Songs like 4 Valses Venezolanos: Vals No. 3 (Vals criollo) by Antonio Lauro
Based on a tempo of (+/- 10%) and a similar genre
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Gaspar Sanz
Canarios
96 bpm • D Maj • 02:02 • -24.87db
19% Popularity • 39% Danceability • 13% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
19% Popularity • 39% Danceability • 13% Energy • 7% Liveness
88% Instrumentalness • 71% Positiveness
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Celedonio Romero
Tango Angelita
96 bpm • A Maj • 02:20 • -25db
18% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
18% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Antonio Lauro
Joropo
96 bpm • A Maj • 01:53 • -28db
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
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Roland Dyens
La foule
96 bpm • G Maj • 03:05 • -21.94db
31% Popularity • 32% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 40% Positiveness
31% Popularity • 32% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 40% Positiveness
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Gentil Montaña
Suite Colombiana No. 3: III. Daniela (Gu...
96 bpm • D min • 04:31 • -29.88db
10% Popularity • 39% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
10% Popularity • 39% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Steps Ahead
Penn Station
96 bpm • A# min • 05:55 • -13.4db
6% Popularity • 41% Danceability • 53% Energy • 7% Liveness
4% Instrumentalness • 27% Positiveness
6% Popularity • 41% Danceability • 53% Energy • 7% Liveness
4% Instrumentalness • 27% Positiveness
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Hector Ayala
Serie Americana: Preludio
96 bpm • E min • 02:36 • -33db
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Leo Brouwer
Un Dia de Noviembre
97 bpm • A min • 04:26 • -18.16db
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 3 (Vals c...
96 bpm • E Maj • 01:36 • -30.31db
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
35% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Catharina Josepha Pratten
Forgotten: Impromptu
97 bpm • D Maj • 03:12 • -17.44db
13% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Westaway
Adelita (Mazurka) - Francisco Tarrega
95 bpm • E Maj • 02:19 • -17db
23% Popularity • 67% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 67% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Miguel Llobet Solés
Estudio Capricho
97 bpm • D Maj • 02:01 • -23db
19% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
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Antonio Lauro
Andreina, Natalia
97 bpm • A Maj • 04:36 • -12.19db
11% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
11% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
97 bpm • A min • 03:01 • -21.17db
9% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
9% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: IV. Allegretto
95 bpm • E Maj • 01:09 • -24db
26% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
26% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Catharina Josepha Pratten
Spanish Dance
95 bpm • A min • 02:11 • -20.04db
10% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
10% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Adam Holzman
24 Preludes: No. 24 In D Minor
95 bpm • D Maj • 01:46 • -29db
25% Popularity • 40% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 40% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: Lo fill del rey
97 bpm • D Maj • 01:34 • -25.95db
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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Roland Dyens
Lettre encore
95 bpm • F Maj • 01:39 • -26.57db
30% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Adolfo Mejia
Bambuco en Mi
95 bpm • E min • 03:06 • -28db
17% Popularity • 20% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 54% Positiveness
17% Popularity • 20% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 54% Positiveness
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JoaquÃn Rodrigo
En los Trigales
97 bpm • C min • 04:22 • -28.25db
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Leo Brouwer
Cancion de cuna
94 bpm • G Maj • 03:48 • -30db
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: L'hereu riera
98 bpm • A Maj • 00:56 • -19db
28% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
28% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Antonio Lauro
Triptico: 2. Madrugada
94 bpm • E min • 01:25 • -28.79db
9% Popularity • 52% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 52% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
31% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
31% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Roland Dyens
Il pleut dans ma chambre
94 bpm • E min • 02:44 • -21db
19% Popularity • 54% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
19% Popularity • 54% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
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Manuel de Falla
The Miller's Dance
98 bpm • A min • 02:54 • -17.55db
11% Popularity • 44% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
11% Popularity • 44% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Nouvelles suites de pièces de clavecin,...
