Songs like A Conversation With Billy Bragg About The Purpose Of Art by The Smith Street Band
Based on a tempo of (+/- 10%) and a similar genre
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DZ Deathrays
Eat You Up
76 bpm • C# Maj • 02:55 • -6.33db
16% Popularity • 36% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 36% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Newling
Ocean
76 bpm • B Maj • 03:34 • -5.45db
27% Popularity • 46% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 46% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Teenage Joans
Superglue
76 bpm • G Maj • 03:24 • -3.35db
36% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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WAAX
Mermaid Beach
76 bpm • B Maj • 03:37 • -8.93db
19% Popularity • 34% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 34% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Amends
Walking Backwards
76 bpm • A Maj • 03:30 • -5.61db
13% Popularity • 38% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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The Smith Street Band
My New Dress Up Shoes
76 bpm • G Maj • 05:00 • -4.95db
22% Popularity • 26% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 26% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Dune Rats
Melted Into Two
76 bpm • B Maj • 03:06 • -2.59db
27% Popularity • 36% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 36% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Camp Cope
Seventeen Going Under - triple j Like A ...
77 bpm • E Maj • 03:57 • -8db
39% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Teenage Joans
By the Way
75 bpm • F# min • 02:51 • -4.13db
24% Popularity • 51% Danceability • 85% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
24% Popularity • 51% Danceability • 85% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Satin Cali
So They Say
75 bpm • F# min • 03:55 • -3.23db
10% Popularity • 38% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 38% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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West Thebarton
Tops
78 bpm • E min • 03:27 • -4.52db
22% Popularity • 55% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 55% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 75% Positiveness
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The Smith Street Band
A Conversation With Billy Bragg About Th...
76 bpm • A# Maj • 02:06 • -3.64db
32% Popularity • 44% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 44% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
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Dune Rats
If This Is The End
77 bpm • F# Maj • 02:10 • -3.07db
16% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Ruby Fields
Airport Cafe
78 bpm • C Maj • 02:59 • -6db
27% Popularity • 48% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 48% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Bugs
Mars & Venus
80 bpm • A Maj • 03:53 • -4.36db
10% Popularity • 41% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 41% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Satin Cali
Will I Die
78 bpm • E min • 03:15 • -5.29db
13% Popularity • 37% Danceability • 95% Energy • 19% Liveness
34% Instrumentalness • 28% Positiveness
13% Popularity • 37% Danceability • 95% Energy • 19% Liveness
34% Instrumentalness • 28% Positiveness
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DZ Deathrays
Grounded or Dead
80 bpm • D Maj • 03:53 • -5.94db
15% Popularity • 47% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 77% Positiveness
15% Popularity • 47% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 77% Positiveness
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The Smith Street Band
Death To The Lads
75 bpm • G Maj • 03:29 • -3.87db
40% Popularity • 26% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 26% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Tired Radio
Old Keys
82 bpm • E Maj • 03:14 • -5db
14% Popularity • 42% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 42% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Spanish Love Songs
Futures
84 bpm • G# Maj • 04:10 • -4.55db
26% Popularity • 47% Danceability • 95% Energy • 7% Liveness
39% Instrumentalness • 29% Positiveness
26% Popularity • 47% Danceability • 95% Energy • 7% Liveness
39% Instrumentalness • 29% Positiveness
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Dune Rats
Drink All Day
84 bpm • E Maj • 03:42 • -3.92db
21% Popularity • 48% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 48% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Melaleuca
Jane's In Town
84 bpm • B Maj • 02:06 • -5.32db
17% Popularity • 21% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 21% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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New Junk City
Sold in Bunches
84 bpm • F# Maj • 03:31 • -6.3db
21% Popularity • 25% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 25% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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The Smith Street Band
Fuck Me & Call Me Jim Lawrie
81 bpm • A Maj • 04:33 • -4.48db
10% Popularity • 24% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 24% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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TOWNS
Boring
85 bpm • A Maj • 01:40 • -6.44db
19% Popularity • 49% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 49% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Ruby Fields
Fairly Lame Fairly Tame
87 bpm • C Maj • 03:05 • -5.52db
31% Popularity • 48% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 48% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Samiam
Crystallized
86 bpm • D Maj • 03:06 • -4.97db
26% Popularity • 42% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 42% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Luca Brasi
Sonny
89 bpm • D# Maj • 03:40 • -4.22db
22% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Good Sniff
Hear Me Out
89 bpm • D Maj • 02:07 • -6.27db
14% Popularity • 46% Danceability • 94% Energy • 30% Liveness
2% Instrumentalness • 38% Positiveness
14% Popularity • 46% Danceability • 94% Energy • 30% Liveness
2% Instrumentalness • 38% Positiveness
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The Smith Street Band
I Hope I Scare People On Public Transpor...
