Songs like 8 Humoresques, Op. 101, B. 187: No. 1. Vivace in E-Flat Minor by Antonín Dvořák
Based on a tempo of (+/- 10%) and a similar genre
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Domenico Scarlatti
Keyboard Sonata in E Major, K. 380: Anda...
88 bpm • B Maj • 04:59 • -28db
28% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 5. Glückes genug
88 bpm • G Maj • 01:02 • -27.6db
45% Popularity • 31% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
45% Popularity • 31% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 1. V...
88 bpm • D# min • 02:05 • -14.74db
14% Popularity • 47% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 39% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 39% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Amy Beach
Piano Concerto in C-Sharp Minor, Op. 45:...
88 bpm • F# min • 05:21 • -24db
14% Popularity • 22% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Frédéric Chopin
Nocturne No. 9 in B Major, Op. 32 No. 1
88 bpm • B Maj • 05:11 • -28.42db
34% Popularity • 31% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 31% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
87 bpm • D Maj • 10:10 • -24.2db
32% Popularity • 36% Danceability • 12% Energy • 11% Liveness
36% Instrumentalness • 19% Positiveness
32% Popularity • 36% Danceability • 12% Energy • 11% Liveness
36% Instrumentalness • 19% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F major, Op. 96...
88 bpm • D min • 07:11 • -26db
23% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 1 in E Ma...
89 bpm • B Maj • 03:08 • -28db
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: No. 2. Pre...
89 bpm • F# min • 04:47 • -20.42db
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Fritz Kreisler
Caprice viennois
89 bpm • B Maj • 03:56 • -20.65db
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Song to the moon
87 bpm • F# Maj • 05:41 • -23db
14% Popularity • 20% Danceability • 5% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Schön Rosmarin
89 bpm • G Maj • 02:10 • -20db
21% Popularity • 49% Danceability • 18% Energy • 6% Liveness
26% Instrumentalness • 59% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 6% Liveness
26% Instrumentalness • 59% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Cypresses B.152: 2. Allegro ma non tropp...
89 bpm • F min • 02:52 • -22db
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
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Nathan Milstein
Consolations, S172/R12: No. 3 in D-Flat ...
86 bpm • C# Maj • 03:58 • -22db
15% Popularity • 16% Danceability • 6% Energy • 16% Liveness
11% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 16% Liveness
11% Instrumentalness • 5% Positiveness
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Bedřich Smetana
4 Sketches, Op. 4, JB 1:66: No. 1 in F-S...
90 bpm • F# min • 01:36 • -21.67db
27% Popularity • 23% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
27% Popularity • 23% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
86 bpm • G# Maj • 04:45 • -28db
33% Popularity • 19% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Anton Rubinstein
Melody in F, Op. 3, No. 1 - Arr. G. Sabo...
85 bpm • F Maj • 02:08 • -18.86db
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
28% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Frédéric Chopin
Polonaise in A-Flat Major, Op. 53
85 bpm • G# Maj • 06:27 • -17db
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
30% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
30% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Antonín Dvořák
Serenade for Wind in D Minor, Op. 44: IV...
86 bpm • G Maj • 05:42 • -22db
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: The Old Castl...
84 bpm • G# min • 04:11 • -40db
11% Popularity • 31% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 31% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Claude Debussy
La mer, L. 109: II. Jeux de vagues
84 bpm • E Maj • 07:05 • -24.21db
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor,...
84 bpm • G min • 04:44 • -20db
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
3 Etudes Opus 104b: No. 3 in A minor
92 bpm • A min • 01:31 • -25.41db
47% Popularity • 38% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
47% Popularity • 38% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Piano concerto No. 2 in G Minor, Op. 22:...
92 bpm • D# Maj • 05:52 • -29.92db
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
26% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
26% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Humoresques, Op. 101, B. 187: VII. Poco ...
92 bpm • F# Maj • 03:13 • -20.88db
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Carl Czerny
30 Études de mécanisme, Op. 849: No. 1...
84 bpm • C Maj • 01:34 • -27db
40% Popularity • 30% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
40% Popularity • 30% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 5. Sp...
84 bpm • C# Maj • 02:46 • -10.08db
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Joseph Haydn
Haydn: Keyboard Concerto in D Major, Hob...
83 bpm • D Maj • 04:11 • -17db
18% Popularity • 54% Danceability • 19% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
18% Popularity • 54% Danceability • 19% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
► Preview
Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Ottorino Respighi
6 Pezzi, P. 44: No. 2. Canone
83 bpm • A# Maj • 02:42 • -23.33db
41% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
93 bpm • G min • 02:45 • -26.8db
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Schumann: Kreisleriana, Op. 16: VIII. Sc...
94 bpm • G Maj • 03:54 • -25db
23% Popularity • 36% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 39% Positiveness
23% Popularity • 36% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
► Preview
Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
15% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
82 bpm • A Maj • 01:38 • -23.25db
22% Popularity • 31% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 59% Positiveness
22% Popularity • 31% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 59% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite suite, L65: Cortège
82 bpm • E Maj • 03:19 • -24.1db
1% Popularity • 32% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
1% Popularity • 32% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
49% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
49% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Armida, Op. 115, B. 206, Act II: Act II:...
83 bpm • D# Maj • 01:06 • -35.22db
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
94 bpm • G min • 10:14 • -17.97db
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
95 bpm • A min • 07:44 • -25.18db
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Act I: Měsíčku na nebi hlubo...
83 bpm • F# Maj • 06:20 • -15.39db
7% Popularity • 20% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
42% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: II. Lento assai
82 bpm • A min • 02:10 • -29.3db
26% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Antonín Dvořák
String Quintet in A Minor, Op. 1, B. 7: ...
82 bpm • F Maj • 08:57 • -24db
17% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 4% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
21% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
21% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
81 bpm • F Maj • 01:38 • -18.94db
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
85% Instrumentalness • 56% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
85% Instrumentalness • 56% Positiveness
► Preview
Frédéric Chopin
24 Préludes, Op. 28: 19. In E Flat Majo...
95 bpm • D# Maj • 01:18 • -27.07db
42% Popularity • 32% Danceability • 8% Energy • 21% Liveness
91% Instrumentalness • 29% Positiveness
42% Popularity • 32% Danceability • 8% Energy • 21% Liveness
91% Instrumentalness • 29% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 6 Allegre...
95 bpm • A Maj • 02:08 • -31db
33% Popularity • 38% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
81 bpm • E Maj • 06:10 • -18.44db
29% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Sonata for Violin and Piano in E flat, O...
81 bpm • G# Maj • 07:37 • -17db
11% Popularity • 16% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
