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A Better Man
Songs like
A Better Man
by
Brian Kennedy
Based on a tempo of (+/- 10%) and a similar genre
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Brian Kennedy
A Better Man
82 bpm • A# min • 04:04 • -6db
16% Popularity • 61% Danceability • 70% Energy • 10% Liveness
31% Instrumentalness • 73% Positiveness
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Annmarie O'Riordan
This Story I Tell You Is True
82 bpm • C Maj • 03:59 • -6db
28% Popularity • 57% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Ralph McTell
The Unknown Soldier
82 bpm • C Maj • 06:00 • -10.7db
16% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Frank Patterson
Danny Boy
82 bpm • E Maj • 04:35 • -11.36db
31% Popularity • 15% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Waterboys
In Search of a Rose - 2008 Remaster
82 bpm • E Maj • 01:20 • -14.84db
46% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Brady
The Island
82 bpm • F Maj • 05:27 • -15.33db
42% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Joe Dolan
The Universal
82 bpm • C Maj • 03:43 • -8.96db
21% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Annmarie O'Riordan
Cooraclare
82 bpm • C# Maj • 04:57 • -7.57db
25% Popularity • 34% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Munros
Loch Lomond - Amazing Grace - Female Vo...
82 bpm • A Maj • 02:35 • -19.06db
16% Popularity • 23% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Finbar Wright
Whatever You Believe
81 bpm • C Maj • 04:32 • -14.7db
15% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Maura O'Connell
The Bright Blue Rose
83 bpm • A Maj • 03:32 • -14.23db
28% Popularity • 41% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Clifford T. Ward
Home Thoughts From Abroad
81 bpm • C Maj • 03:21 • -12db
33% Popularity • 37% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Christie Hennessy
Remember Me (And I Will Be With You)
81 bpm • E Maj • 03:32 • -8db
31% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Frances Black
After the Ball
83 bpm • D Maj • 08:19 • -17db
25% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Stockton's Wing
Beautiful Affair
81 bpm • G Maj • 03:35 • -9.63db
40% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Four Men & A Dog
The Greengrocers Daughter
83 bpm • D Maj • 03:43 • -12.58db
11% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ralph McTell
Clear Water
80 bpm • C Maj • 03:18 • -7.5db
29% Popularity • 19% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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Jack Lukeman
Old Man River
84 bpm • C Maj • 04:24 • -8.2db
8% Popularity • 27% Danceability • 33% Energy • 67% Liveness
0% Instrumentalness • 15% Positiveness
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Christie Hennessy
I Will
83 bpm • E Maj • 03:21 • -13.08db
19% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Maura O'Connell
Summerfly
84 bpm • F# min • 03:06 • -14.86db
37% Popularity • 65% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Show Of Hands
You'll Get By
84 bpm • D Maj • 03:59 • -9.14db
21% Popularity • 49% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Minstrel O'Neill
A Long Way From Claire To Here
80 bpm • A min • 02:27 • -12.7db
13% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Eleanor McEvoy
The Spanish Word For Heart
84 bpm • G Maj • 03:44 • -9.95db
31% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Aslan
Hold On
84 bpm • D Maj • 03:35 • -10.39db
32% Popularity • 58% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Christy Dignam
High
84 bpm • A Maj • 03:39 • -10.19db
17% Popularity • 54% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Lukeman
Open Your Borders
80 bpm • F Maj • 03:22 • -9.21db
18% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Luka Bloom
City of Chicago
84 bpm • E min • 03:28 • -19db
33% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Christie Hennessy
I'm Going to Make It on My Own
84 bpm • D# Maj • 03:08 • -8.37db
21% Popularity • 49% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Kieran Goss
Into Your Arms
84 bpm • F Maj • 03:49 • -14.29db
11% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aslan
I Need a Little Time
84 bpm • D Maj • 03:41 • -5db
19% Popularity • 44% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dolores Keane
Summer Of My Dreams
80 bpm • D Maj • 04:02 • -17.85db
24% Popularity • 44% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Eleanor McEvoy
Whisper A Prayer To The Moon
85 bpm • G Maj • 04:30 • -12.78db
21% Popularity • 48% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Mary Fahl
Dawning of the Day
79 bpm • G# Maj • 03:55 • -13.3db
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Brian Kennedy