83 bpm • G Maj • 02:57 • -4.2db
11% Popularity • 26% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 26% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Terrys
Silent Disco
89 bpm • A min • 03:03 • -2.81db
33% Popularity • 43% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 43% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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SCABZ
Just At The Pub (gossin' with the gals)
89 bpm • A Maj • 02:42 • -5.99db
21% Popularity • 63% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 63% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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CARSICK
Is What It Is
90 bpm • G Maj • 02:57 • -10.09db
23% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Ruby Fields
OUCH
90 bpm • D min • 01:46 • -2.72db
23% Popularity • 39% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 39% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Beddy Rays
Kicked
90 bpm • A Maj • 02:51 • -10.7db
37% Popularity • 26% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 26% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Suzi
Canberra
91 bpm • C Maj • 03:28 • -6.23db
17% Popularity • 26% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 26% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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The Smith Street Band
Profiteering
90 bpm • D# Maj • 03:37 • -4.52db
20% Popularity • 29% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
20% Popularity • 29% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Deadshowws
In Between
92 bpm • C# Maj • 04:04 • -3.81db
9% Popularity • 48% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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SWMRS
Dye Yer Hair
92 bpm • A Maj • 03:00 • -3.81db
28% Popularity • 50% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Martha
Beat, Perpetual
92 bpm • E Maj • 03:04 • -6.6db
20% Popularity • 39% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 39% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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PET NEEDS
Tracey Emin's Bed
93 bpm • A min • 02:25 • -2.49db
27% Popularity • 46% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 46% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Dune Rats
Dumb TV
93 bpm • A# Maj • 01:54 • -2.35db
18% Popularity • 42% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 42% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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The Smith Street Band
When I Change My Name
93 bpm • G# Maj • 03:45 • -3.94db
31% Popularity • 34% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 34% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Bad Neighbour
Paul Avery
93 bpm • D Maj • 04:41 • -7.68db
20% Popularity • 25% Danceability • 84% Energy • 21% Liveness
11% Instrumentalness • 31% Positiveness
20% Popularity • 25% Danceability • 84% Energy • 21% Liveness
11% Instrumentalness • 31% Positiveness
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The Terrys
Hopscotch
94 bpm • E Maj • 03:39 • -5.65db
42% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Beddy Rays
Rhythms
94 bpm • B Maj • 03:15 • -2.33db
37% Popularity • 23% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 23% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Press Club
Untitled Wildlife
95 bpm • B Maj • 05:48 • -4.64db
15% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Buoys
Linda
95 bpm • D Maj • 02:45 • -5.33db
31% Popularity • 37% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 37% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Skegss
Stranger Days
95 bpm • C Maj • 04:11 • -5.48db
49% Popularity • 47% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 47% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Bad Neighbour
Slip Away
94 bpm • A Maj • 01:53 • -3.99db
32% Popularity • 27% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 27% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Crocodylus
Can't Understand
95 bpm • A Maj • 04:21 • -5.04db
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
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Brixton Alley
Happy Isn't Possible
95 bpm • A Maj • 02:35 • -4.42db
15% Popularity • 52% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 52% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Talk Heavy
I Wanna Skate Again
95 bpm • C# min • 01:49 • -2.18db
20% Popularity • 34% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 34% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Bennies
My Bike
95 bpm • D Maj • 01:51 • -4.25db
29% Popularity • 42% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 42% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Bec Stevens
Maggies Lane
95 bpm • G Maj • 03:38 • -5db
20% Popularity • 51% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Clay J Gladstone
Where Do Ya Want Me?
