Songs like 6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) by Carl Reinecke
Based on a tempo of (+/- 10%) and a similar genre
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Hubert Parry
Songs of Farewell: My Soul, There is a C...
77 bpm • G Maj • 03:52 • -24.21db
20% Popularity • 12% Danceability • 10% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 10% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
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Menskes Chöre
Matrosenchor aus der Oper " Der fliegend...
77 bpm • G Maj • 03:41 • -14db
7% Popularity • 45% Danceability • 36% Energy • 7% Liveness
64% Instrumentalness • 32% Positiveness
7% Popularity • 45% Danceability • 36% Energy • 7% Liveness
64% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 03:30 • -31.28db
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Zoltán Kodály
Veni, veni Emmanuel
77 bpm • F min • 03:26 • -24db
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Carl Reinecke
6 Songs, Op. 48: No. 4. Die Ehre Gottes ...
77 bpm • D Maj • 02:14 • -22.13db
17% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
77 bpm • F Maj • 02:45 • -18db
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Nikolay Golovanov
Cherubic Hymn
77 bpm • G min • 04:35 • -28db
14% Popularity • 8% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
I. Kyrie
77 bpm • D Maj • 09:56 • -23.3db
28% Popularity • 10% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Se lontan ben mio, K. 438
77 bpm • D# Maj • 01:56 • -21.66db
14% Popularity • 21% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Münchner Cantamus Chor
Ehre sei Gott in der Höhe
77 bpm • A Maj • 01:16 • -13.98db
17% Popularity • 26% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 26% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Sanctus
77 bpm • G# Maj • 01:32 • -17.93db
30% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 17% Liveness
44% Instrumentalness • 15% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: VII. Seli...
76 bpm • F Maj • 09:24 • -28.36db
9% Popularity • 7% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Münchner Cantamus Chor
Nun jauchzt dem Herren alle Welt
76 bpm • F Maj • 02:00 • -12.29db
9% Popularity • 30% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
76 bpm • D Maj • 02:32 • -10db
41% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ralph Vaughan Williams
Five Mystical Songs: No. 5, Antiphon
78 bpm • D Maj • 03:29 • -18db
10% Popularity • 19% Danceability • 20% Energy • 15% Liveness
51% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 20% Energy • 15% Liveness
51% Instrumentalness • 14% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Charles Gounod
Messe brève No. 7: II. Gloria
78 bpm • C Maj • 01:12 • -21db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Christoph Bernhard Verspoell
Wahrer Gott, wir glauben dir (Arr. Johan...
78 bpm • D# Maj • 01:23 • -20.97db
9% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Requiem, Op. 48: III. Offertoire
76 bpm • D Maj • 08:18 • -25.75db
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning
78 bpm • C# Maj • 02:53 • -28.32db
15% Popularity • 8% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Glor...
78 bpm • D Maj • 08:50 • -24.19db
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Samuel Coleridge-Taylor
Samuel Coleridge-Taylor: Hiawatha’s We...
78 bpm • F Maj • 02:52 • -26.73db
8% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Ecco quel fiero istante, K. 436
76 bpm • F Maj • 01:55 • -18.72db
13% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Kirchenchor Apetlon
Ehre sei Gott in der Höhe
78 bpm • G# Maj • 02:44 • -13db
12% Popularity • 20% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
12% Popularity • 20% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
78 bpm • D Maj • 02:46 • -26db
15% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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WDR Rundfunkorchester Köln
Weißt du wieviel Sternlein stehen
76 bpm • F Maj • 02:22 • -17.72db
13% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Rundfunk-Jugendchor Wernigerode (Männerchor)
In einem kühlen Grunde
78 bpm • A# Maj • 02:33 • -14.97db
8% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 23% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
78 bpm • D# Maj • 03:33 • -25db
12% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Wilhelm Stenhammar
Tre Körvisor - I Seraillets Have
79 bpm • F# Maj • 02:04 • -34.23db
12% Popularity • 14% Danceability • 7% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
12% Popularity • 14% Danceability • 7% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Edvard Grieg
