Songs like 7 Seconds by Porridge Radio
Based on a tempo of (+/- 10%) and a similar genre
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Katy J Pearson
Alligator
117 bpm • D Maj • 02:54 • -4.76db
23% Popularity • 79% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
23% Popularity • 79% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Porridge Radio
7 Seconds
117 bpm • G Maj • 04:12 • -5.88db
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Perfume Genius
On the Floor
118 bpm • A Maj • 05:03 • -6db
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 41% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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BODEGA
Charlie
116 bpm • D# min • 02:32 • -6.37db
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Big Moon
Barcelona
118 bpm • F Maj • 03:46 • -8.39db
31% Popularity • 57% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 57% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Warpaint
Champion
116 bpm • A# min • 04:39 • -11db
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
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She Drew The Gun
Something For The Pain
118 bpm • A min • 03:08 • -6db
44% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
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Porridge Radio
-
117 bpm • C# Maj • 01:09 • -15.71db
26% Popularity • 45% Danceability • 22% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 45% Danceability • 22% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
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Marika Hackman
Time's Been Reckless
118 bpm • D Maj • 03:54 • -7.64db
25% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Yard Act
Payday
116 bpm • F# min • 02:54 • -4.06db
38% Popularity • 75% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 75% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Katy J Pearson
Howl
118 bpm • C# Maj • 03:49 • -5.03db
23% Popularity • 73% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
23% Popularity • 73% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Dry Cleaning
Leafy
116 bpm • G Maj • 03:08 • -10db
32% Popularity • 71% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
32% Popularity • 71% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Amen Dunes
Feel Nothing
118 bpm • A Maj • 05:31 • -8.79db
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
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English Teacher
Mental Maths
116 bpm • C Maj • 03:08 • -7.59db
25% Popularity • 41% Danceability • 70% Energy • 22% Liveness
4% Instrumentalness • 43% Positiveness
25% Popularity • 41% Danceability • 70% Energy • 22% Liveness
4% Instrumentalness • 43% Positiveness
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The Orielles
Sunflower Seeds
118 bpm • A Maj • 05:04 • -7.18db
35% Popularity • 34% Danceability • 67% Energy • 81% Liveness
5% Instrumentalness • 59% Positiveness
35% Popularity • 34% Danceability • 67% Energy • 81% Liveness
5% Instrumentalness • 59% Positiveness
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Bnny
Time Walk
119 bpm • D Maj • 01:33 • -9.05db
48% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
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Wet Leg
Piece Of Shit
115 bpm • C Maj • 02:48 • -6.53db
48% Popularity • 75% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Lime Garden
Sick & Tired
119 bpm • C# Maj • 02:44 • -5.26db
40% Popularity • 55% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Buzzard Buzzard Buzzard
John Lennon Is My Jesus Christ
115 bpm • D Maj • 02:09 • -5.71db
27% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Yard Act
100% Endurance
115 bpm • F Maj • 03:45 • -7db
48% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Willie J Healey
Fashun
119 bpm • A Maj • 03:04 • -4.96db
27% Popularity • 57% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Nadine Shah
Fool
119 bpm • A# min • 04:40 • -5.39db
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
69% Instrumentalness • 59% Positiveness
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
69% Instrumentalness • 59% Positiveness
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Porridge Radio
The Rip
120 bpm • A min • 02:56 • -5.06db
33% Popularity • 41% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 27% Positiveness
33% Popularity • 41% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 27% Positiveness
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SPRINTS
How Does The Story Go?
