Songs like 4evermore by Anthony David
Based on a tempo of (+/- 10%) and a similar genre
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Avani
The Waiting's Over
96 bpm • G# min • 03:57 • -7.85db
19% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Sunshine Anderson
He Said, She Said
96 bpm • D Maj • 03:35 • -5db
21% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Donell Jones
You Know That I Love You
96 bpm • F# Maj • 04:20 • -5db
48% Popularity • 77% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 77% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Anthony David
4Evermore
96 bpm • G# Maj • 04:03 • -5.71db
27% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Cooper
Are We Cool
96 bpm • F# min • 04:45 • -6.03db
14% Popularity • 80% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 80% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Adriana Evans
Remember Love
96 bpm • C# min • 04:14 • -6.59db
17% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Babyface
Exceptional
96 bpm • G Maj • 05:40 • -8.06db
38% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Koffee Brown
Didn't Mean To Turn You On
96 bpm • G# min • 04:13 • -5.04db
33% Popularity • 86% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 86% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Brandon Williams
Make Believe
97 bpm • A# min • 07:42 • -7db
14% Popularity • 41% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 41% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Anthony David
4 Evermore - Radio Edit
96 bpm • G# Maj • 03:45 • -7db
11% Popularity • 67% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
11% Popularity • 67% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Jaguar Wright
Lineage
96 bpm • C# Maj • 05:52 • -9db
15% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Van Hunt
Character
95 bpm • A# min • 04:32 • -8.23db
20% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Angela Winbush
Treat U Rite
95 bpm • F min • 06:09 • -8.3db
31% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Lucy Pearl
Lala
95 bpm • F# min • 03:30 • -4db
45% Popularity • 88% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 88% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Chaz Shepherd
Chemical Reaction
95 bpm • C# Maj • 04:08 • -6db
12% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Noel Gourdin
Get to You
95 bpm • C min • 03:44 • -6.48db
24% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Anthony David
Heartstrings
97 bpm • D min • 05:04 • -13.25db
6% Popularity • 68% Danceability • 40% Energy • 77% Liveness
2% Instrumentalness • 55% Positiveness
6% Popularity • 68% Danceability • 40% Energy • 77% Liveness
2% Instrumentalness • 55% Positiveness
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Zhané
Sending My Love
95 bpm • G Maj • 03:40 • -9.62db
55% Popularity • 71% Danceability • 52% Energy • 6% Liveness
15% Instrumentalness • 22% Positiveness
55% Popularity • 71% Danceability • 52% Energy • 6% Liveness
15% Instrumentalness • 22% Positiveness
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James Day Songs
It's All Divine (Boogie Back Mix)
95 bpm • C min • 03:45 • -5.22db
15% Popularity • 66% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 66% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Blackstreet
Joy
95 bpm • G# min • 04:55 • -8db
45% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Dean's Production
Time of the Day
97 bpm • E min • 05:37 • -7.23db
15% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Trina Broussard
Losing My Mind
97 bpm • F# Maj • 04:37 • -4.41db
19% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Rachelle Ferrell
'Til You Come Back To Me
97 bpm • A min • 06:16 • -16.29db
30% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Alvin Garrett
Be Thankful for What You Got
95 bpm • B min • 03:37 • -5.51db
13% Popularity • 82% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 82% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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K'Jon
All We Need Is Love
97 bpm • F min • 03:53 • -9.33db
15% Popularity • 62% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 62% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Anthony David
I Don't Know
97 bpm • G Maj • 03:06 • -9.85db
13% Popularity • 78% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
13% Popularity • 78% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
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Conya Doss
Here We Go Again
95 bpm • F# min • 03:23 • -7db
14% Popularity • 73% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 73% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jaguar Wright
I Can't Wait
97 bpm • G# min • 03:28 • -6.86db
15% Popularity • 91% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 91% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Rachelle Ferrell
'Til You Come Back to Me
97 bpm • G# min • 04:38 • -14db
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Teedra Moses
Caught Up
97 bpm • G# min • 04:14 • -8db
31% Popularity • 71% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 71% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Zhané
Crush
95 bpm • D# min • 03:00 • -8.26db
53% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Sonja Marie
And I Gave My Love to You
95 bpm • D Maj • 04:48 • -12.49db
32% Popularity • 69% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 69% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Men of Vizion
Show You The Way To Go
94 bpm • C# Maj • 05:28 • -4db
25% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Noel Gourdin
Beautiful
94 bpm • C Maj • 03:58 • -6.53db
16% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sunshine Anderson
Letting Down My Guard
98 bpm • G Maj • 03:48 • -6.97db
14% Popularity • 75% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 75% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Tim Bowman
All I Need Is Love
94 bpm • A# min • 04:24 • -10.56db
33% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jaguar Wright
Told Ya
98 bpm • F# min • 03:51 • -7.69db
10% Popularity • 90% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 90% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Trina Broussard
These Are The Days
94 bpm • G Maj • 04:16 • -7.19db
18% Popularity • 73% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 73% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Koffee Brown
Hater's Disease
98 bpm • B Maj • 04:13 • -8db
21% Popularity • 68% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 68% Danceability • 47% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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Portrait
Here's A Kiss
94 bpm • C Maj • 04:39 • -13db
18% Popularity • 78% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 78% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sunshine Anderson
Better Off
94 bpm • D min • 04:04 • -5.83db
17% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Conya Doss
Just Because
94 bpm • D Maj • 03:51 • -5.76db
22% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Solo
Touch Me
94 bpm • G Maj • 04:18 • -8db
17% Popularity • 80% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 80% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Jaguar Wright
Stay
94 bpm • G# min • 02:30 • -11db
35% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Avery*Sunshine
Ugly Part Of Me
93 bpm • F min • 06:47 • -8db
33% Popularity • 33% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Dw3
On the Floor
99 bpm • D Maj • 04:22 • -7.88db
29% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Gary Taylor
Woman of Color
99 bpm • G min • 05:42 • -12.79db
13% Popularity • 72% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Carmichael
Ten Feet Above Heaven
93 bpm • C Maj • 03:47 • -4.71db
16% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Van Hunt
Hello, Goodbye
93 bpm • F# min • 04:25 • -5.75db
16% Popularity • 73% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 73% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Adriana Evans
All For Love
99 bpm • G# min • 04:25 • -10.14db
33% Popularity • 83% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
33% Popularity • 83% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 78% Positiveness
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Jodeci
Get On Up - Edit
93 bpm • B Maj • 04:04 • -5.51db
33% Popularity • 70% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 70% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony David
Stop Playin'
99 bpm • C# min • 03:48 • -5.47db
15% Popularity • 84% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 84% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Gary Taylor
Woman of Color ( Brothers To Sisters Rem...
99 bpm • G min • 05:40 • -13.23db
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Conya Doss
Fragments
93 bpm • A# Maj • 03:33 • -5.79db
13% Popularity • 73% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 73% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Vesta Williams
Better Days
93 bpm • C# min • 04:24 • -12db
13% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Donell Jones
I'm Gonna Be
93 bpm • F min • 04:45 • -6db
35% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Lucy Pearl
Dance Tonight
99 bpm • A# min • 03:41 • -5.69db
64% Popularity • 79% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 79% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Avant
Gratiude
99 bpm • C min • 03:37 • -6.95db
19% Popularity • 42% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 42% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony David
Heaven
100 bpm • C min • 04:15 • -8.66db
36% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tony! Toni! Toné!
I Couldn't Keep It To Myself
92 bpm • A Maj • 05:18 • -12.32db
30% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Floacist
On It
93 bpm • A# min • 04:22 • -8db
13% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Tank
You're My Star
100 bpm • D# min • 05:04 • -5db
33% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Raphael Saadiq
Chic
100 bpm • C Maj • 03:40 • -5.46db
34% Popularity • 85% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 85% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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J. Cozier
She's All I Got - Radio Edit
100 bpm • C# Maj • 03:31 • -8.56db
36% Popularity • 77% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 77% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Anthony David
Let Me In
92 bpm • C# Maj • 03:48 • -6db
8% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Donell Jones
I'll Go
100 bpm • A# min • 04:01 • -7db
43% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Foreign Exchange
Don't Wait
100 bpm • D Maj • 03:52 • -10db
29% Popularity • 80% Danceability • 52% Energy • 32% Liveness
2% Instrumentalness • 63% Positiveness
29% Popularity • 80% Danceability • 52% Energy • 32% Liveness
2% Instrumentalness • 63% Positiveness
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Al B. Sure!
