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7 Minutes
Songs like
7 Minutes
by
Dean Lewis
Based on a tempo of (+/- 10%) and a similar genre
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MKTO
How Can I Forget
105 bpm • G# Maj • 02:57 • -5.97db
59% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Kygo
Not Ok
105 bpm • B min • 03:30 • -8.14db
56% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
63% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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The Chainsmokers
Hope
105 bpm • C# min • 03:00 • -5.98db
66% Popularity • 77% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Conor Maynard
Hate How Much I Love You
105 bpm • C Maj • 02:55 • -8.4db
51% Popularity • 78% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
47% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Camila Cabello
Consequences - orchestra
105 bpm • C Maj • 03:01 • -8.13db
52% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
76% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Dean Lewis
Time To Go
105 bpm • G# min • 03:10 • -7.96db
49% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Chainsmokers
This Feeling
105 bpm • C# Maj • 03:17 • -7.91db
73% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Lockett
Hard Act To Follow
104 bpm • G Maj • 03:14 • -11.05db
42% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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You Me At Six
Take on the World
104 bpm • D Maj • 04:31 • -6.46db
64% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Wrabel
hurts like hell
106 bpm • C Maj • 03:57 • -6.53db
39% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
72% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
63% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Chainsmokers
Call You Mine
104 bpm • E min • 03:37 • -5.6db
71% Popularity • 58% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
60% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
80% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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EDEN
sex
103 bpm • A Maj • 03:38 • -4.47db
63% Popularity • 41% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Hailee Steinfeld
Let Me Go
103 bpm • G# Maj • 02:54 • -4.15db
77% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Dean Lewis
Stay Awake - Guitar Acoustic
106 bpm • D Maj • 03:01 • -7.59db
30% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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George Ezra
Pretty Shining People
107 bpm • C# Maj • 03:32 • -4.6db
61% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
60% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Daya
New
107 bpm • C Maj • 03:50 • -4.33db
61% Popularity • 72% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Freya Ridings
Castles - Acoustic
107 bpm • E Maj • 03:19 • -4.32db
42% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
82% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Dean Lewis
Falling Up
104 bpm • D Maj • 03:26 • -3.59db
57% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cian Ducrot
All For You
103 bpm • D Maj • 03:41 • -7.72db
61% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
75% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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James TW
For You
102 bpm • G Maj • 03:23 • -5.54db
47% Popularity • 70% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Mike Posner
Move On
102 bpm • D Maj • 02:58 • -5.74db
52% Popularity • 74% Danceability • 69% Energy • 40% Liveness
50% Instrumentalness • 36% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
76% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dean Lewis
Falling Up - Piano Acoustic
102 bpm • D Maj • 03:18 • -7.8db
43% Popularity • 68% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Sleeping At Last
Chasing Cars
108 bpm • B Maj • 04:02 • -9.65db
61% Popularity • 47% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Sandro Cavazza
Used To
102 bpm • A# Maj • 02:54 • -8.16db
45% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
61% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
50% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Conor Maynard
Don't Let Me Down
109 bpm • A Maj • 02:44 • -8db
56% Popularity • 45% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Dean Lewis
Let Go
103 bpm • A# Maj • 02:54 • -8db
54% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Noah Kahan
False Confidence
109 bpm • F# Maj • 03:43 • -7.77db
77% Popularity • 41% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Niall Horan
Nice To Meet Ya
109 bpm • E min • 02:38 • -4.35db
65% Popularity • 59% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Mr. Probz
Praying To A God
109 bpm • D# Maj • 03:40 • -17db
43% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
41% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mia Wray
Where I Stand
110 bpm • A# Maj • 03:22 • -12db
50% Popularity • 43% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Dean Lewis
The Hardest Love
109 bpm • C# Maj • 04:04 • -7db
50% Popularity • 42% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
56% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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gnash
the broken hearts club
100 bpm • E Maj • 03:04 • -9.43db
55% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
91% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ellie Goulding
Sixteen
110 bpm • G# Maj • 03:21 • -5.54db
53% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
85% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Dean Lewis
Waves - JordanXL Remix
110 bpm • B min • 03:14 • -6.65db
36% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Astrid S
I Do
110 bpm • A# Maj • 02:35 • -9.4db
52% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jaymes Young
Stone
110 bpm • G Maj • 03:36 • -12.15db
50% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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James TW
Boys & Girls
110 bpm • G min • 03:23 • -9db
37% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Chainsmokers
Takeaway
100 bpm • D# Maj • 03:29 • -8.14db
73% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mitch James
Apologise
100 bpm • E Maj • 03:54 • -8.79db
22% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
63% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jess Glynne
I'll Be There
100 bpm • G Maj • 03:14 • -3.12db
73% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
62% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Ruben
Lay By Me
110 bpm • A# Maj • 02:50 • -7.3db
64% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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ayokay
Stay With Me
100 bpm • D Maj • 03:09 • -6.61db
52% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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blackbear
me & ur ghost
100 bpm • G Maj • 03:21 • -4.59db
64% Popularity • 74% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Imagine Dragons
Walking The Wire
100 bpm • E Maj • 03:52 • -5.34db
71% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Mumford & Sons
Guiding Light
100 bpm • G Maj • 03:37 • -7.71db
60% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Script
If You Don't Love Yourself
100 bpm • D Maj • 02:45 • -6.02db
46% Popularity • 56% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Marshmello
Here With Me
100 bpm • F min • 02:36 • -3.93db
76% Popularity • 79% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Looks Like Me
111 bpm • B Maj • 03:10 • -5db
67% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Wrabel
11 Blocks
100 bpm • C Maj • 03:42 • -4.28db
50% Popularity • 55% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Halsey
You should be sad
111 bpm • D Maj • 03:25 • -6.35db
74% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
55% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
44% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
83% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Clara Mae
Call Your Girlfriend
99 bpm • F# Maj • 03:14 • -13.44db
46% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
50% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
68% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kygo
Remind Me to Forget
99 bpm • C Maj • 03:37 • -6.39db
68% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
63% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
58% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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We Three
Lifeline
112 bpm • B min • 03:11 • -4.81db
46% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Dean Lewis
Small Disasters
112 bpm • C Maj • 03:18 • -6.74db
52% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
84% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
87% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Guy Sebastian
Standing With You
112 bpm • C Maj • 03:53 • -4.74db
46% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Manos
In My Head
112 bpm • A min • 03:34 • -15.36db
60% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jack & Jack
No One Compares To You
112 bpm • C# Maj • 03:02 • -6.04db
61% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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JP Cooper
Sing It With Me
112 bpm • F Maj • 03:21 • -4.38db
61% Popularity • 54% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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NF
Time
98 bpm • C min • 04:00 • -4.06db
72% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jess Glynne
Thursday
112 bpm • D Maj • 03:36 • -4.38db
59% Popularity • 60% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
51% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
55% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Dean Lewis
Trust Me Mate
98 bpm • C Maj • 02:58 • -4.22db
75% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
84% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Niall Horan
Still
98 bpm • D# Maj • 04:11 • -6.2db
65% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
77% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Liam Payne
For You (With Rita Ora)
113 bpm • D min • 04:02 • -4.57db
68% Popularity • 54% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Isak Danielson
Always
113 bpm • B Maj • 03:33 • -8.03db
65% Popularity • 69% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Jonas Brothers
What A Man Gotta Do
113 bpm • A Maj • 03:00 • -7.21db
73% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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JP Cooper
All This Love
97 bpm • F Maj • 03:13 • -7.06db
56% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
71% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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ZAYN
Good Years
97 bpm • D Maj • 03:00 • -5.98db
59% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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7 Minutes