Songs like A Boy Becomes a Man by Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Emerson Drive
A Boy Becomes a Man
136 bpm • B min • 03:25 • -7.42db
7% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Bucky Covington
It's Good To Be Us
135 bpm • E Maj • 03:04 • -3.2db
28% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Kennon
That's Love
136 bpm • G Maj • 03:42 • -6.95db
15% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
Ghosts
135 bpm • E Maj • 03:51 • -6.9db
23% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Doc Walker
Put It into Drive
137 bpm • C# Maj • 03:49 • -7.46db
11% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Jeff Bates
Riverbank
138 bpm • D Maj • 03:43 • -11.21db
20% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
38% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Tracy Lawrence
Somebody Who Would Die for You
138 bpm • D Maj • 03:51 • -5.92db
3% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lonestar
Let's Be Us Again
138 bpm • F# Maj • 03:53 • -4.65db
35% Popularity • 49% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 49% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Rhett Akins
She Said Yes
135 bpm • F Maj • 03:31 • -10db
31% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Blaine Larsen
In My High School
134 bpm • B Maj • 03:53 • -8db
14% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Keith Urban
Put You In A Song
134 bpm • D Maj • 03:40 • -8.5db
40% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bucky Covington
American Friday Night
138 bpm • D Maj • 03:21 • -3.74db
15% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Pritchett
Wake You With a Kiss
134 bpm • D# Maj • 03:37 • -5.93db
19% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Emerson Drive
Testify
138 bpm • D Maj • 03:32 • -6.21db
13% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Halfway to Hazard
Devil And The Cross
138 bpm • G# Maj • 04:16 • -3.92db
14% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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LOCASH
Best Seat in the House
138 bpm • D Maj • 03:24 • -3.68db
22% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Luke Bryan
Too Damn Young
138 bpm • C Maj • 03:36 • -4.92db
42% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Griggs
She Thinks She Needs Me
138 bpm • C Maj • 03:59 • -8db
40% Popularity • 50% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Pritchett
Hold My Beer
134 bpm • E Maj • 04:10 • -4.98db
31% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Craig Campbell
When She Grows Up
138 bpm • A Maj • 03:50 • -7.26db
38% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Brooks Jefferson
More Than a Memory
138 bpm • C# Maj • 03:22 • -4.25db
37% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
54% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Terri Clark
Girls Lie Too - Greatest Hits Version
139 bpm • A Maj • 03:34 • -4.33db
28% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Griggs
Tonight I Wanna Be Your Man
139 bpm • D# Maj • 02:58 • -11.25db
25% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Stillwell
Hey Dad
140 bpm • C# Maj • 03:32 • -7db
31% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Darryl Worley
I Miss My Friend
140 bpm • E Maj • 04:02 • -7.84db
45% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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George Strait
The Breath You Take
132 bpm • B min • 03:35 • -8db
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Big & Rich
Don't Wake Me Up
140 bpm • B Maj • 03:22 • -3.85db
22% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Terri Clark
I Wanna Do It All
133 bpm • E Maj • 02:53 • -5db
41% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Dustin Lynch
Your Daddy's Boots
140 bpm • A Maj • 03:50 • -8.78db
28% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Easton Corbin
Let's Ride
132 bpm • A Maj • 03:05 • -5.66db
34% Popularity • 70% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 70% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Emerson Drive
We Are This Town
132 bpm • C Maj • 03:42 • -4.91db
11% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Love and Theft
Runaway
140 bpm • C# min • 03:49 • -4.39db
39% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Yankee Grey
All Things Considered
141 bpm • G# Maj • 02:39 • -5.38db
34% Popularity • 66% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 66% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Brad Paisley
It Did
141 bpm • D Maj • 03:55 • -6.58db
26% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Holy
A Cliff In Colorado
141 bpm • A Maj • 03:35 • -4.79db
11% Popularity • 49% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 49% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Eldredge
Raymond
131 bpm • B Maj • 03:39 • -3.94db
37% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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John Michael Montgomery
Forever
142 bpm • E Maj • 04:42 • -3db
30% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Emerson Drive
With You
142 bpm • A Maj • 03:06 • -7.57db
14% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Luke Bryan
Good Lookin' Girl
142 bpm • C Maj • 03:43 • -4db
21% Popularity • 59% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 59% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Wayne
Stay Gone
142 bpm • A Maj • 03:46 • -5db
32% Popularity • 52% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 52% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Aldean
Do You Wish It Was Me
142 bpm • G Maj • 04:24 • -6.07db
41% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Thompson Square
Let's Fight
130 bpm • G Maj • 03:01 • -3.64db
19% Popularity • 60% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 60% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Jeff Bates
The Love Song
130 bpm • G# Maj • 04:05 • -6db
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Emerson Drive
Moments
142 bpm • A Maj • 04:58 • -8db
43% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Bryan
You Don't Know Jack
142 bpm • F Maj • 03:16 • -7.4db
41% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Bucky Covington
I Want My Life Back
130 bpm • C Maj • 03:58 • -4db
20% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Lonestar
Walking In Memphis
129 bpm • C Maj • 04:17 • -5.18db
48% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Brice
Good Man
144 bpm • G# min • 03:24 • -9.54db
36% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Blaine Larsen
The Best Man
144 bpm • D Maj • 03:27 • -4.39db
17% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dallas Smith
Jumped Right In
144 bpm • D# Maj • 03:57 • -3.4db
31% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
First Love Song
142 bpm • B Maj • 04:36 • -5db
30% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bucky Covington
A Different World
129 bpm • A Maj • 03:28 • -5.03db
50% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Owen
Something About A Woman
144 bpm • G Maj • 03:13 • -4.44db
29% Popularity • 52% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 52% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
Happy Endings
144 bpm • F# Maj • 03:41 • -5db
28% Popularity • 49% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 49% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Blaine Larsen
Teaching Me How To Love You
144 bpm • C Maj • 02:49 • -5db
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hunter Brothers
Northern Lights
144 bpm • B Maj • 02:56 • -5.25db
28% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Hicks
She Don’t Drink Whiskey Anymore
144 bpm • A min • 03:03 • -5.18db
18% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Ty Herndon
A Man Holdin' On (To a Woman Lettin' Go)
128 bpm • A Maj • 03:37 • -8db
32% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Washboard Union
Feel Like That
128 bpm • A# Maj • 03:10 • -5db
26% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Dallas Smith
If It Gets You Where You Wanna Go
128 bpm • F# Maj • 03:36 • -2.41db
31% Popularity • 50% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
31% Popularity • 50% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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Luke Bryan
Tailgate Blues
128 bpm • G Maj • 03:43 • -5db
39% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
16% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Andy Griggs
If Heaven
145 bpm • E Maj • 03:30 • -9db
38% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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James Otto
You Don't Act Like My Woman
145 bpm • D Maj • 04:13 • -5.22db
10% Popularity • 48% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Emerson Drive
Still Got Yesterday
145 bpm • D Maj • 03:40 • -4.87db
17% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Diamond Rio
In a Week or Two
145 bpm • D Maj • 02:59 • -12db
37% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Bryan
Apologize
128 bpm • D# Maj • 02:52 • -5.07db
36% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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BlackHawk
I Need You All The Time
127 bpm • C# Maj • 02:46 • -4db
29% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Thompson Square
I Got You
127 bpm • D Maj • 03:03 • -2.59db
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lonestar
What About Now
127 bpm • E Maj • 03:31 • -6db
39% Popularity • 74% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 74% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Kip Moore
Where You Are Tonight
146 bpm • G Maj • 04:16 • -7.19db
33% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Toby Keith
She Never Cried in Front of Me
146 bpm • G Maj • 03:59 • -5db
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Levi Riggs
My Best Friend's A Girl
146 bpm • E Maj • 03:17 • -4.27db
22% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Brice
She Ain't Right
146 bpm • A Maj • 03:12 • -5db
40% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Blaine
They Don't Make Em Like That Anymore
146 bpm • F Maj • 03:43 • -3.88db
28% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Keep in Mind
146 bpm • A Maj • 03:47 • -4.42db
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
23% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Southern Gentleman
146 bpm • C Maj • 03:27 • -1.84db
35% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
44% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Shane Steiner
What If She's An Angel
146 bpm • G# Maj • 03:35 • -7.45db
32% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Terri Clark
You're Easy On The Eyes
126 bpm • C Maj • 03:33 • -5.84db
41% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Doc Walker
She Hasn't Always Been This Way
126 bpm • G Maj • 03:27 • -5db
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Rascal Flatts
Here's To You
126 bpm • G# Maj • 03:37 • -4.78db
38% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
40% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Blaine
Friends of Mine
126 bpm • E Maj • 03:32 • -4.26db
13% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Terri Clark
Poor, Poor Pitiful Me
126 bpm • C# Maj • 03:10 • -7db
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Brooks & Dunn
My Heart Is Lost to You
126 bpm • D Maj • 02:59 • -7.37db
28% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Steve Holy
Love Don't Run
147 bpm • C Maj • 03:39 • -3db
32% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
33% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
33% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Lonestar
Unusually Unusual
147 bpm • A# Maj • 03:35 • -6.97db
25% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Keith Anderson
Lost In This Moment
148 bpm • A# Maj • 04:33 • -6db
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