120 bpm • D Maj • 02:28 • -7.9db
29% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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BC Camplight
Cemetery Lifestyle
120 bpm • E Maj • 03:42 • -6.71db
18% Popularity • 60% Danceability • 54% Energy • 19% Liveness
7% Instrumentalness • 34% Positiveness
18% Popularity • 60% Danceability • 54% Energy • 19% Liveness
7% Instrumentalness • 34% Positiveness
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The Big Moon
Trouble
120 bpm • G Maj • 03:51 • -6db
35% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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NewDad
Blue
120 bpm • A# Maj • 03:18 • -9.95db
48% Popularity • 62% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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The Coral
Faceless Angel
120 bpm • C Maj • 03:26 • -7.41db
26% Popularity • 61% Danceability • 85% Energy • 23% Liveness
45% Instrumentalness • 59% Positiveness
26% Popularity • 61% Danceability • 85% Energy • 23% Liveness
45% Instrumentalness • 59% Positiveness
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Porridge Radio
Back To The Radio
120 bpm • G# Maj • 03:07 • -5db
34% Popularity • 45% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 45% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Gretel
Apple Juice
120 bpm • C# Maj • 03:02 • -6.29db
35% Popularity • 79% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 79% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Plants and Animals
House On Fire
120 bpm • A# min • 04:35 • -7.15db
27% Popularity • 62% Danceability • 86% Energy • 11% Liveness
56% Instrumentalness • 10% Positiveness
27% Popularity • 62% Danceability • 86% Energy • 11% Liveness
56% Instrumentalness • 10% Positiveness
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bdrmm
Push / Pull
120 bpm • A min • 04:50 • -6.22db
37% Popularity • 58% Danceability • 88% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
37% Popularity • 58% Danceability • 88% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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Wet Leg
I Don't Wanna Go Out
120 bpm • D Maj • 03:41 • -6.79db
45% Popularity • 55% Danceability • 73% Energy • 36% Liveness
20% Instrumentalness • 48% Positiveness
45% Popularity • 55% Danceability • 73% Energy • 36% Liveness
20% Instrumentalness • 48% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 03:49 • -9.4db
28% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
28% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Viagra Boys
Creatures
120 bpm • A Maj • 03:32 • -7db
40% Popularity • 77% Danceability • 61% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
40% Popularity • 77% Danceability • 61% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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shame
Angie
120 bpm • A Maj • 06:55 • -7db
32% Popularity • 59% Danceability • 67% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
32% Popularity • 59% Danceability • 67% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
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BC Camplight
Back To Work
120 bpm • C min • 04:10 • -8.67db
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Nation of Language
September Again
120 bpm • D# Maj • 03:53 • -5.26db
44% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Murder Capital
Ethel
120 bpm • C Maj • 04:29 • -8.51db
35% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sharon Van Etten
Comeback Kid
120 bpm • C Maj • 03:02 • -5.21db
41% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
41% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
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Folly Group
Four Wheel Drive
120 bpm • A Maj • 03:42 • -6.02db
30% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Porridge Radio
Give/Take
120 bpm • F min • 03:53 • -6.31db
29% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
29% Popularity • 57% Danceability • 81% Energy • 11% Liveness
48% Instrumentalness • 54% Positiveness
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LNZNDRF
Brace Yourself
120 bpm • G# Maj • 04:32 • -7.81db
12% Popularity • 65% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 77% Positiveness
12% Popularity • 65% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 77% Positiveness
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English Teacher
Wallace
121 bpm • G Maj • 04:53 • -8.73db
19% Popularity • 52% Danceability • 71% Energy • 23% Liveness
35% Instrumentalness • 28% Positiveness
19% Popularity • 52% Danceability • 71% Energy • 23% Liveness
35% Instrumentalness • 28% Positiveness
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CIEL
Baby Don't You Know
121 bpm • G Maj • 02:11 • -5db
28% Popularity • 55% Danceability • 94% Energy • 38% Liveness
11% Instrumentalness • 75% Positiveness
28% Popularity • 55% Danceability • 94% Energy • 38% Liveness
11% Instrumentalness • 75% Positiveness
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Katy J Pearson
Hey You
121 bpm • D Maj • 04:39 • -5.9db
22% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
22% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
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Folly Group
Fashionista
114 bpm • G Maj • 02:27 • -9db
44% Popularity • 75% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 38% Positiveness
44% Popularity • 75% Danceability • 70% Energy • 11% Liveness
7% Instrumentalness • 38% Positiveness
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Porridge Radio
Talking About It
120 bpm • E Maj • 04:31 • -6.93db