95 bpm • A# min • 02:12 • -4.06db
21% Popularity • 63% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 63% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Press Club
Endless Motion
95 bpm • A Maj • 02:39 • -3.07db
18% Popularity • 30% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 30% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bad Nerves
Alright
95 bpm • G Maj • 02:36 • -6db
33% Popularity • 42% Danceability • 96% Energy • 30% Liveness
81% Instrumentalness • 54% Positiveness
33% Popularity • 42% Danceability • 96% Energy • 30% Liveness
81% Instrumentalness • 54% Positiveness
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DZ Deathrays
Shadow Walk
96 bpm • A# min • 02:16 • -5.72db
19% Popularity • 42% Danceability • 85% Energy • 77% Liveness
3% Instrumentalness • 65% Positiveness
19% Popularity • 42% Danceability • 85% Energy • 77% Liveness
3% Instrumentalness • 65% Positiveness
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dust
The Gutter
97 bpm • G Maj • 02:41 • -6.77db
22% Popularity • 47% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Bugs
In the Middle (Of It)
98 bpm • F# min • 03:08 • -3.69db
10% Popularity • 38% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 38% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Pandamic
SAM
97 bpm • G Maj • 03:18 • -4db
24% Popularity • 29% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 29% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Press Club
Separate Houses
97 bpm • A# Maj • 04:14 • -5db
22% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Martha
Hope Gets Harder
98 bpm • A Maj • 02:11 • -7db
23% Popularity • 38% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 38% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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TOWNS
98.
98 bpm • A Maj • 02:59 • -5.33db
21% Popularity • 44% Danceability • 95% Energy • 20% Liveness
14% Instrumentalness • 71% Positiveness
21% Popularity • 44% Danceability • 95% Energy • 20% Liveness
14% Instrumentalness • 71% Positiveness
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FIDLAR
Centipede
98 bpm • E Maj • 02:37 • -5.2db
20% Popularity • 52% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 52% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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The Smith Street Band
Hand In My Pocket - triple j Like A Vers...
98 bpm • B Maj • 03:48 • -8.95db
40% Popularity • 34% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 34% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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New Junk City
High in the Morning
98 bpm • D Maj • 03:04 • -4.29db
37% Popularity • 40% Danceability • 99% Energy • 40% Liveness
81% Instrumentalness • 20% Positiveness
37% Popularity • 40% Danceability • 99% Energy • 40% Liveness
81% Instrumentalness • 20% Positiveness
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Press Club
Headwreck
98 bpm • F Maj • 02:36 • -3db
26% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 39% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Martha
F L A G // B U R N E R
98 bpm • D Maj • 03:31 • -7.22db
18% Popularity • 26% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 26% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Bakers Eddy
Hi-Vis Baby
98 bpm • D Maj • 02:16 • -4.02db
13% Popularity • 37% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 37% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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CHEWIE
Solace
99 bpm • A min • 03:48 • -4.58db
20% Popularity • 32% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 32% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Bad Neighbour
When The World Explodes
99 bpm • C Maj • 03:24 • -5.28db
24% Popularity • 26% Danceability • 76% Energy • 9% Liveness
6% Instrumentalness • 27% Positiveness
24% Popularity • 26% Danceability • 76% Energy • 9% Liveness
6% Instrumentalness • 27% Positiveness
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Semantics
Buzzkill
100 bpm • A Maj • 01:02 • -6.97db
10% Popularity • 35% Danceability • 96% Energy • 61% Liveness
92% Instrumentalness • 37% Positiveness
10% Popularity • 35% Danceability • 96% Energy • 61% Liveness
92% Instrumentalness • 37% Positiveness
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Press Club
Obsessing
98 bpm • G Maj • 04:24 • -5db
12% Popularity • 42% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
12% Popularity • 42% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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Bugs
Feel It, You're Falling
100 bpm • E Maj • 04:11 • -6.69db
13% Popularity • 68% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
13% Popularity • 68% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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Pist Idiots
