Songs like 3:30 Psychosis by Spike Fuck
Based on a tempo of (+/- 10%) and a similar genre
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Spike Fuck
3:30 Psychosis
80 bpm • D Maj • 04:39 • -10db
22% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Destroyer
The Bad Arts
80 bpm • B Maj • 07:01 • -11.42db
30% Popularity • 51% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 51% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Courtneys
Insufficient Funds
80 bpm • B min • 02:28 • -5.1db
33% Popularity • 50% Danceability • 88% Energy • 16% Liveness
91% Instrumentalness • 89% Positiveness
33% Popularity • 50% Danceability • 88% Energy • 16% Liveness
91% Instrumentalness • 89% Positiveness
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The Goon Sax
Telephone
79 bpm • A Maj • 04:49 • -6.93db
8% Popularity • 39% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 39% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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PAINT
True Love (Is Hard to Find)
79 bpm • G Maj • 01:46 • -8.36db
28% Popularity • 44% Danceability • 48% Energy • 8% Liveness
9% Instrumentalness • 56% Positiveness
28% Popularity • 44% Danceability • 48% Energy • 8% Liveness
9% Instrumentalness • 56% Positiveness
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Emma Russack
Grass Is Greener
79 bpm • D Maj • 01:39 • -11.85db
24% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Voom
We're so Lost
81 bpm • B Maj • 02:40 • -7.54db
30% Popularity • 49% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 49% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Tiña
I Feel Fine
81 bpm • D Maj • 03:09 • -6.56db
28% Popularity • 42% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
28% Popularity • 42% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Dougie Poole
Less Young but as Dumb
78 bpm • G# Maj • 04:00 • -8.36db
29% Popularity • 48% Danceability • 46% Energy • 14% Liveness
34% Instrumentalness • 36% Positiveness
29% Popularity • 48% Danceability • 46% Energy • 14% Liveness
34% Instrumentalness • 36% Positiveness
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Mega Bog
Diary of a Rose
82 bpm • F# min • 04:39 • -10db
29% Popularity • 57% Danceability • 55% Energy • 24% Liveness
4% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 55% Energy • 24% Liveness
4% Instrumentalness • 30% Positiveness
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Eddy Current Suppression Ring
Wrapped Up
81 bpm • E Maj • 03:18 • -4db
32% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
32% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
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Trey Gruber
Last July
78 bpm • C# Maj • 02:20 • -9.61db
15% Popularity • 39% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 39% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Damaged Bug
In My Heart
82 bpm • E Maj • 03:31 • -9.21db
12% Popularity • 11% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
12% Popularity • 11% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Bnny
Promises
82 bpm • A Maj • 01:55 • -11db
47% Popularity • 51% Danceability • 73% Energy • 26% Liveness
9% Instrumentalness • 60% Positiveness
47% Popularity • 51% Danceability • 73% Energy • 26% Liveness
9% Instrumentalness • 60% Positiveness
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Dick Stusso
Modern Music
82 bpm • F# min • 04:38 • -15db
27% Popularity • 62% Danceability • 32% Energy • 10% Liveness
30% Instrumentalness • 46% Positiveness
27% Popularity • 62% Danceability • 32% Energy • 10% Liveness
30% Instrumentalness • 46% Positiveness
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The Uplifting Bell Ends
The Poison Moth Kingdom
82 bpm • A Maj • 02:47 • -5.95db
21% Popularity • 43% Danceability • 64% Energy • 21% Liveness
11% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 64% Energy • 21% Liveness
11% Instrumentalness • 36% Positiveness
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Psychic Ills
Cease to Exist
82 bpm • A Maj • 03:54 • -13.64db
11% Popularity • 25% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 35% Positiveness
11% Popularity • 25% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 35% Positiveness
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Bonny Doon
Lost My Way
82 bpm • C# min • 04:44 • -6.61db
3% Popularity • 26% Danceability • 86% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
3% Popularity • 26% Danceability • 86% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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The Slingers
Living in the Age of Loneliness
78 bpm • A Maj • 04:25 • -5.42db
32% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Omni
Delicacy
83 bpm • G Maj • 02:14 • -7.41db
21% Popularity • 79% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 79% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Ty Segall
Orange Color Queen
77 bpm • A# Maj • 03:04 • -11.23db
41% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Martin Rev
I Heard Your Name
83 bpm • D Maj • 02:02 • -13db
36% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Milk Music
Illegal and Free
83 bpm • A Maj • 05:23 • -5.42db
8% Popularity • 26% Danceability • 74% Energy • 9% Liveness
11% Instrumentalness • 24% Positiveness
8% Popularity • 26% Danceability • 74% Energy • 9% Liveness
11% Instrumentalness • 24% Positiveness
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Jack Name
I Came To Tell You In Plain English (I'm...