4 Psalms, Op. 74: No. 2, Guds Son har gj...
79 bpm • A Maj • 06:07 • -24.58db
1% Popularity • 16% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 16% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Johannes Brahms
Ave Maria, Op. 12
75 bpm • C Maj • 04:39 • -20db
10% Popularity • 11% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Heinrich Isaac
Nun ruhen alle Wälder - EKG 477
75 bpm • F Maj • 03:36 • -24db
15% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
George Frideric Handel
Judas Maccabaeus, HWV 63: "See, the Conq...
79 bpm • G Maj • 03:05 • -14.44db
3% Popularity • 22% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 22% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Münchner Cantamus Chor
O Haupt voll Blut und Wunden
75 bpm • C min • 03:24 • -15db
18% Popularity • 23% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 23% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Ludwig van Beethoven
Mass in C Major, Op. 86: Sanctus: Sanctu...
75 bpm • A Maj • 01:55 • -38.73db
12% Popularity • 18% Danceability • 1% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Calmus Ensemble
Abschied Vom Walde
79 bpm • D# Maj • 02:41 • -23db
14% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Charles Gounod
Messe brève No. 7: III. Sanctus
79 bpm • C Maj • 01:41 • -23db
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Cantique de Jean Racine
75 bpm • C# Maj • 05:29 • -26.15db
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
► Preview
Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wilhelm Nigel
Schone Nacht
75 bpm • C# Maj • 01:59 • -32db
14% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
9% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
9% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johannes Brahms
Liebesliederwalzer, Op. 52: I. Rede, Mä...
80 bpm • E Maj • 01:16 • -20db
12% Popularity • 46% Danceability • 23% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 46% Danceability • 23% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Münchner Cantamus Chor
Wohin soll ich mich wenden
80 bpm • F Maj • 04:01 • -14db
13% Popularity • 20% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Thomas Tallis
If Ye Love Me
80 bpm • B Maj • 02:11 • -21.78db
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
74 bpm • D Maj • 04:06 • -33.82db
12% Popularity • 7% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Münchner Cantamus Chor
Lobe den Herren den mächtigen König de...
74 bpm • G# Maj • 03:30 • -13db
19% Popularity • 20% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 20% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Johannes Brahms
4 Quartets, Op. 92: I. O schöne Nacht!
81 bpm • E Maj • 03:45 • -29.13db
10% Popularity • 16% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Farrant
Call to remembrance
81 bpm • F min • 01:55 • -23.99db
13% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
81 bpm • C Maj • 01:48 • -17.16db
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms : 7 Lieder Op.62 : III Waldesnach...
73 bpm • D Maj • 05:09 • -24db
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Robert Schumann
Wenn ich ein Vöglein wär, Op. 43, No. ...
73 bpm • E min • 01:19 • -19db
12% Popularity • 32% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Wilhelm Stenhammar
Tre Körvisor - September
81 bpm • B min • 02:01 • -33db
11% Popularity • 22% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Messe Solennelle, Op. 12, FWV 61: Messe ...
81 bpm • A Maj • 03:49 • -16.06db
32% Popularity • 19% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 19% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Josef Rheinberger
Wie Lieblich Sind Deine Wohnungen, Op. 3...
73 bpm • A# Maj • 05:43 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Münchner Cantamus Chor
Wer nur den lieben Gott lässt walten
81 bpm • A min • 02:40 • -12.73db
15% Popularity • 26% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 26% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Beethoven: Fantasia in C Minor, Op. 80 "...
81 bpm • C Maj • 04:06 • -15.86db
18% Popularity • 30% Danceability • 27% Energy • 71% Liveness
1% Instrumentalness • 24% Positiveness
18% Popularity • 30% Danceability • 27% Energy • 71% Liveness
1% Instrumentalness • 24% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness