Songs like A Feeling Is by The Emotions
Based on a tempo of (+/- 10%) and a similar genre
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The Philadelphia International All-Stars
Save the Children
140 bpm • G min • 04:14 • -9.21db
15% Popularity • 53% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 53% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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The Emotions
Don't Ask My Neighbors
140 bpm • C# Maj • 04:27 • -9.54db
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jerry Butler
Ain't Understanding Mellow
140 bpm • E min • 04:20 • -10.67db
36% Popularity • 45% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 45% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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The Intruders
Save the Children
139 bpm • G min • 06:59 • -11.85db
8% Popularity • 41% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 41% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
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The Spinners
Didn't I Blow Your Mind
139 bpm • A Maj • 03:56 • -13.81db
37% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Covington
We Got One - Extended Mix
141 bpm • G min • 05:06 • -8.72db
11% Popularity • 70% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 70% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Con Funk Shun
Straight From The Heart
141 bpm • D Maj • 04:37 • -11db
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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The Emotions
A Feeling Is
140 bpm • C Maj • 03:36 • -9.34db
30% Popularity • 62% Danceability • 56% Energy • 17% Liveness
53% Instrumentalness • 91% Positiveness
30% Popularity • 62% Danceability • 56% Energy • 17% Liveness
53% Instrumentalness • 91% Positiveness
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Cheryl Lynn
Come in from the Rain
141 bpm • G Maj • 03:32 • -10.29db
17% Popularity • 67% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 67% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 78% Positiveness
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The Intruders
Save the Children
139 bpm • G min • 06:59 • -11.76db
14% Popularity • 52% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 52% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Bloodstone
Just Like in the Movies
139 bpm • F Maj • 03:26 • -14.83db
13% Popularity • 51% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 51% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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Brighter Side of Darkness
Love Jones
138 bpm • F# min • 04:30 • -14.11db
37% Popularity • 52% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 52% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Con Funk Shun
Honey Wild
141 bpm • A# Maj • 04:11 • -14.35db
29% Popularity • 48% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 48% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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The Emotions
On & On
139 bpm • F min • 04:03 • -11.14db
7% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Anita Baker
Feel the Need
142 bpm • C min • 05:38 • -13.2db
23% Popularity • 71% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 71% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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David Ruffin
Can We Make Love One More Time
138 bpm • F min • 04:38 • -15db
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Club Nouveau
Share Your Love
143 bpm • F# Maj • 05:47 • -12.44db
23% Popularity • 77% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 77% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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McFadden & Whitehead
I've Been Pushed Aside
143 bpm • A# Maj • 05:12 • -10db
23% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Con Funk Shun
(Let Me Put) Love On Your Mind
139 bpm • E min • 06:14 • -7db
30% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Emotions
You're The One
142 bpm • A min • 04:02 • -9.81db
10% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Holman
You Make Life Complete
137 bpm • F Maj • 05:36 • -15.05db
12% Popularity • 38% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 38% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Slave
For the Love of U
137 bpm • C# min • 05:12 • -13.94db
17% Popularity • 56% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 56% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Shirley Brown
This Used To Be Your House
143 bpm • D Maj • 05:10 • -6.3db
20% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Starpoint
This Is so Right
143 bpm • D Maj • 04:39 • -8.02db
9% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Con Funk Shun
I'm Leaving Baby
143 bpm • F Maj • 05:41 • -13.29db
32% Popularity • 74% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 74% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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The Emotions
How Can You Stop Loving Someone
143 bpm • C# Maj • 04:15 • -12.25db
14% Popularity • 45% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 45% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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T.S. Monk
The Last of the Wicked Romancers
144 bpm • G Maj • 04:41 • -9.01db
18% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Controllers
Somebody's Gotta Win
136 bpm • A min • 08:02 • -16db
25% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Brock
Have A Nice Weekend Baby
136 bpm • G# Maj • 04:26 • -4.09db
14% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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David Oliver
Ms.
