Songs like A Corner Boys Lament - Mahogany Sessions by David Keenan
Based on a tempo of (+/- 10%) and a similar genre
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David Keenan
Corner Boys Lament - Mahogany Sessions
162 bpm • D# Maj • 04:50 • -9.11db
15% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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A Blaze of Feather
Labyrinth - Acoustic
162 bpm • D Maj • 03:15 • -9db
14% Popularity • 22% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 22% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Rayland Baxter
Mother, Mother
164 bpm • E Maj • 03:35 • -19.24db
33% Popularity • 37% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 37% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Chastity Brown
How Could I Forget
160 bpm • C# Maj • 04:02 • -16.64db
15% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lorkin O'Reilly
Ribcage
165 bpm • C# Maj • 02:28 • -16.87db
14% Popularity • 43% Danceability • 14% Energy • 12% Liveness
24% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 14% Energy • 12% Liveness
24% Instrumentalness • 50% Positiveness
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James Walsh
The Greatest Story Never Told
166 bpm • C min • 03:26 • -17.03db
14% Popularity • 42% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 42% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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David Keenan
The Healing
162 bpm • F# min • 03:20 • -7.65db
12% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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William Wild
Wound Up
158 bpm • E Maj • 03:15 • -11.01db
33% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
33% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Olivia Chaney
IOU
159 bpm • E Maj • 04:03 • -8.3db
29% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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The Northern Folk
Cynics
158 bpm • A min • 03:53 • -8.8db
9% Popularity • 33% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 33% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Clea
Polyester
168 bpm • B Maj • 03:28 • -18db
29% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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I'm With Her
Call My Name
156 bpm • F# Maj • 03:12 • -11.37db
45% Popularity • 60% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
45% Popularity • 60% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
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Adonis Augustus
Automatic Prison
156 bpm • A# min • 02:26 • -7.36db
13% Popularity • 48% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 48% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Bird
Olympians - Acoustic
155 bpm • G Maj • 04:57 • -8db
28% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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David Keenan
The Grave of Johnny Filth
169 bpm • C# min • 04:04 • -10.58db
9% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Beta Radio
Tongue Tied - Acoustic
154 bpm • G Maj • 03:05 • -15db
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
64% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
64% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Cattle & Cane
Time to Get It over With
154 bpm • B Maj • 04:07 • -15.85db
15% Popularity • 50% Danceability • 22% Energy • 11% Liveness
13% Instrumentalness • 19% Positiveness
15% Popularity • 50% Danceability • 22% Energy • 11% Liveness
13% Instrumentalness • 19% Positiveness
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Bess Atwell
Pearl
171 bpm • C Maj • 03:36 • -13.04db
17% Popularity • 32% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
17% Popularity • 32% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
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Jarle Skavhellen
Matylda
153 bpm • A# Maj • 03:30 • -9.86db
16% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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David Keenan
Lawrence of Arcadia
170 bpm • D Maj • 04:44 • -7.76db
19% Popularity • 45% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
19% Popularity • 45% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Sam Beam
Sailor to Siren
171 bpm • C# Maj • 03:15 • -11.12db
34% Popularity • 48% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 48% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ana Egge
The Ship
171 bpm • A min • 04:14 • -15.74db
19% Popularity • 32% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 32% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jade Bird
Ruins
172 bpm • D# Maj • 02:44 • -5.72db
32% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
33% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
33% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Saint Sister
Dynamite
152 bpm • C# Maj • 03:21 • -8db
23% Popularity • 65% Danceability • 58% Energy • 37% Liveness
1% Instrumentalness • 38% Positiveness
23% Popularity • 65% Danceability • 58% Energy • 37% Liveness
1% Instrumentalness • 38% Positiveness
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David Keenan
Sentimental Dole
171 bpm • F# Maj • 03:14 • -9.87db
10% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Will Varley
The Hole Around My Head
152 bpm • B Maj • 03:17 • -10.57db
13% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rose Cousins
The Swimmer (To Be an Old Man)
174 bpm • D min • 04:07 • -11.76db
50% Popularity • 28% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 28% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ye Vagabonds
Blue is the Eye
151 bpm • D# Maj • 06:02 • -13.95db
41% Popularity • 38% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
41% Popularity • 38% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Birdtalker
Outside the Lines
174 bpm • G Maj • 03:01 • -12.72db
25% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Saint Sister
Manchester Air
151 bpm • A# Maj • 04:07 • -10.74db
20% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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David Keenan
An Irish Song
171 bpm • B Maj • 04:56 • -10.27db
15% Popularity • 30% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 30% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Brother Brothers
Red And Gold
174 bpm • A# Maj • 02:19 • -17db
40% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Blair Dunlop
Feng Shui
150 bpm • A Maj • 04:46 • -10.91db
3% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Niamh Regan
She
150 bpm • F# Maj • 02:33 • -14.56db
29% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jim and Sam
Doctor Please
150 bpm • E Maj • 03:06 • -13.64db
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Ida Mae
Raining for You
175 bpm • D Maj • 03:04 • -7.09db
11% Popularity • 28% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 28% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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A Blaze of Feather
More Than I
175 bpm • D Maj • 04:30 • -9.75db
33% Popularity • 25% Danceability • 52% Energy • 14% Liveness
10% Instrumentalness • 24% Positiveness
33% Popularity • 25% Danceability • 52% Energy • 14% Liveness
10% Instrumentalness • 24% Positiveness
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Ryan Montbleau
Helplessly Hoping
150 bpm • G Maj • 03:03 • -9.58db
27% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
41% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
41% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Beta Radio
Kilimanjaro (Acoustic)
176 bpm • A# Maj • 03:29 • -10.73db
36% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Fenne Lily
Bud
177 bpm • D# Maj • 03:35 • -12.99db
35% Popularity • 38% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 38% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Brother Brothers
Goodbye Ol' Silver
148 bpm • B Maj • 03:43 • -15.58db
13% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lydia Luce
Like You Do
176 bpm • D# Maj • 03:20 • -11.38db
12% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Foy Vance
The Wild Swans On The Lake
177 bpm • F Maj • 03:07 • -11.28db
22% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Downey
Renewed
177 bpm • A Maj • 03:24 • -12.46db
6% Popularity • 66% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
6% Popularity • 66% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Lemoncello
Morning
177 bpm • C Maj • 05:55 • -12.9db
18% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jordan Merrick
Millennial Blues
148 bpm • E Maj • 03:26 • -9.63db
19% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
36% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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David Keenan
Snakes & Ladders
147 bpm • F# min • 04:35 • -8.9db
11% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Brother Brothers
Angel Island
147 bpm • C min • 05:26 • -14.59db
24% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jade Bird
If I Die
178 bpm • G min • 03:52 • -10db
25% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Baiman
Something To Lose
147 bpm • C min • 03:12 • -13.14db
28% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lemoncello
Mantlepiece
147 bpm • C Maj • 05:47 • -12.53db
25% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Glen Hansard
Why Woman
147 bpm • E Maj • 03:03 • -8.19db
49% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Blanco White
Chasing Dials
147 bpm • A min • 04:03 • -12.87db
32% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
32% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Ye Vagabonds
The Foggy Dew
146 bpm • F Maj • 03:40 • -16.43db
38% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Beta Radio
Afraid of Love
180 bpm • D Maj • 04:28 • -10.13db
29% Popularity • 39% Danceability • 55% Energy • 24% Liveness
3% Instrumentalness • 14% Positiveness
29% Popularity • 39% Danceability • 55% Energy • 24% Liveness
3% Instrumentalness • 14% Positiveness
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Anna Tivel
Bird or Beast
145 bpm • A# Maj • 04:42 • -12.85db
15% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Milk Carton Kids
As the Moon Starts to Rise
145 bpm • F Maj • 03:57 • -14db
20% Popularity • 49% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
20% Popularity • 49% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
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Aoife O'Donovan
Stanley Park
145 bpm • C# Maj • 02:50 • -11db
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Josiah Johnson
I Wish I Had
145 bpm • E Maj • 04:45 • -8db
33% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rose Cousins
Freedom
145 bpm • G# Maj • 04:28 • -8.86db
34% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Ocelots
Till We Get There
145 bpm • E Maj • 04:02 • -12.52db
14% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Tivel
For Emily Asleep
145 bpm • A# Maj • 03:27 • -13.27db
14% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Howl & The Hum
Hostages - Alternate
182 bpm • D Maj • 04:21 • -11.51db
36% Popularity • 35% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 35% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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Beta Radio
Bees and Swans
144 bpm • A Maj • 04:10 • -8.03db
33% Popularity • 34% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 34% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Hudson Taylor
Old Soul
144 bpm • D Maj • 04:08 • -8.62db
20% Popularity • 40% Danceability • 39% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
20% Popularity • 40% Danceability • 39% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
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Will Varley
The Flood
144 bpm • F# min • 02:35 • -14.43db
18% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Joan Shelley
I Got What I Wanted
183 bpm • C min • 03:06 • -13db
28% Popularity • 43% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 43% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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David Keenan
Evidence of Living
143 bpm • A Maj • 06:55 • -18.29db
16% Popularity • 36% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Sunny War
Lucid Lucy
142 bpm • D Maj • 03:37 • -17.54db
47% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Burnside
26th Street
185 bpm • A# Maj • 03:22 • -8.5db
22% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Bess Atwell
Swimming Pool
143 bpm • C# Maj • 04:33 • -12.02db
23% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Anna Mieke
Parallel
185 bpm • G# Maj • 04:41 • -13.58db
28% Popularity • 35% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 35% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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David Keenan
Bark
186 bpm • B Maj • 02:28 • -8.63db
7% Popularity • 33% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 33% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Milk Carton Kids
A Sea of Roses
141 bpm • F# Maj • 03:19 • -17.15db
34% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Wesley Schultz
Downtown Train
140 bpm • A# Maj • 03:47 • -11.38db
12% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Tivel
Dust and Magic
140 bpm • D Maj • 02:59 • -10.11db
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Finn Andrews
One Piece At A Time
140 bpm • F Maj • 02:55 • -21.48db
5% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
5% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
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Glen Hansard
Leave A Light
139 bpm • D# Maj • 04:25 • -11.47db
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Combs
I Envy the Wind
139 bpm • C Maj • 03:14 • -15.14db
13% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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The Milk Carton Kids
The Only Ones
140 bpm • C Maj • 02:32 • -11db
21% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Villagers
Fool - Mahogany Sessions
139 bpm • E min • 03:52 • -11.37db
10% Popularity • 38% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Darlingside
The God of Loss
138 bpm • D Maj • 03:53 • -10.47db
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
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Robby Hecht
Not a Number
138 bpm • D Maj • 03:30 • -14.13db
8% Popularity • 44% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Jade Bird
Cathedral - Acoustic
192 bpm • C min • 02:47 • -7.4db
26% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Christof van der Ven
Empty Handed
203 bpm • G# Maj • 03:58 • -10.33db
18% Popularity • 22% Danceability • 28% Energy • 22% Liveness
8% Instrumentalness • 17% Positiveness
18% Popularity • 22% Danceability • 28% Energy • 22% Liveness
8% Instrumentalness • 17% Positiveness
