Songs like 6 Épigraphes antiques, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été by Claude Debussy
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
63% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
63% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Claude Debussy
Images, Set 1, L. 110: Reflets dans L'ea...
69 bpm • C# Maj • 05:43 • -30.62db
34% Popularity • 27% Danceability • 1% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
34% Popularity • 27% Danceability • 1% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
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Pyotr Godunov
Erik Satie: Gymnopédie No. 1
69 bpm • G Maj • 03:32 • -28db
52% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
52% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Anna Clyne
DANCE: I. when you're broken open
69 bpm • F Maj • 04:44 • -24.85db
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
34% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
69 bpm • C# Maj • 04:18 • -21.73db
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
45% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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George Gershwin
Song Book: The Man I Love. Slow and in s...
69 bpm • F min • 02:25 • -36.03db
52% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
52% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
60% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
60% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
61% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
61% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
70 bpm • C# Maj • 05:12 • -39db
55% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
55% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
59% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
59% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
69 bpm • G# min • 08:46 • -27.24db
29% Popularity • 35% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 3% Positiveness
29% Popularity • 35% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
61% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Estampes, L. 100: I. Pagodes (modéréme...
69 bpm • B Maj • 06:08 • -29.37db
39% Popularity • 24% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
32% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
49% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
49% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
51% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
51% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: Morning M...
68 bpm • E Maj • 03:53 • -26.8db
42% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
68 bpm • E Maj • 03:50 • -23.94db
26% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
26% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
47% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
56% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
56% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Claude Debussy
Reverie
68 bpm • F Maj • 04:25 • -34db
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Francis Poulenc
Mélancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Rik
Prelude in G-Flat Major, La Fille Aux Ch...
70 bpm • F# Maj • 02:18 • -27db
44% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
50% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
50% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Andre Caplet
Suite bergamasque: Clair de lune
68 bpm • C# Maj • 04:35 • -27.75db
24% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
La Plus que Lente, L. 121
70 bpm • D# min • 04:25 • -31.34db
33% Popularity • 22% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
33% Popularity • 22% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel / Orch. Hale: Keyboard Suite No. ...
67 bpm • D min • 03:27 • -24.04db
66% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
66% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Masquerade (Suite): 1. Waltz - Excerpt
67 bpm • C Maj • 02:10 • -15.13db
49% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
49% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
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Claude Debussy
Prélude à l’après-midi d’un faune
70 bpm • B Maj • 08:53 • -30db
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
34% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
34% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
3 Visions: No. 2, Summerland
67 bpm • F# Maj • 04:53 • -28.12db
59% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
59% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
67 bpm • F Maj • 02:54 • -29.35db
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
46% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
48% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
![Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) cover art](https://i.scdn.co/image/ab67616d00001e02369f6761d1cccba9a34f05cf)
Johann Sebastian Bach
Organ Sonata No. 4, BWV 528: II. Andante...
71 bpm • B min • 05:26 • -23.02db
52% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
52% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
57% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Claude Debussy
2 Arabesques: Arabesque No. 1
67 bpm • F# min • 05:10 • -31.26db
46% Popularity • 18% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
46% Popularity • 18% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Ständchen, S. 560 (Trans. from Schwanen...
67 bpm • D Maj • 07:22 • -33.97db
60% Popularity • 21% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 19 in E Minor, Op. 72, No. ...
67 bpm • E min • 04:01 • -30.9db
56% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
56% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Ola Gjeilo
Still
71 bpm • C Maj • 02:22 • -40db
50% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
71 bpm • F Maj • 10:36 • -42.24db
52% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
52% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes Book 1, L. 117: III. La Cathed...
67 bpm • D min • 05:58 • -26db
38% Popularity • 36% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 36% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
51% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
51% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pavane, Op. 50
66 bpm • F# min • 06:50 • -27.54db
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Jascha Heifetz
Beau soir (arr. J. Heifetz)
66 bpm • F# min • 02:31 • -31.78db
23% Popularity • 19% Danceability • 2% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 2% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C major, Op. 48:...
66 bpm • G Maj • 03:29 • -22.41db
50% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Alena Cherny
Gnossienne No. 1
72 bpm • F min • 04:56 • -31.62db
50% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
53% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
53% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
48% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
48% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
50% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
50% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
64% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
64% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Johannes Brahms
Fantasien op. 116: Intermezzo: Adagio
66 bpm • E Maj • 04:34 • -35db
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Frédéric Chopin
Nocturne in C-sharp minor, B. 49
72 bpm • F# min • 03:59 • -31.6db
58% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
66 bpm • C# Maj • 04:19 • -29db
35% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
35% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
60% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
60% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