144 bpm • A min • 05:21 • -11.65db
21% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
21% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
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Blue Magic
Tear It Down
136 bpm • C# Maj • 05:30 • -12.69db
26% Popularity • 46% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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The Emotions
Where Is Your Love
141 bpm • F# Maj • 03:57 • -9.95db
14% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Manhattans
Honey, Honey
136 bpm • G Maj • 03:46 • -11.98db
26% Popularity • 66% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 66% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Jones Girls
Who Can I Run To
144 bpm • C# min • 03:24 • -11.45db
50% Popularity • 62% Danceability • 42% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 62% Danceability • 42% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
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DeBarge
A Dream
144 bpm • C min • 04:24 • -13db
42% Popularity • 65% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Soul Survivors
City of Brotherly Love
145 bpm • F# min • 03:21 • -8.65db
20% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Blue Magic
Guess Who - 2007 Remaster
136 bpm • A min • 03:37 • -7db
10% Popularity • 44% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 44% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Ray, Goodman & Brown
Happy Anniversary
136 bpm • C min • 04:34 • -14.53db
27% Popularity • 40% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 40% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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The Emotions
The Best Part Of A Love Affair
142 bpm • B min • 03:29 • -16.1db
11% Popularity • 52% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 52% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Lou Rawls
Groovy People
135 bpm • A# min • 03:18 • -9db
33% Popularity • 64% Danceability • 78% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 78% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
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Edwin Starr
There You Go
145 bpm • A# min • 03:04 • -14.05db
27% Popularity • 74% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Brainstorm
You Put A Charge In My Life
145 bpm • E Maj • 04:11 • -12.37db
30% Popularity • 59% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 59% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 73% Positiveness
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Sinclair
I Want You Back
145 bpm • B Maj • 04:41 • -8db
16% Popularity • 66% Danceability • 72% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 66% Danceability • 72% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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The New Birth
Stop, Look, Listen (To Your Heart)
135 bpm • C min • 04:55 • -12.52db
16% Popularity • 57% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
16% Popularity • 57% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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The Emotions
Now That I Know
138 bpm • C Maj • 04:05 • -10.11db
18% Popularity • 58% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 58% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Esther Phillips
I Hope You'll Be Very Unhappy
134 bpm • C Maj • 03:53 • -9.79db
11% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Yarbrough & Peoples
Come To Me
146 bpm • G# Maj • 05:44 • -12db
16% Popularity • 59% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 59% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Con Funk Shun
All Up To You
146 bpm • F# min • 05:31 • -18.42db
28% Popularity • 50% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 50% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Evelyn "Champagne" King
I Think My Heart Is Telling
134 bpm • A min • 04:19 • -11.93db
35% Popularity • 74% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 74% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Shirley Jones
Do You Get Enough Love?
134 bpm • G Maj • 04:39 • -9db
23% Popularity • 77% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 77% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
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The Emotions
What's the Name of Your Love
136 bpm • A# min • 03:45 • -10.92db
13% Popularity • 75% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 95% Positiveness
13% Popularity • 75% Danceability • 86% Energy • 9% Liveness
4% Instrumentalness • 95% Positiveness
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Dazz Band
Knock! Knock!
134 bpm • A min • 04:43 • -18.49db
23% Popularity • 60% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Womack & Womack
T.K.O.
134 bpm • G# min • 04:17 • -18.08db
26% Popularity • 70% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 70% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Tha Fam
All About Love
133 bpm • F min • 05:03 • -7.22db
0% Popularity • 79% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 83% Positiveness
0% Popularity • 79% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 83% Positiveness
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The Bar-Kays
Anticipation
147 bpm • D# Maj • 05:47 • -10.98db
32% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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G.Q.
Don't Stop This Feeling
133 bpm • F Maj • 04:57 • -10db
25% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Emotions
A Long Way to Go
133 bpm • D# min • 03:48 • -8.36db
18% Popularity • 63% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
18% Popularity • 63% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Slave
Thank You
147 bpm • F# min • 05:45 • -17db
20% Popularity • 57% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 57% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Greg Perry
Variety Is The Spice Of Life - Remastere...
148 bpm • E Maj • 04:20 • -9db
11% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Leroy Hutson
Lover's Holiday
148 bpm • F# Maj • 03:47 • -10db
15% Popularity • 53% Danceability • 86% Energy • 33% Liveness
4% Instrumentalness • 90% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 33% Liveness
4% Instrumentalness • 90% Positiveness
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Minnie Riperton
Can You Feel What I'm Saying?
132 bpm • C Maj • 04:18 • -10.48db
27% Popularity • 68% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 68% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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David Ruffin
I Miss You (Part 1)
132 bpm • D# Maj • 03:51 • -9.1db
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Chi-Lites
Toby
131 bpm • G# Maj • 03:50 • -7db
25% Popularity • 48% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 48% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Augie's Side Effect
S.O.S.
