Introduction & Rondo, Op. 2 No. 2
101 bpm • A min • 08:51 • -19.64db
2% Popularity • 40% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
2% Popularity • 40% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Ricardo Cobo
Muerte del angel - Tango (arr. R. Cobo):...
89 bpm • A min • 04:14 • -24.51db
24% Popularity • 31% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
24% Popularity • 31% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Joaquin Clerch
Estudio de trémolo
89 bpm • A min • 02:51 • -28.34db
10% Popularity • 18% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
10% Popularity • 18% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Johann Kaspar Mertz
Deutsche Weise (German Air)
101 bpm • F Maj • 04:19 • -31.71db
11% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
11% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Antoine de Lhoyer
Duo Concertant in D Minor, Op. 34, No. 2...
101 bpm • F Maj • 04:21 • -17.49db
0% Popularity • 41% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
0% Popularity • 41% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: El noi de la mare
89 bpm • D Maj • 01:56 • -27db
31% Popularity • 50% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 34% Positiveness
31% Popularity • 50% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 34% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
25% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Heitor Villa-Lobos
Valse-chôro
89 bpm • E min • 04:01 • -20.68db
18% Popularity • 36% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
18% Popularity • 36% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Book 6: No. 1. Tar...
101 bpm • A min • 03:53 • -25.58db
7% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
7% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Vicente Asencio
Suite mÃstica: III. Pentecostés
102 bpm • G min • 02:04 • -28.77db
0% Popularity • 34% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
0% Popularity • 34% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 1a in E Ma...
88 bpm • E min • 05:32 • -24.2db
5% Popularity • 41% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
5% Popularity • 41% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Sergio & Odair Assad
Prelúdio No. 4
102 bpm • A# Maj • 03:28 • -23.6db
9% Popularity • 46% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
9% Popularity • 46% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Maximo Diego Pujol
5 Preludios: No. 2, Preludio Triston
88 bpm • C Maj • 03:17 • -25.92db
25% Popularity • 33% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 33% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Regino Sáinz de la Maza
Sainz de la Maza: El Vito
103 bpm • A min • 01:43 • -21.41db
14% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
14% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Jorge Morel
Little Rhapsody
103 bpm • E min • 05:26 • -24.86db
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Dionisio Aguado
Allegro moderato
88 bpm • G Maj • 01:13 • -29.65db
0% Popularity • 53% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
0% Popularity • 53% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Johann Sebastian Bach
Prelude, Fugue and Allegro in E-Flat Maj...
88 bpm • C min • 03:33 • -25.88db
12% Popularity • 33% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 79% Positiveness
12% Popularity • 33% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 79% Positiveness