Oooh This Love Is So
92 bpm • E min • 04:39 • -18.01db
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Jaguar Wright
Same Sh*t Different Day Pt. 2
92 bpm • G Maj • 04:30 • -8db
15% Popularity • 87% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 87% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Babyface
For The Cool In You - Quiet Storm Vocal ...
92 bpm • C# min • 04:57 • -12.93db
16% Popularity • 65% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 65% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony David
Something About You
100 bpm • E min • 04:54 • -6.26db
33% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Noel Gourdin
Lovin' Up (You)
92 bpm • A Maj • 03:41 • -6.79db
13% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Taylor
Lovin' My People
100 bpm • C# Maj • 05:05 • -7.09db
12% Popularity • 87% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 87% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Amel Larrieux
Weary
92 bpm • F min • 03:52 • -6.95db
22% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Zhané
Love Me Today
92 bpm • D Maj • 05:25 • -12.23db
28% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Anita Baker
You Belong to Me
92 bpm • F# min • 04:42 • -9.99db
32% Popularity • 60% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony David
Lovely Day
100 bpm • A Maj • 03:46 • -12.89db
31% Popularity • 66% Danceability • 50% Energy • 14% Liveness
6% Instrumentalness • 85% Positiveness
31% Popularity • 66% Danceability • 50% Energy • 14% Liveness
6% Instrumentalness • 85% Positiveness
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Babyface
For The Cool In You
92 bpm • F# min • 04:53 • -7.66db
37% Popularity • 67% Danceability • 77% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
37% Popularity • 67% Danceability • 77% Energy • 6% Liveness
52% Instrumentalness • 61% Positiveness
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Intro
Let Me Be the One
92 bpm • B Maj • 04:57 • -13db
36% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Culbertson
No Limits
92 bpm • G min • 04:53 • -11.19db
32% Popularity • 71% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 71% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Ty Causey
Life On Track
92 bpm • A# min • 04:00 • -11.82db
16% Popularity • 80% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 80% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Michon Young
It's All About Me
92 bpm • D Maj • 03:28 • -8.25db
21% Popularity • 79% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 79% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chrisette Michele
Let's Rock
92 bpm • G Maj • 04:43 • -6.75db
29% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Choklate
Never Change
92 bpm • A# min • 03:50 • -6db
34% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 40% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Leigh Jones
All This Love
92 bpm • A# min • 04:11 • -6db
14% Popularity • 71% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 71% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Jaguar Wright
One More Drink
100 bpm • D Maj • 04:44 • -6.23db
15% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Williams
You're Mine
92 bpm • D Maj • 03:45 • -6.42db
26% Popularity • 46% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 46% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Michon Young
Let's Go to Work - Mystique Remix
92 bpm • C# Maj • 05:03 • -7db
17% Popularity • 79% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
17% Popularity • 79% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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Amel Larrieux
Unanswered Question
92 bpm • B Maj • 03:34 • -6.78db
34% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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John Michael
Sophisticated Lady
91 bpm • C# min • 03:31 • -5db
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Gary Taylor
My Blackness
101 bpm • C# min • 04:51 • -9.07db
18% Popularity • 83% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 83% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Anthony David
Ride On
91 bpm • C min • 03:57 • -10.01db
10% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Debórah Bond
Blind Paradise
91 bpm • D Maj • 04:43 • -5.03db
18% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Michon Young
Let's Go to Work - Mystique Alternative ...
91 bpm • F min • 04:48 • -3db
24% Popularity • 81% Danceability • 79% Energy • 9% Liveness
15% Instrumentalness • 92% Positiveness
24% Popularity • 81% Danceability • 79% Energy • 9% Liveness
15% Instrumentalness • 92% Positiveness
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Amel Larrieux
Afraid
101 bpm • C# Maj • 04:45 • -4.38db
29% Popularity • 65% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Trina Broussard
Adieu
91 bpm • F min • 03:59 • -6.51db
39% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Adriana Evans
Undercover
91 bpm • G Maj • 03:40 • -7.55db
14% Popularity • 73% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
14% Popularity • 73% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Sunshine Anderson
Lunch Or Dinner
91 bpm • C# min • 04:04 • -6db
29% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
