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#320
Songs like
#320
by
Hauschka
Based on a tempo of (+/- 10%) and a similar genre
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Federico Albanese
North Variation
170 bpm • A min • 03:16 • -30.63db
37% Popularity • 16% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Otto A. Totland
Solêr
168 bpm • D# min • 02:35 • -26.65db
41% Popularity • 33% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 45% Positiveness
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Kirill Richter
Michigan 7
168 bpm • D min • 03:07 • -23.72db
30% Popularity • 21% Danceability • 6% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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Annelie
Tomorrow
172 bpm • C min • 03:41 • -16.6db
32% Popularity • 18% Danceability • 14% Energy • 18% Liveness
82% Instrumentalness • 5% Positiveness
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Alex Baranowski
Constellations
172 bpm • C Maj • 03:09 • -18.38db
22% Popularity • 8% Danceability • 19% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Lambert
Signals
167 bpm • E Maj • 03:12 • -21.59db
21% Popularity • 25% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
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Federico Albanese
Gentle Flow
169 bpm • G min • 05:19 • -19db
26% Popularity • 15% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
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Felix Rösch
Berceuse Rework
174 bpm • A# Maj • 03:02 • -15.4db
33% Popularity • 10% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Beast
167 bpm • C min • 01:17 • -14.08db
34% Popularity • 9% Danceability • 22% Energy • 22% Liveness
87% Instrumentalness • 3% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
174 bpm • C# min • 03:18 • -18db
48% Popularity • 13% Danceability • 19% Energy • 35% Liveness
75% Instrumentalness • 4% Positiveness
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Poppy Ackroyd
Hanover Birds
174 bpm • A# Maj • 03:41 • -21db
34% Popularity • 51% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Carlos Cipa
Dreamlessly (on Blüthner Grand, 1935)
166 bpm • D Maj • 05:28 • -28.55db
16% Popularity • 30% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Matt Stewart-Evans
Waltz For Dreamers
174 bpm • C# Maj • 02:41 • -28.35db
45% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Hauschka
Mount Hood
174 bpm • A min • 04:15 • -17.51db
5% Popularity • 32% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Jean-Michel Blais
Le lac
177 bpm • C min • 02:53 • -18.24db
24% Popularity • 12% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Max Richter
Circles From The Rue Simon – Crubellie...
176 bpm • D# min • 01:04 • -18.57db
31% Popularity • 47% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Federico Albanese
Stellify
177 bpm • F# Maj • 03:43 • -28db
40% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
42% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Søndag Søndag
Lørdag
163 bpm • F# Maj • 01:52 • -30.96db
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
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Hauschka
Urban Forest
164 bpm • C min • 02:46 • -20.48db
14% Popularity • 26% Danceability • 16% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Annelie
Tomorrow
178 bpm • F Maj • 03:33 • -24.52db
23% Popularity • 33% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Max Richter
Autumn Music 1
178 bpm • F# min • 03:54 • -13.56db
29% Popularity • 11% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Pieter de Graaf
Maximilian's Masterplan
162 bpm • B min • 03:58 • -17.36db
27% Popularity • 56% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Kjartan Sveinsson
The Last Farm 2
161 bpm • B min • 01:44 • -13.81db
26% Popularity • 10% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Otto A. Totland
Greiner
180 bpm • F Maj • 01:10 • -27.42db
36% Popularity • 44% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
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Julia Kent
Tourbillon
180 bpm • D min • 03:16 • -13.12db
37% Popularity • 40% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 36% Positiveness
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Wouter Dewit
Still, It Is.
160 bpm • F Maj • 04:53 • -20.29db
18% Popularity • 32% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Hauschka
Running to Frank E. MacDonald's
160 bpm • E min • 00:56 • -15.18db
6% Popularity • 60% Danceability • 84% Energy • 33% Liveness
90% Instrumentalness • 57% Positiveness
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Daigo Hanada
Muku
181 bpm • C# Maj • 03:14 • -29.25db
48% Popularity • 21% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Kjartan Sveinsson
The Last Farm 1
160 bpm • C min • 01:41 • -11.87db
19% Popularity • 15% Danceability • 33% Energy • 27% Liveness
26% Instrumentalness • 26% Positiveness
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Søndag Søndag
Ocean
160 bpm • C# min • 03:58 • -24db
29% Popularity • 54% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
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Guy Van Nueten
The Night: II. Weeping Song
159 bpm • A# min • 02:10 • -32.29db
28% Popularity • 36% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Sten Erland Hermundstad
Waltz
182 bpm • A min • 01:18 • -26.72db
33% Popularity • 18% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
41% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Federico Albanese
Your Lunar Way
157 bpm • C# Maj • 03:06 • -17.69db
41% Popularity • 55% Danceability • 34% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
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Kronos Quartet
When Our Wings Are Cut, Can We Still Fly...