94 bpm • D# min • 02:20 • -29db
31% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
31% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Adam Holzman
3 Canciones Populares Mexicanas : Por Ti...
98 bpm • A Maj • 02:55 • -29.16db
11% Popularity • 41% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Antonio Lauro
Nocturno
94 bpm • D min • 01:26 • -28.63db
14% Popularity • 53% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
14% Popularity • 53% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Victor Villadangos
Cielo Abierto
98 bpm • B min • 05:37 • -20db
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
32% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Federico Moreno Torroba
Suite, Castellana: II "Arada"
94 bpm • D min • 03:59 • -33db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • A Maj • 03:17 • -32.19db
12% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
12% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Adam Holzman
Estrellita
98 bpm • A Maj • 02:23 • -31.18db
31% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Antonio Lauro
Ana Florencia
94 bpm • E Maj • 01:47 • -28.25db
16% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
16% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Francis Kleynjans
Tristesse
94 bpm • B min • 02:40 • -19.19db
18% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 1. Turegano
93 bpm • E Maj • 02:25 • -28db
28% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
28% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Andres Villamil
Chicaquicha
99 bpm • B min • 03:21 • -21.53db
17% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
17% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Carles Trepat
Ojos Verdes
99 bpm • D Maj • 03:58 • -21.27db
13% Popularity • 41% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
13% Popularity • 41% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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JoaquÃn Rodrigo
Rodrigo: Invocación y danza
99 bpm • D Maj • 07:07 • -29.31db
3% Popularity • 31% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
3% Popularity • 31% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Mark Houghton
Dance of the Orient
99 bpm • D Maj • 04:20 • -23.1db
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
35% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires: No. 3, San Telmo
99 bpm • E min • 03:00 • -13.79db
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
25% Popularity • 53% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Roland Dyens
Revoir Paris
99 bpm • D Maj • 03:06 • -28.64db
16% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Anonymous
El Testament d'Amelia (arr. Miguel Llobe...
99 bpm • D min • 01:56 • -26db
25% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
25% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 4 (Yacamb...
98 bpm • D Maj • 02:55 • -28.98db
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
90% Instrumentalness • 32% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
19% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
19% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Erik Satie
Gymnopedie No. 1
93 bpm • A Maj • 02:50 • -34db
37% Popularity • 50% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
37% Popularity • 50% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
14% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 3. Alcaniz
100 bpm • E Maj • 01:44 • -27.18db
32% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
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Antonio Lauro
Maria Luisa
94 bpm • B min • 02:27 • -27.02db
14% Popularity • 36% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 73% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 73% Positiveness
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Paco de LucÃa
Albéniz: Iberia: 1. Triana
100 bpm • F# min • 04:58 • -19.67db
18% Popularity • 62% Danceability • 20% Energy • 3% Liveness
88% Instrumentalness • 30% Positiveness
18% Popularity • 62% Danceability • 20% Energy • 3% Liveness
88% Instrumentalness • 30% Positiveness
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Michael William Gilbert
Times Like These (for headphones)
100 bpm • A# min • 07:34 • -17.94db
4% Popularity • 56% Danceability • 45% Energy • 21% Liveness
82% Instrumentalness • 20% Positiveness
4% Popularity • 56% Danceability • 45% Energy • 21% Liveness
82% Instrumentalness • 20% Positiveness
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JoaquÃn Rodrigo
Aranjuez, ma pensée
92 bpm • D Maj • 05:49 • -24.15db
24% Popularity • 44% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
24% Popularity • 44% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 31% Positiveness
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Jose Luis Merlin
Suite del recuerdo: I. Evocacion
100 bpm • E min • 01:17 • -24.41db
37% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
► Preview
Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 1
92 bpm • D Maj • 01:12 • -26.28db
29% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
29% Popularity • 40% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Quique Sinesi
Sonidos de aquel dia
100 bpm • D Maj • 03:43 • -20db
20% Popularity • 43% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
20% Popularity • 43% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
► Preview
Michael William Gilbert
The Light That Wraps Me and All Things (...
100 bpm • C min • 07:24 • -13.97db
14% Popularity • 57% Danceability • 36% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
14% Popularity • 57% Danceability • 36% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
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Instrumental genius
Whispers in Strings
92 bpm • D min • 01:01 • -23.52db
24% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
24% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Claude Debussy
Preludes, Book 1: No. 8. La fille aux ch...