77 bpm • E min • 04:21 • -7.2db
6% Popularity • 50% Danceability • 81% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
6% Popularity • 50% Danceability • 81% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
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The Slingers
Little Conversations
83 bpm • E Maj • 04:16 • -19db
21% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Spike Fuck
Greatest Hits (Suicide Party)
76 bpm • A Maj • 05:13 • -10.88db
14% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Juan Wauters
Woodside, Queens
84 bpm • G Maj • 02:33 • -8db
5% Popularity • 68% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 68% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Shilpa Ray
Add Value Add Time
84 bpm • B Maj • 05:34 • -5db
31% Popularity • 38% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 38% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Cameron
The Comeback
75 bpm • D Maj • 04:19 • -6.82db
33% Popularity • 67% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
33% Popularity • 67% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
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Milk Music
Who's Been in My Dream?
75 bpm • B Maj • 04:02 • -10.72db
22% Popularity • 46% Danceability • 41% Energy • 13% Liveness
26% Instrumentalness • 35% Positiveness
22% Popularity • 46% Danceability • 41% Energy • 13% Liveness
26% Instrumentalness • 35% Positiveness
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Amen Dunes
I Know Myself
87 bpm • E Maj • 04:23 • -7.52db
30% Popularity • 39% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 39% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Television Personalities
Where's Bill Grundy Now?
87 bpm • A Maj • 02:16 • -13.02db
33% Popularity • 57% Danceability • 46% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
33% Popularity • 57% Danceability • 46% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
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Twerps
Coast to Coast
87 bpm • G Maj • 04:36 • -3.98db
26% Popularity • 20% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
26% Popularity • 20% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Gregor
A Song About Holding Hands
74 bpm • G Maj • 03:32 • -11db
37% Popularity • 55% Danceability • 55% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
37% Popularity • 55% Danceability • 55% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
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Pozi
Engaged
87 bpm • C Maj • 03:51 • -8.03db
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Parsley Sound
Ease Yourself and Glide
88 bpm • G# Maj • 03:19 • -8.57db
41% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
41% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
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Jess Cornelius
No Difference
88 bpm • C Maj • 03:49 • -5.31db
16% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Chad VanGaalen
Where Is It All Going?
88 bpm • F# Maj • 03:44 • -7.72db
23% Popularity • 47% Danceability • 52% Energy • 28% Liveness
75% Instrumentalness • 60% Positiveness
23% Popularity • 47% Danceability • 52% Energy • 28% Liveness
75% Instrumentalness • 60% Positiveness
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ESG
Six Pack
72 bpm • D Maj • 04:16 • -9.95db
31% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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A. Savage
Indian Style
89 bpm • G Maj • 04:11 • -11.47db
33% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
33% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Dry Cleaning
Traditional Fish
90 bpm • D Maj • 04:06 • -9.37db
24% Popularity • 59% Danceability • 51% Energy • 13% Liveness
66% Instrumentalness • 42% Positiveness
24% Popularity • 59% Danceability • 51% Energy • 13% Liveness
66% Instrumentalness • 42% Positiveness
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Cate Le Bon
What's Not Mine
89 bpm • C Maj • 07:26 • -6.77db
33% Popularity • 73% Danceability • 38% Energy • 7% Liveness
18% Instrumentalness • 96% Positiveness
33% Popularity • 73% Danceability • 38% Energy • 7% Liveness
18% Instrumentalness • 96% Positiveness
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ShitKid
Two Motorbikes
90 bpm • A Maj • 02:32 • -5.61db
38% Popularity • 52% Danceability • 56% Energy • 24% Liveness
92% Instrumentalness • 28% Positiveness
38% Popularity • 52% Danceability • 56% Energy • 24% Liveness
92% Instrumentalness • 28% Positiveness
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Spectrals
I Ran With Love But Couldn't Keep Up
90 bpm • G min • 06:25 • -8db
35% Popularity • 42% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 42% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Froth
Laurel
91 bpm • A Maj • 03:15 • -4.78db
24% Popularity • 45% Danceability • 86% Energy • 8% Liveness
70% Instrumentalness • 29% Positiveness
24% Popularity • 45% Danceability • 86% Energy • 8% Liveness
70% Instrumentalness • 29% Positiveness
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Tracy Bryant
Hey Spaceman!