131 bpm • G min • 04:56 • -4.41db
13% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Switch
I Wanna Be With You
150 bpm • E Maj • 03:51 • -10.39db
17% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Blue Magic
Chasing Rainbows
150 bpm • F Maj • 03:36 • -10.78db
27% Popularity • 42% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 42% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Anthony Watson
Solid Love Affair
131 bpm • D Maj • 03:49 • -7.41db
23% Popularity • 49% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 49% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Leon Haywood
This Feeling's Rated X-Tra
130 bpm • F min • 03:44 • -7.46db
12% Popularity • 60% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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The Chi-Lites
A Letter To Myself
131 bpm • A Maj • 05:38 • -9.98db
28% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Force M.D.'s
Tears
130 bpm • F Maj • 04:22 • -11db
30% Popularity • 63% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 63% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Switch
It's So Real
150 bpm • C# Maj • 04:05 • -10.86db
14% Popularity • 62% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Blue Magic
Chasing Rainbows
150 bpm • F Maj • 04:21 • -12.06db
15% Popularity • 37% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 37% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Prince Phillip Mitchell
Falling from Heaven - Remastered Version
130 bpm • D Maj • 06:19 • -8.34db
8% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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McFadden & Whitehead
You're My Someone To Love
130 bpm • C Maj • 04:37 • -9.18db
18% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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A Taste Of Honey
If We Loved
129 bpm • F# Maj • 04:26 • -11.6db
13% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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The New Birth
Dream Merchant
151 bpm • F min • 04:38 • -13.24db
18% Popularity • 42% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 42% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Patrice Rushen
Givin' It Up Is Givin' Up
152 bpm • E Maj • 04:54 • -11db
34% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Blue Magic
Grateful
129 bpm • E min • 04:21 • -7.79db
24% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Heatwave
All You Do Is Dial
129 bpm • C Maj • 04:12 • -13.39db
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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David Ruffin
I Get Excited
153 bpm • B min • 02:55 • -12.65db
14% Popularity • 61% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Harold Melvin & The Blue Notes
I Should Be Your Lover
128 bpm • B Maj • 05:53 • -11.7db
19% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Emotions
We Go Through Changes
128 bpm • A# min • 00:55 • -24.14db
12% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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The Blackbyrds
Love So Fine
154 bpm • C Maj • 05:01 • -12.9db
25% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lenny Williams
Shoo Doo Fu Fu Ooh
128 bpm • G Maj • 03:22 • -11.93db
25% Popularity • 70% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 70% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 78% Positiveness
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Blue Magic
Spell
127 bpm • D# Maj • 03:18 • -8db
34% Popularity • 46% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 46% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Lena Calhoun
Been Looking Your Way
127 bpm • G Maj • 03:15 • -12.82db
4% Popularity • 52% Danceability • 47% Energy • 18% Liveness
13% Instrumentalness • 95% Positiveness
4% Popularity • 52% Danceability • 47% Energy • 18% Liveness
13% Instrumentalness • 95% Positiveness
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Passion
Midnight Lovers
154 bpm • E Maj • 04:10 • -16.08db
23% Popularity • 67% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 67% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The New Birth
Your Love Is
127 bpm • E min • 05:06 • -16.06db
9% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Manhattans
We Never Danced To A Love Song
126 bpm • G Maj • 04:18 • -12db
30% Popularity • 45% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 45% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Temprees
Your Love (Is All I Need)
126 bpm • D Maj • 03:37 • -12.8db
33% Popularity • 64% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 64% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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The Delfonics
I Told You So
126 bpm • G# Maj • 03:10 • -8.9db
36% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Patrice Rushen
Settle for My Love - Remastered Version
126 bpm • G# min • 05:13 • -9.02db
44% Popularity • 67% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 67% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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The Emotions
Come Into My World
126 bpm • B min • 04:41 • -10.77db
11% Popularity • 80% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 80% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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The New Birth
It's Been a Long Time
126 bpm • D min • 05:54 • -10.45db
35% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Prince Phillip Mitchell
Make It Good - Remastered
156 bpm • B min • 03:38 • -7.77db
18% Popularity • 47% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 47% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Bloodstone
Outside Woman
156 bpm • A Maj • 04:52 • -9.85db
19% Popularity • 39% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 39% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
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The Delfonics
I Told You So - Digitally Remastered 199...
126 bpm • D# Maj • 03:10 • -11.35db
3% Popularity • 66% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 66% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 73% Positiveness
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The Dynamic Superiors
Leave It Alone
156 bpm • F min • 03:40 • -8.87db
23% Popularity • 44% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 44% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