Dry Your Eyes
79 bpm • A Maj • 04:52 • -14.6db
8% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hue and Cry
Mother Glasgow
85 bpm • E Maj • 04:38 • -12db
21% Popularity • 31% Danceability • 25% Energy • 99% Liveness
0% Instrumentalness • 31% Positiveness
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The Young'uns
Be the Man
85 bpm • B Maj • 05:35 • -9.26db
16% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dolores Keane
Until We Meet Again
79 bpm • A Maj • 02:27 • -15.03db
32% Popularity • 53% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Jack Lukeman
Chocolate Eyes
79 bpm • A Maj • 03:44 • -8.09db
10% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Niall Hanna
The Mountains of Pomeroy
79 bpm • E Maj • 06:05 • -15.03db
16% Popularity • 60% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Brian Kennedy
A Better Man
85 bpm • D# Maj • 03:14 • -6.75db
8% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Ralph McTell
Summer Girls
79 bpm • C Maj • 03:07 • -13.02db
16% Popularity • 32% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mary Dillon
John Condon
79 bpm • A# Maj • 04:43 • -19.81db
18% Popularity • 42% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Shaun Davey
May We Never Have to Say Goodbye
86 bpm • D Maj • 04:03 • -10.95db
13% Popularity • 19% Danceability • 30% Energy • 6% Liveness
1% Instrumentalness • 12% Positiveness
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Seth Lakeman
Solomon Browne
78 bpm • F Maj • 02:53 • -7.05db
27% Popularity • 42% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Mary Coughlan
Delaney's Gone Back On the Wine
86 bpm • C# Maj • 03:42 • -13.74db
12% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Capercaillie
You Will Rise Again
86 bpm • C Maj • 03:31 • -14.75db
15% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Mino Cinelu
New York Stroll (Cinélu & Brian Kennedy...
86 bpm • B min • 02:32 • -14.92db
2% Popularity • 58% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Sharon Shannon
Shifting Summer Sands
86 bpm • G# Maj • 03:18 • -7.09db
15% Popularity • 46% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Alan Brydon
Sing for the Boys (Jimmy's Song)
78 bpm • C# Maj • 04:20 • -12db
30% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Kennedy
No Other Words
86 bpm • A Maj • 03:51 • -5.72db
6% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Runrig
I'll Keep Coming Home
86 bpm • C Maj • 02:33 • -22.96db
24% Popularity • 31% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Kathryn Tickell,Chris Lawrence,Dave Hartley
Water of Tyne
86 bpm • F Maj • 03:18 • -10.97db
9% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cara Dillon
Never in a Million Years
78 bpm • E Maj • 03:49 • -8.46db
15% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Padraig Jack
Making Sand
77 bpm • D# Maj • 03:59 • -5.52db
23% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Kilfenora Céilà Band
Both Sides Now (Song)
87 bpm • G Maj • 05:19 • -7.4db
17% Popularity • 50% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Brian Kennedy
So What If It Rains
87 bpm • B Maj • 03:48 • -7.52db
3% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Frances Black
Fear Is the Enemy of Love
77 bpm • D Maj • 04:04 • -10.06db
15% Popularity • 53% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Cerys Matthews
Cwm Rhondda
77 bpm • D Maj • 02:18 • -12.53db
17% Popularity • 33% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lucia Evans
Angel Flying Too Close to the Ground
77 bpm • F# Maj • 03:57 • -8.84db
11% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Joe Dolan
Everybody Hurts
87 bpm • D Maj • 04:31 • -11.46db
18% Popularity • 16% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Lukeman
Magic Days and Magic Ways
87 bpm • D# Maj • 03:18 • -11.2db
10% Popularity • 38% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
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Stockton's Wing
Walk Away
87 bpm • C Maj • 03:36 • -9db
29% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Kieran Goss
Out Of My Head
88 bpm • F# Maj • 04:01 • -9db
21% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cerys Matthews
Mae Hen Wlad Fy Nhadau
77 bpm • A Maj • 02:24 • -8.12db
24% Popularity • 23% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Runrig
In Search of Angels
77 bpm • G# Maj • 04:18 • -8.09db
24% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Show Of Hands
Walk with Me (When the Sun Goes Down)
88 bpm • C Maj • 02:40 • -10.14db
24% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Saw Doctors
Stars over Cloughanover
88 bpm • E Maj • 02:41 • -7.08db
12% Popularity • 51% Danceability • 58% Energy • 17% Liveness
2% Instrumentalness • 21% Positiveness