154 bpm • A min • 02:22 • -19.71db
47% Popularity • 28% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Julia Kent
Flag of No Country
188 bpm • D min • 04:47 • -13.86db
27% Popularity • 17% Danceability • 29% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
The Last Farm 4
153 bpm • G Maj • 01:16 • -12.72db
26% Popularity • 15% Danceability • 27% Energy • 16% Liveness
67% Instrumentalness • 13% Positiveness
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Thomas Enhco
Reflets
152 bpm • C Maj • 02:36 • -33.94db
32% Popularity • 32% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Carlos Cipa
And Gently Drops the Rain
150 bpm • A min • 04:30 • -15.09db
17% Popularity • 24% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Jean-Michel Blais
yanni (piano)
149 bpm • E min • 04:44 • -23.92db
32% Popularity • 32% Danceability • 20% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Snorri HallgrÃmsson
Acceptance
149 bpm • G# Maj • 02:49 • -34db
31% Popularity • 21% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Julia Kent
Invitation to the Voyage
148 bpm • C min • 05:29 • -10.73db
34% Popularity • 24% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Hauschka
David Melrose Theme
148 bpm • D min • 01:18 • -28db
53% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Mario Batkovic
Restrictus - Annelie Rework
148 bpm • D# min • 04:39 • -28db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Henning Fuchs
As Time Passes
147 bpm • A min • 05:46 • -20.24db
18% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Sylvain Chauveau
Pauvre Simon
147 bpm • A min • 01:51 • -16db
50% Popularity • 13% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 3% Positiveness
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Lambert
The Dance
147 bpm • C# min • 02:46 • -21db
35% Popularity • 43% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Dmitry Evgrafov
Like Foam
146 bpm • E min • 03:29 • -18db
23% Popularity • 27% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Nils Frahm
Ambre
146 bpm • C# Maj • 03:47 • -25.61db
56% Popularity • 41% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Hilary Hahn
Draw A Map
147 bpm • A min • 02:23 • -15.34db
10% Popularity • 66% Danceability • 42% Energy • 5% Liveness
69% Instrumentalness • 56% Positiveness
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Mike Lazarev
Healing
198 bpm • D min • 01:57 • -26.75db
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Sylvain Chauveau
Le Tunnel
147 bpm • C Maj • 01:48 • -19.31db
48% Popularity • 18% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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James Heather
Passing Soul
145 bpm • C min • 02:55 • -29.04db
46% Popularity • 15% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Hauschka
David Melrose - Piano Virtuoso
144 bpm • C min • 01:29 • -18.82db
16% Popularity • 26% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 52% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
145 bpm • A# Maj • 01:44 • -17.11db
45% Popularity • 73% Danceability • 30% Energy • 7% Liveness
97% Instrumentalness • 50% Positiveness
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Ben Lukas Boysen
You'll Miss Us One Day
144 bpm • C Maj • 03:15 • -32.66db
34% Popularity • 24% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
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Dmitry Evgrafov
Flutter
205 bpm • C# Maj • 02:13 • -35.41db
41% Popularity • 19% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
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Carlos Cipa
The Place Where They Go
206 bpm • D# Maj • 04:15 • -28.92db
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Hugar
Faded Reflection
210 bpm • A min • 02:29 • -36.36db
32% Popularity • 28% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 41% Positiveness
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Brambles
Pink And Golden Billows
210 bpm • G min • 02:58 • -23.84db
50% Popularity • 39% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 28% Positiveness
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Max Richter
A Catalogue of Afternoons
206 bpm • B Maj • 01:50 • -31.73db
50% Popularity • 12% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Library Tapes
Repeat
212 bpm • B min • 01:30 • -32.9db
36% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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#320