8% Popularity • 60% Danceability • 60% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
8% Popularity • 60% Danceability • 60% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Cate Le Bon
Moderation
113 bpm • D Maj • 04:04 • -7.56db
33% Popularity • 65% Danceability • 50% Energy • 15% Liveness
11% Instrumentalness • 48% Positiveness
33% Popularity • 65% Danceability • 50% Energy • 15% Liveness
11% Instrumentalness • 48% Positiveness
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Wolf Alice
Delicious Things
121 bpm • D Maj • 05:04 • -5.61db
27% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
27% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
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Alex Cameron
Best Life
112 bpm • A# Maj • 03:14 • -8.21db
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
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Billy Nomates
black curtains in the bag
122 bpm • F# Maj • 03:27 • -11db
22% Popularity • 80% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 56% Positiveness
22% Popularity • 80% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 56% Positiveness
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NewDad
Slowly
122 bpm • A min • 03:05 • -8db
36% Popularity • 60% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 57% Positiveness
36% Popularity • 60% Danceability • 76% Energy • 8% Liveness
54% Instrumentalness • 57% Positiveness
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Porridge Radio
Splintered
121 bpm • G Maj • 04:43 • -5.02db
18% Popularity • 36% Danceability • 59% Energy • 20% Liveness
59% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 59% Energy • 20% Liveness
59% Instrumentalness • 12% Positiveness
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Nation of Language
On Division St
122 bpm • G Maj • 03:14 • -5.66db
52% Popularity • 55% Danceability • 73% Energy • 16% Liveness
52% Instrumentalness • 28% Positiveness
52% Popularity • 55% Danceability • 73% Energy • 16% Liveness
52% Instrumentalness • 28% Positiveness
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DEADLETTER
Madge's Declaration
122 bpm • F# min • 03:10 • -8.63db
35% Popularity • 53% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 53% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Teleman
Short Life
122 bpm • B Maj • 03:16 • -6.95db
35% Popularity • 76% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
35% Popularity • 76% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Billy Nomates
saboteur forcefield
122 bpm • C# Maj • 03:51 • -12db
23% Popularity • 76% Danceability • 48% Energy • 11% Liveness
56% Instrumentalness • 83% Positiveness
23% Popularity • 76% Danceability • 48% Energy • 11% Liveness
56% Instrumentalness • 83% Positiveness
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Sleaford Mods
Mork n Mindy
122 bpm • B Maj • 03:24 • -5db
45% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
45% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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Porridge Radio
Long
122 bpm • G Maj • 04:50 • -5.45db
24% Popularity • 47% Danceability • 90% Energy • 5% Liveness
16% Instrumentalness • 52% Positiveness
24% Popularity • 47% Danceability • 90% Energy • 5% Liveness
16% Instrumentalness • 52% Positiveness
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Du Blonde
Buddy
112 bpm • E Maj • 02:26 • -9.29db
19% Popularity • 56% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 56% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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DEADLETTER
Binge
122 bpm • C# min • 03:15 • -8.1db
42% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Sorry
Perfect
122 bpm • G Maj • 02:45 • -5.13db
31% Popularity • 49% Danceability • 85% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
31% Popularity • 49% Danceability • 85% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Fontaines D.C.
Roy's Tune
123 bpm • E Maj • 03:00 • -7.59db
46% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Lewsberg
Cold Light of Day
111 bpm • A Maj • 04:38 • -8db
30% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
30% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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Porridge Radio
Worms
111 bpm • D# Maj • 01:51 • -4.64db
13% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Gretel
It's The Future, Baby
123 bpm • F# min • 03:44 • -6db
34% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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THUS LOVE
Repetitioner
123 bpm • E Maj • 05:31 • -6db
32% Popularity • 50% Danceability • 88% Energy • 19% Liveness
32% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 88% Energy • 19% Liveness
32% Instrumentalness • 52% Positiveness
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The Orielles
Bobbi's Second World
111 bpm • C# min • 03:22 • -4.36db
28% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Goat Girl
Closing In
111 bpm • B min • 03:35 • -6.92db
21% Popularity • 68% Danceability • 77% Energy • 64% Liveness
2% Instrumentalness • 68% Positiveness
21% Popularity • 68% Danceability • 77% Energy • 64% Liveness
2% Instrumentalness • 68% Positiveness
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Geese
Low Era
111 bpm • A# Maj • 04:14 • -6db
34% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sharon Van Etten
Like I Used To
111 bpm • E Maj • 04:23 • -5.16db
48% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Porridge Radio
Glossy Magazine
123 bpm • A min • 03:14 • -10.87db