Deadshit
99 bpm • E min • 02:15 • -3.45db
27% Popularity • 35% Danceability • 98% Energy • 66% Liveness
6% Instrumentalness • 27% Positiveness
27% Popularity • 35% Danceability • 98% Energy • 66% Liveness
6% Instrumentalness • 27% Positiveness
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Brixton Alley
This Party Sucks
100 bpm • F# min • 02:26 • -5.2db
9% Popularity • 58% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 58% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 70% Positiveness
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Sincere Engineer
Fireplace
100 bpm • A Maj • 03:12 • -3.4db
37% Popularity • 55% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 55% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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DZ Deathrays
King B
100 bpm • A# min • 03:20 • -7.34db
20% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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CARSICK
Anaconda Frank
100 bpm • A Maj • 02:49 • -8.3db
25% Popularity • 63% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 63% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Bugs
Coming to Get Me
100 bpm • B Maj • 03:34 • -4.35db
8% Popularity • 19% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 19% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 42% Positiveness
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The Chats
Out On The Street
101 bpm • A Maj • 02:01 • -4.1db
35% Popularity • 43% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 43% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Frenzal Rhomb
Gone To The Dogs
101 bpm • F min • 01:27 • -2.75db
21% Popularity • 54% Danceability • 99% Energy • 35% Liveness
38% Instrumentalness • 64% Positiveness
21% Popularity • 54% Danceability • 99% Energy • 35% Liveness
38% Instrumentalness • 64% Positiveness
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The Terrys
IDK
101 bpm • A Maj • 02:59 • -5.07db
25% Popularity • 51% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 51% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Carolyn
LBB
101 bpm • F min • 01:38 • -4.83db
38% Popularity • 52% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 52% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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TOWNS
Season 5 (Break My Fall)
102 bpm • C Maj • 03:14 • -3.28db
20% Popularity • 55% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Dune Rats
What A Memorable Night
102 bpm • D Maj • 02:51 • -2.35db
34% Popularity • 41% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 41% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Talk Heavy
Hoping The Middle
102 bpm • F Maj • 03:25 • -2.76db
11% Popularity • 38% Danceability • 96% Energy • 4% Liveness
66% Instrumentalness • 24% Positiveness
11% Popularity • 38% Danceability • 96% Energy • 4% Liveness
66% Instrumentalness • 24% Positiveness
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Dear Seattle
Feel the Weight
103 bpm • G Maj • 02:47 • -3.23db
24% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Ceres
I Feel Fine, I Feel Sick
103 bpm • B Maj • 03:09 • -5.42db
22% Popularity • 22% Danceability • 86% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
22% Popularity • 22% Danceability • 86% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Voiid
Lexapro
103 bpm • C min • 03:37 • -4.28db
17% Popularity • 52% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 52% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Jaws the Shark
Destroy the World
103 bpm • G# Maj • 03:40 • -6.7db
18% Popularity • 41% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bilk
Fashion
104 bpm • D Maj • 02:54 • -4.39db
32% Popularity • 60% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 60% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 54% Positiveness
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Pist Idiots
Idiocracy
104 bpm • D Maj • 02:07 • -4.15db
28% Popularity • 27% Danceability • 95% Energy • 20% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 27% Danceability • 95% Energy • 20% Liveness
89% Instrumentalness • 18% Positiveness
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Pandamic
Bus
104 bpm • A Maj • 03:16 • -5.12db
20% Popularity • 49% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 49% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Private Function
I'm This Far Away
105 bpm • B Maj • 01:37 • -4.79db
30% Popularity • 24% Danceability • 97% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
30% Popularity • 24% Danceability • 97% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
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The Pretty Littles
Noobie
105 bpm • E min • 02:27 • -3.89db
31% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