91 bpm • A min • 03:00 • -7db
32% Popularity • 54% Danceability • 84% Energy • 16% Liveness
35% Instrumentalness • 56% Positiveness
32% Popularity • 54% Danceability • 84% Energy • 16% Liveness
35% Instrumentalness • 56% Positiveness
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Spacemen 3
I Love You
92 bpm • A min • 05:32 • -11.74db
41% Popularity • 60% Danceability • 53% Energy • 13% Liveness
85% Instrumentalness • 68% Positiveness
41% Popularity • 60% Danceability • 53% Energy • 13% Liveness
85% Instrumentalness • 68% Positiveness
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Holy Hive
The Things Themselves
92 bpm • F# min • 03:29 • -6.51db
31% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
31% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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ShitKid
Tropics
90 bpm • A Maj • 03:19 • -7.02db
25% Popularity • 53% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Jon McKiel
Management
92 bpm • G Maj • 02:29 • -9.97db
33% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Black Lips
Get It on Time
93 bpm • B Maj • 03:06 • -7db
34% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Deradoorian
Corsican Shores
93 bpm • D Maj • 03:43 • -13db
18% Popularity • 66% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 44% Positiveness
18% Popularity • 66% Danceability • 46% Energy • 12% Liveness
66% Instrumentalness • 44% Positiveness
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Twerps
Don't Be Surprised
93 bpm • E min • 03:06 • -3.47db
14% Popularity • 17% Danceability • 70% Energy • 26% Liveness
36% Instrumentalness • 51% Positiveness
14% Popularity • 17% Danceability • 70% Energy • 26% Liveness
36% Instrumentalness • 51% Positiveness
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Pure X
Middle America
93 bpm • F Maj • 02:59 • -8db
22% Popularity • 33% Danceability • 62% Energy • 9% Liveness
36% Instrumentalness • 47% Positiveness
22% Popularity • 33% Danceability • 62% Energy • 9% Liveness
36% Instrumentalness • 47% Positiveness
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The Cry
Alone
94 bpm • E Maj • 03:56 • -6.38db
49% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Sean Nicholas Savage
Days Go By
93 bpm • E Maj • 03:21 • -5.13db
35% Popularity • 61% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 61% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Dick Diver
Amber
94 bpm • F# Maj • 06:36 • -8.64db
13% Popularity • 54% Danceability • 35% Energy • 8% Liveness
6% Instrumentalness • 26% Positiveness
13% Popularity • 54% Danceability • 35% Energy • 8% Liveness
6% Instrumentalness • 26% Positiveness
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Television Personalities
Diary of a Young Man
95 bpm • F Maj • 03:59 • -14db
35% Popularity • 40% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 49% Positiveness
35% Popularity • 40% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 49% Positiveness
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The Slingers
24 Hour News
95 bpm • D Maj • 05:21 • -10.11db
20% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
20% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
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Pure X
Fantasy
95 bpm • G Maj • 03:18 • -7.22db
13% Popularity • 36% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 36% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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CCFX
2Tru
95 bpm • G Maj • 03:51 • -7db
29% Popularity • 52% Danceability • 71% Energy • 18% Liveness
87% Instrumentalness • 41% Positiveness
29% Popularity • 52% Danceability • 71% Energy • 18% Liveness
87% Instrumentalness • 41% Positiveness
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Totally Mild
The Next Day
96 bpm • D# min • 02:36 • -11.5db
16% Popularity • 39% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
16% Popularity • 39% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Gregor
This Heat
96 bpm • A# min • 03:26 • -8.02db
17% Popularity • 89% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 89% Positiveness
17% Popularity • 89% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 89% Positiveness
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Twelve Point Buck
X All Y
96 bpm • A Maj • 04:26 • -8.92db
30% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
30% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
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Dick Stusso
The Bullshit Century Pt. 1
96 bpm • D Maj • 03:00 • -11.21db
30% Popularity • 44% Danceability • 37% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
30% Popularity • 44% Danceability • 37% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Pure X
Hollywood
96 bpm • G Maj • 03:51 • -9.47db
14% Popularity • 46% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 37% Positiveness
14% Popularity • 46% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 37% Positiveness
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La Luz
I Can't Speak
96 bpm • A Maj • 03:03 • -9.56db
46% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Twerps
Bring Me Down
97 bpm • E Maj • 02:18 • -14.05db
36% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
36% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
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Happy Jawbone Family Band
Fistful of Butter
97 bpm • B Maj • 01:47 • -6.58db
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 80% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 80% Positiveness
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Billy Changer
Island Fever
97 bpm • A# Maj • 02:19 • -8db
42% Popularity • 58% Danceability • 58% Energy • 13% Liveness
56% Instrumentalness • 64% Positiveness
42% Popularity • 58% Danceability • 58% Energy • 13% Liveness
56% Instrumentalness • 64% Positiveness
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Steve Gunn
The Handshake
98 bpm • B min • 04:21 • -8.66db
16% Popularity • 60% Danceability • 54% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
16% Popularity • 60% Danceability • 54% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
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Gold Class
Life As A Gun
98 bpm • G Maj • 03:21 • -6db
16% Popularity • 52% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 45% Positiveness
16% Popularity • 52% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 45% Positiveness
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Daniele Luppi
Pretty Prizes
98 bpm • E Maj • 03:05 • -5db
39% Popularity • 74% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 74% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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The Slingers
Our Last Day in the Sun
98 bpm • C Maj • 03:38 • -6.54db
27% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
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The Shifters
Work/Life, Gym Etc
99 bpm • D Maj • 02:27 • -5db
10% Popularity • 70% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 70% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Luna
Lost in Space
99 bpm • G Maj • 03:44 • -10.48db
35% Popularity • 49% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 29% Positiveness
35% Popularity • 49% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 29% Positiveness
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White Magic
Keeping The Wolves From The Door
99 bpm • D Maj • 03:11 • -6.87db
34% Popularity • 66% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 66% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Trance Farmers
Lone Star
99 bpm • E Maj • 03:19 • -9.06db
22% Popularity • 22% Danceability • 58% Energy • 35% Liveness
52% Instrumentalness • 26% Positiveness
22% Popularity • 22% Danceability • 58% Energy • 35% Liveness
52% Instrumentalness • 26% Positiveness
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Dougie Poole
Don't You Think I'm Funny Anymore?