92 bpm • G Maj • 02:33 • -36db
42% Popularity • 29% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
42% Popularity • 29% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Gentil Montaña
Suite Colombiana No. 2: IV. Porro
92 bpm • E min • 03:19 • -24.47db
22% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
22% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 2
99 bpm • E min • 01:06 • -28.82db
39% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
39% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Sergio & Odair Assad
Suite Popular Brasileira, Valsa-Choro
100 bpm • E min • 04:13 • -16db
9% Popularity • 54% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 54% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Victor Villadangos
Milonga del 71
92 bpm • A Maj • 03:19 • -20.12db
12% Popularity • 34% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
12% Popularity • 34% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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Georges Bizet
Carmen Suite: III. Seguidilla (Arr. W. K...
101 bpm • G Maj • 01:45 • -28.15db
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
► Preview
Henry Purcell
Abdelazar Suite, Z. 570: II. Rondo (arr....
92 bpm • D min • 01:25 • -19.35db
32% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
32% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
► Preview
Sergio Assad
Valseana
92 bpm • D Maj • 02:59 • -20db
22% Popularity • 34% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
22% Popularity • 34% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
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Antonio Lauro
Carora *: Carora
93 bpm • A Maj • 01:54 • -26db
22% Popularity • 40% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
22% Popularity • 40% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
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Sergio & Odair Assad
Agua e vinho
92 bpm • G min • 03:01 • -26.84db
13% Popularity • 36% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 36% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Sehnsucht (Longing...
91 bpm • F Maj • 02:25 • -32.49db
3% Popularity • 26% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 21% Positiveness
3% Popularity • 26% Danceability • 2% Energy • 7% Liveness
79% Instrumentalness • 21% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: II. Tempo di...
91 bpm • A min • 04:03 • -27.55db
21% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
21% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Anonymous
Catalonian Song
91 bpm • D Maj • 02:16 • -26.91db
11% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Antonio Lauro
Seis por derecho - Joropo
100 bpm • G Maj • 03:53 • -13.68db
7% Popularity • 41% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
7% Popularity • 41% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
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Maximo Diego Pujol
5 Preludios: No. 3, Tristango en Vos
91 bpm • E min • 03:02 • -25db
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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The Groove Project
Ocean Of Love
91 bpm • G Maj • 04:08 • -3.67db
1% Popularity • 65% Danceability • 81% Energy • 12% Liveness
69% Instrumentalness • 77% Positiveness
1% Popularity • 65% Danceability • 81% Energy • 12% Liveness
69% Instrumentalness • 77% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Jorge Cardoso
Brejeiro - Tango Brasileño
91 bpm • E Maj • 02:25 • -19db
20% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
20% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
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Sylvain Luc
Âmes d'antan
102 bpm • G Maj • 02:26 • -29db
23% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Antonio Lauro
Triptico: 1. Amida
100 bpm • E min • 03:13 • -29.75db
9% Popularity • 38% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 38% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
25% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Abel Carlevaro
Milonga oriental
91 bpm • E min • 02:08 • -27db
21% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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JoaquÃn Rodrigo
Zapateado
102 bpm • B min • 03:09 • -26.69db
14% Popularity • 40% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 68% Positiveness
14% Popularity • 40% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 68% Positiveness
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Jorge Cardoso
Vals Peruano - De la Suite Sudamericana
102 bpm • G Maj • 02:59 • -22.48db
20% Popularity • 40% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
20% Popularity • 40% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Sergio Assad
Aquarelle: II. Valseana
102 bpm • D Maj • 02:55 • -33.94db
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Antonio Lauro
Suite Venezolano: III Cancion
101 bpm • A min • 02:31 • -30db
9% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Judicaël Perroy
Caprice No. 24, Op. 1: Tema - Quasi pres...
90 bpm • A min • 05:49 • -22db
9% Popularity • 38% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
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Leo Brouwer
El decameron negro: La huida de los aman...
90 bpm • F# min • 04:47 • -29db
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 2 in C Major: Sch...
90 bpm • E min • 01:07 • -28db
28% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
28% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