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Brian Kennedy
Chelsea Morning
88 bpm • D Maj • 02:32 • -8.97db
5% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Eleanor McEvoy
Sleepless
88 bpm • A min • 05:18 • -10.19db
14% Popularity • 25% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Luka Bloom
Make Me Feel My Love
88 bpm • C# Maj • 02:49 • -16.3db
12% Popularity • 50% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Murphy's Pigs
Ellan Vannin
76 bpm • A Maj • 04:27 • -9db
11% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rebecca Storm
Tell Me It's Not True
76 bpm • G Maj • 04:11 • -12.49db
10% Popularity • 36% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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The Saw Doctors
I Hope You Meet Again
76 bpm • G Maj • 03:56 • -4.39db
24% Popularity • 38% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sean Tyrrell
Wild Mountain Thyme
76 bpm • D Maj • 03:43 • -15.29db
33% Popularity • 19% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Tide Lines
The Dreams We Never Lost
76 bpm • G Maj • 05:00 • -13.13db
30% Popularity • 40% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Ciara Mc Cafferty
Where My Heart Will Always Be
76 bpm • E Maj • 05:17 • -7.87db
10% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Paddy Casey
The Lucky One
89 bpm • A# Maj • 03:14 • -7db
31% Popularity • 63% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Dolores Keane
Nothing To Show
89 bpm • A Maj • 03:55 • -17.32db
26% Popularity • 45% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 20% Positiveness
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Maura O'Connell
Down by the Salley Gardens
75 bpm • G Maj • 03:40 • -13.02db
22% Popularity • 51% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Freddie White
Desperadoes Waiting for a Train (Live)
75 bpm • C# Maj • 04:42 • -11.38db
17% Popularity • 55% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
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Cherish The Ladies
Glenties
75 bpm • C Maj • 04:37 • -11db
17% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Kennedy
Free as a Bird
90 bpm • A min • 03:58 • -11.57db
4% Popularity • 53% Danceability • 44% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
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Eleanor McEvoy
Fragile Wishes
90 bpm • A Maj • 03:35 • -17.58db
19% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Shane MacGowan
You're The One
90 bpm • D Maj • 03:58 • -16db
38% Popularity • 17% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Maura O'Connell
I Would Be Stronger Than That
75 bpm • F# Maj • 03:59 • -10.94db
13% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Brendan Grace
The Dutchman
90 bpm • D Maj • 05:09 • -17db
21% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
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Paul Brady
Nothing but the Same Old Story
90 bpm • F# min • 06:03 • -10db
34% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
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Robyn Stapleton
My Love is like a Red, Red Rose
90 bpm • G# Maj • 02:48 • -11.8db
17% Popularity • 29% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Sharon Shannon
Say You Love Me
91 bpm • G Maj • 04:28 • -6db
30% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Dolores Keane
Never Be The Sun
74 bpm • C Maj • 03:43 • -17.08db
32% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Eleanor Shanley
In My Life
91 bpm • D Maj • 03:01 • -7.56db
21% Popularity • 51% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Brendan Bowyer
Boolavogue
91 bpm • F Maj • 03:42 • -8.19db
38% Popularity • 40% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Frances Black
The Time Has Come
93 bpm • G Maj • 03:17 • -17.45db
16% Popularity • 56% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Brady
Once in a Lifetime
73 bpm • G Maj • 03:51 • -12.12db
31% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tolü Makay
N17
72 bpm • G Maj • 03:46 • -5.7db
29% Popularity • 30% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dolores Keane
The Island
92 bpm • A Maj • 04:56 • -14.9db
31% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Kennedy
Carrickfergus
93 bpm • D Maj • 04:59 • -14.4db
31% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Cathie Ryan
So Here's To You
93 bpm • A Maj • 05:36 • -11db
18% Popularity • 30% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Kieran Goss
That's What Love Is For
72 bpm • F# Maj • 03:28 • -10.14db
10% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Aslan
Crazy World
94 bpm • D Maj • 03:46 • -7db
34% Popularity • 46% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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A Better Man