100 bpm • B Maj • 03:36 • -7.86db
34% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
34% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Automatic
Strange Conversations
100 bpm • D Maj • 03:25 • -6.08db
36% Popularity • 64% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
36% Popularity • 64% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
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Horsegirl
Ballroom Dance Scene
100 bpm • A min • 03:28 • -11.01db
41% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
41% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
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Dick Diver
Blue & That
100 bpm • E Maj • 02:00 • -16.73db
17% Popularity • 66% Danceability • 12% Energy • 15% Liveness
7% Instrumentalness • 17% Positiveness
17% Popularity • 66% Danceability • 12% Energy • 15% Liveness
7% Instrumentalness • 17% Positiveness
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CCFX
Ode
100 bpm • A Maj • 03:13 • -7db
30% Popularity • 26% Danceability • 57% Energy • 33% Liveness
56% Instrumentalness • 28% Positiveness
30% Popularity • 26% Danceability • 57% Energy • 33% Liveness
56% Instrumentalness • 28% Positiveness
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Kurt Vile
Freak Train
100 bpm • F# min • 07:18 • -3.75db
31% Popularity • 38% Danceability • 95% Energy • 16% Liveness
42% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 95% Energy • 16% Liveness
42% Instrumentalness • 37% Positiveness
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Martin Frawley
You Want Me?
101 bpm • D Maj • 04:51 • -11.79db
9% Popularity • 53% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 30% Positiveness
9% Popularity • 53% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 30% Positiveness
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The County Liners
Love Letter
101 bpm • G Maj • 04:13 • -6.4db
17% Popularity • 52% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 52% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Slingers
Different Oceans
102 bpm • C Maj • 04:50 • -8.23db
22% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Parsnip
Health
102 bpm • A Maj • 02:32 • -7db
21% Popularity • 44% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 44% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Good Sad Happy Bad
Shades
102 bpm • D Maj • 04:07 • -11.05db
16% Popularity • 44% Danceability • 42% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
16% Popularity • 44% Danceability • 42% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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A. Savage
Wild, Wild, Wild Horses
102 bpm • C Maj • 04:36 • -13.42db
32% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
32% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Brigid Dawson and The Mothers Network
The Fool
103 bpm • D min • 04:04 • -9.89db
28% Popularity • 63% Danceability • 53% Energy • 17% Liveness
32% Instrumentalness • 44% Positiveness
28% Popularity • 63% Danceability • 53% Energy • 17% Liveness
32% Instrumentalness • 44% Positiveness
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Pure X
You're In It Now
103 bpm • D Maj • 06:27 • -9db
31% Popularity • 43% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
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The Slingers
No Harm Done
102 bpm • C Maj • 04:52 • -6.91db
32% Popularity • 78% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
32% Popularity • 78% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
34% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Gregor
I Look Devastated
103 bpm • C Maj • 05:05 • -8.62db
16% Popularity • 85% Danceability • 53% Energy • 2% Liveness
12% Instrumentalness • 90% Positiveness
16% Popularity • 85% Danceability • 53% Energy • 2% Liveness
12% Instrumentalness • 90% Positiveness
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Jimmy Whispers
I Get Lost in You in the Summertime
103 bpm • C Maj • 03:11 • -6.49db
35% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sweeping Promises
Blue
104 bpm • E min • 02:59 • -5.73db
34% Popularity • 65% Danceability • 82% Energy • 9% Liveness
61% Instrumentalness • 79% Positiveness
34% Popularity • 65% Danceability • 82% Energy • 9% Liveness
61% Instrumentalness • 79% Positiveness
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Amen Dunes
Splits Are Parted
104 bpm • D Maj • 03:51 • -6.67db
26% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
26% Popularity • 47% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 23% Positiveness