6% Popularity • 37% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 37% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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English Teacher
Song About Love
111 bpm • C# Maj • 03:42 • -3db
29% Popularity • 50% Danceability • 58% Energy • 9% Liveness
39% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 58% Energy • 9% Liveness
39% Instrumentalness • 51% Positiveness
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Crack Cloud
Costly Engineered Illusion
124 bpm • G Maj • 03:19 • -6.24db
17% Popularity • 56% Danceability • 92% Energy • 34% Liveness
4% Instrumentalness • 44% Positiveness
17% Popularity • 56% Danceability • 92% Energy • 34% Liveness
4% Instrumentalness • 44% Positiveness
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Pillow Queens
Handsome Wife
124 bpm • C Maj • 04:13 • -5.88db
20% Popularity • 44% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 44% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Trampolene
Uncle Brian's Abattoir
124 bpm • B min • 02:13 • -10.03db
37% Popularity • 79% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 66% Positiveness
37% Popularity • 79% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 66% Positiveness
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Goat Girl
The Crack
124 bpm • F Maj • 03:12 • -6.96db
27% Popularity • 66% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 63% Positiveness
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Porridge Radio
U Can Be Happy If U Want To
111 bpm • A Maj • 05:09 • -5db
22% Popularity • 40% Danceability • 61% Energy • 27% Liveness
73% Instrumentalness • 25% Positiveness
22% Popularity • 40% Danceability • 61% Energy • 27% Liveness
73% Instrumentalness • 25% Positiveness
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Nation of Language
The Grey Commute
124 bpm • E min • 03:37 • -7db
34% Popularity • 78% Danceability • 45% Energy • 25% Liveness
9% Instrumentalness • 93% Positiveness
34% Popularity • 78% Danceability • 45% Energy • 25% Liveness
9% Instrumentalness • 93% Positiveness
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W. H. Lung
Pearl in the Palm
124 bpm • G Maj • 04:34 • -7.25db
20% Popularity • 59% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 56% Positiveness
20% Popularity • 59% Danceability • 94% Energy • 7% Liveness
2% Instrumentalness • 56% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
40% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Do Nothing
Gangs
110 bpm • C# Maj • 05:00 • -12db
31% Popularity • 80% Danceability • 54% Energy • 9% Liveness
18% Instrumentalness • 84% Positiveness
31% Popularity • 80% Danceability • 54% Energy • 9% Liveness
18% Instrumentalness • 84% Positiveness
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English Teacher
Good Grief
124 bpm • B min • 02:42 • -7.39db
28% Popularity • 66% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 83% Positiveness
28% Popularity • 66% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 83% Positiveness
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Lime Garden
Clockwork
110 bpm • B min • 03:00 • -7db
45% Popularity • 60% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 73% Positiveness
45% Popularity • 60% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 73% Positiveness
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Honeyglaze
Shadows
124 bpm • E Maj • 02:42 • -6.13db
17% Popularity • 57% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 57% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Parquet Courts
Walking at a Downtown Pace
110 bpm • B min • 04:46 • -5db
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Yard Act
Dead Horse
110 bpm • E min • 03:38 • -6db
41% Popularity • 72% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 72% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Sorry
Starstruck - Single Version
125 bpm • B min • 03:24 • -7.25db
40% Popularity • 61% Danceability • 76% Energy • 17% Liveness
30% Instrumentalness • 86% Positiveness
40% Popularity • 61% Danceability • 76% Energy • 17% Liveness
30% Instrumentalness • 86% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Nation of Language
Wounds of Love
110 bpm • A# Maj • 03:19 • -7.73db
45% Popularity • 81% Danceability • 41% Energy • 11% Liveness
45% Instrumentalness • 52% Positiveness
45% Popularity • 81% Danceability • 41% Energy • 11% Liveness
45% Instrumentalness • 52% Positiveness
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Arcade Fire
Age of Anxiety I
125 bpm • F# min • 05:27 • -11.95db
49% Popularity • 36% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
49% Popularity • 36% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Doves
Carousels
110 bpm • G Maj • 04:49 • -6db
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 33% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Porridge Radio
Trying
125 bpm • C min • 02:19 • -4.35db
23% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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EL VY
Happiness, Missouri
125 bpm • A# min • 02:01 • -7db
36% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Weather Station
Atlantic
125 bpm • C Maj • 03:53 • -9.57db
24% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
24% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
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BODEGA
Territorial Call of the Female
125 bpm • C Maj • 02:45 • -8.63db
44% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
44% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
